The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they're shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy. Written by
Three to Get Ready and Four to Go
Written by Dave Brubeck
Performed by Dave Brubeck Quartet (as The Dave Brubeck Quartet)
Published by Derry Music Company (BMI)
Courtesy of Derry Music Company See more »
Lynch's Best Film, Hardest to Watch, Yet Most Rewarding... A Masterpiece.
Inland Empire is the Man with a Movie Camera of the 21st Century. It is the most experimental, surreal, and technically brilliant film I may have ever seen. Lynch proves that all he needs is a simple DV camera to show the world the entire range of human emotions and the human experience from the happiest to the darkest moments we must go through to achieve salvation and cleansing of the soul. This film is not so much about a particular story or narrative as it is about analyzing, exploring, and creating a visual palette for ideas about traveling to and from the past, present, and future as it relates to our constant journey back and forth into our own psyches and our collective unconscious. Each of Lynch's films explores the mind in terms of Jungian philosophy, focusing particularly on The Shadow; however, Inland Empire goes further in this direction than any film previous to it. If Mulholland Drive was 25% a dark and surreal suspense thriller ghost story and journey into the nether regions of the mind and 75% classical, yet not necessarily structural or connected narrative, Inland Empire is 10% straight narrative and 90% raw psychological horror ghost story.
The journey is long and hard but at the end you will be rewarded with the kind of peace and serenity that can only come from a meditation this long, deep, and powerful. I was filled with only inner bliss as I left the theatre and slept like a baby, completely at peace. This is David Lynch's most powerful film and speaks volumes on the many unexplored topics of how this medium can communicate, terrify, and heal in ways we have not yet even begun to understand.
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