A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever. Written by
In Spanish (at least in Chile), the movie was renamed as "Heroes" at the cinemas, which led to confusion to moviegoers who were expecting some relation with Heroes (2006), the TV series. Both the movie and the series tell the story of a group of people with super-powers being chased by a secret organization. See more »
(at around 1h 06 mins) When they look at the building that is represented as a question sign on the drawing, there a helicopter to the left, in the next scene is the helicopter not to be seen again. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
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While there have been superhero genre films, there is something about the way that Push takes you through the back alleys, fish markets and pint-sized hotel rooms of Hong Kong that sets it apart and makes it palpably exciting. It is exotic, but this is no fantasy world, it is a dirty reality that the characters inhabit.
Fitting perfectly with this is the lack of a clear hierarchy of super powers. In most superhero films, there are clear levels of powers, and you know exactly which characters should be stronger than others, but Push has a perfectly muddied picture we're on the edge of our seats, because we don't know who should win. It feels oddly realistic.
Chris Evans rises to the occasion as usual as the semi-powerful protagonist, Nick, mixing in his trademark cocky funny attitude with a subtle melancholy outlook. Dakota Fanning is definitely growing up, and she is highly likable as the adolescent future teller. Camilla Belle is gorgeous, and Djimon Hounsou is as intimidating as ever as the primary villain.
It's weird to see people compare this to Jumper, because while Jumper was filled with cheap tricks, Push has you talking about the movie when you leave theaters, and thinking about its concept long after. I really like the universe it created, so I really hope we'll get to see it again with a sequel!
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