6 out of 9 people found the following comment useful :- I love this show, 21 ottobre 2005
Author:
data_art da United States
At first glance, this show seems like it's going to be just another
eye-candy extravaganza. However, it's MUCH more. I haven't missed an
episode and I thoroughly enjoy the sidesplitting humor.
I hadn't seen Busy Philipps before now, and she's quite the humorist
and actress! Ms Gomez Preston's quippy brilliance is uncanny. Holly
Robinson Peete is awesome as usual. Vince Veiluf's "interpretation of
everyman" is really good. This show has plenty of potential - they meet
new people constantly and their interoffice encounters are insightful,
with many possibilities for depth. So far, they haven't gone with cheap
humor and I appreciate that. P.S. Ion Overman?? WOW!! Angels walk on
the earth.
2 out of 3 people found the following comment useful :- "Love, Inc" gets better every week!, 21 gennaio 2006
Author:
cutvelvet da United States
This show is really funny and truly interesting in terms of the mix of
people. They really touch on all kinds of subjects and manage to stay
funny without ever being cruel.. I think it's adorable.. and I love Ion
Overman and Holly!! Can't wait to see if Busy ever gets a decent date!
The writing gets fresher and cuter all the time. "Everyone Loves Chris"
is a good lead-in - but this show really appeals to adults too.. and
all races and creeds. It's so sad that people don't give new shows a
chance to develop. I mean Even the great hits were not perfect the
first few months.. they grow on you and "Love, Inc." is really growing
on me. i laugh out loud every week, and that almost never happens.
cutvelvet
4 out of 7 people found the following comment useful :- Funny, but where can it go?, 6 ottobre 2005
Author:
mh1990 da United States
I love Holly Robinson Peete, and that's what initially attracted me to
this show. However, the stand-out characters here are Fran (Reagan
Gomez-Preston of "The Parent 'Hood") and Barry (Vince Vieluf).
I think that the show is pretty funny. Not laugh-out-loud hilarious
like its lead-in, "Everybody Hates Chris," but it's pretty good.
Although I find the laughs entertaining and enjoyable, I wonder where a
show like this could possibly go. What can they do to make the show
better? Even "The Cosby Show" got better as the years progressed. What
will the writers be able to do to keep viewers coming back? You can't
just punch-line your way to into the classic series hall of fame. Sure,
the punch lines are great, but there has to be more.
Basically, I like the show (not love, as I do "Everybody Hates Chris"),
but I don't think that it has any potential.
1 out of 2 people found the following comment useful :- Yet another one..., 20 agosto 2007
Author:
J Frost da New Zealand
Do the writers that conjure up these type of "comedies" have such empty
lives that they have to embody them in tragic shows like this?.
Why the talented and gorgeous Busy Phillips is amongst this trash is
beyond me,I cannot stand the Hispanic girl whose accent sounds very
fake and is so unfunny and annoying as is the other African-American
girl with the shrill voice.
The jokes are often stupid, the Jewish guy yells a lot and the show
never goes anywhere, one particular episode with the solider looking
for love was just terrible.
I don't believe there would be that many working in a looking for love
office and only one man? Of course all of the Woman are in tight
fitting tops and tons of make up to make up for their lack of talent.
I actually found Holly funny in her older shows and I have always
admired Busy but this show is dumb, empty and had nothing going for it.
0 out of 1 people found the following comment useful :- "Love" spreads itself so thin trying to appeal to everybody that the final produce is a completely diluted mess, 3 giugno 2006
Author:
howTVshouldbe da star range: 1 - 4, expanded to 5 for classics
Network: UPN; Genre: Sitcom; Content Rating: TV-PG (for language and
adult content); Perspective: Classic (star range: 1 - 4);
Seasons Reviewed: 1 season
To be honest, when I watch a TV show, I certainly don't sit there
critiquing the acting, story logic and visual symbolism. What fun would
that be? I get a feeling about what I'm watching, and from that feeling
comes an effort to describe it and break the show down in ways that
others may understand it. I say that because a show like "Love, In." is
a train-wreck of such horror it cannot be described in listing of
technical failings, but in the general feeling that it injects in you.
A great show gives me an inspired, excited, mildly euphoric feeling.
"Love, Inc." is a virtually unwatchable mess that sounds like nails on
a chalkboard and the feeling: it's more like Morgellon's Disease.
Loosely plotted, played as loudly and broadly as possible and not the
slightest bit funny, the characters of "Love" all work at a dating
service where they help the romantically impaired find someone who will
have them. Naturally, they can't heal their own hearts In other words,
it is just about the most worthless job on the planet. They must have a
day job. This can't pay the bills.
There is no relationship insight here. None of their advice or
techniques seems particularly innovative and all of their clients are
pathetic misfits with enough of a good heart so we will root for them
in the end. "Love" blatantly carries out the TV mandate to put forth
the idea that everybody should get together and those that don't are
"lonely and miserable". I can't fault "Love" too much for its
single-minded almost propaganda-like attitude toward bashing single
people, most of TV does it and because single people aren't a
politically protected minority group, nobody ever says a word.
But there is an attempt at audience manipulation going on here that is
more insulting than the average sitcom. Holly Robinson Peete stars is
the head of the business (down to Earth with her co-workers, but often
succumbing to romantic flights of fancy on her own time) and the heart
is Busey Phillips as the love-faithful believer. I'm going to give
Phillips a pass here because she looks good as a brunette and all
"Freaks and Geeks" alumni get a kind of diplomatic immunity for any
future TV mis-step. It seems that Peete has staffed the business up
with one eye on the quotas and another trying to make her co-workers as
obnoxious as possible. From the greasy, goofy white guy (Vince Vieluf)
to the loud, feisty Latina (Ion Overman, "The L Word"), nobody shuts up
and all have been transparently designed to drag in the largest,
multi-cultural demographic as possible. "Love" spreads itself so thin
trying to appeal to everybody that the final produce is a completely
diluted mess.
One good idea is the episode titles, which reference other TV shows:
from "Arrested Development" to "Bossom Buddies". Since "Love, inc."
isn't about TV at all, I'm making a leap to say that this too is a bit
of audience manipulation to lure the TV fans into a show that isn't a
fraction as clever as the use of the titles. "Love, Inc." isn't worth
the time it takes to tell you that it isn't worth your time.
½ / 4
5 out of 12 people found the following comment useful :- Not good, 14 ottobre 2005
Author:
(pglen111) da Virginia Beach, VA
This show is awful and the jokes are flat and I really don't see any
potential for it progressing. I don't know what's going on with these
networks-maybe they need better writers or something, but most of the
so called sitcoms on UPN or boring and lack humor. I like Holly
Robinson-Pete, but I am just so surprised to see her in something like
this. Of course, I hope the show will improve but for now it appears
like their is no room for hope. The characters all appear like they
don't have " life" they are all just so flat and lack energy. Everybody
hates Chris is pretty funny which is a lead for love, inc, however,
without it, I don't think it would have survived as long as it did.
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"Love, Inc." (2005)
6 out of 9 people found the following comment useful :-
I love this show, 21 ottobre 2005
Author: data_art da United States
At first glance, this show seems like it's going to be just another eye-candy extravaganza. However, it's MUCH more. I haven't missed an episode and I thoroughly enjoy the sidesplitting humor.
I hadn't seen Busy Philipps before now, and she's quite the humorist and actress! Ms Gomez Preston's quippy brilliance is uncanny. Holly Robinson Peete is awesome as usual. Vince Veiluf's "interpretation of everyman" is really good. This show has plenty of potential - they meet new people constantly and their interoffice encounters are insightful, with many possibilities for depth. So far, they haven't gone with cheap humor and I appreciate that. P.S. Ion Overman?? WOW!! Angels walk on the earth.
2 out of 3 people found the following comment useful :-
"Love, Inc" gets better every week!, 21 gennaio 2006
Author: cutvelvet da United States
This show is really funny and truly interesting in terms of the mix of people. They really touch on all kinds of subjects and manage to stay funny without ever being cruel.. I think it's adorable.. and I love Ion Overman and Holly!! Can't wait to see if Busy ever gets a decent date! The writing gets fresher and cuter all the time. "Everyone Loves Chris" is a good lead-in - but this show really appeals to adults too.. and all races and creeds. It's so sad that people don't give new shows a chance to develop. I mean Even the great hits were not perfect the first few months.. they grow on you and "Love, Inc." is really growing on me. i laugh out loud every week, and that almost never happens. cutvelvet
4 out of 7 people found the following comment useful :-
Funny, but where can it go?, 6 ottobre 2005
Author: mh1990 da United States
I love Holly Robinson Peete, and that's what initially attracted me to this show. However, the stand-out characters here are Fran (Reagan Gomez-Preston of "The Parent 'Hood") and Barry (Vince Vieluf).
I think that the show is pretty funny. Not laugh-out-loud hilarious like its lead-in, "Everybody Hates Chris," but it's pretty good.
Although I find the laughs entertaining and enjoyable, I wonder where a show like this could possibly go. What can they do to make the show better? Even "The Cosby Show" got better as the years progressed. What will the writers be able to do to keep viewers coming back? You can't just punch-line your way to into the classic series hall of fame. Sure, the punch lines are great, but there has to be more.
Basically, I like the show (not love, as I do "Everybody Hates Chris"), but I don't think that it has any potential.
1 out of 2 people found the following comment useful :-

Yet another one..., 20 agosto 2007
Author: J Frost da New Zealand
Do the writers that conjure up these type of "comedies" have such empty lives that they have to embody them in tragic shows like this?.
Why the talented and gorgeous Busy Phillips is amongst this trash is beyond me,I cannot stand the Hispanic girl whose accent sounds very fake and is so unfunny and annoying as is the other African-American girl with the shrill voice.
The jokes are often stupid, the Jewish guy yells a lot and the show never goes anywhere, one particular episode with the solider looking for love was just terrible.
I don't believe there would be that many working in a looking for love office and only one man? Of course all of the Woman are in tight fitting tops and tons of make up to make up for their lack of talent.
I actually found Holly funny in her older shows and I have always admired Busy but this show is dumb, empty and had nothing going for it.
0 out of 1 people found the following comment useful :-
"Love" spreads itself so thin trying to appeal to everybody that the final produce is a completely diluted mess, 3 giugno 2006
Author: howTVshouldbe da star range: 1 - 4, expanded to 5 for classics
Network: UPN; Genre: Sitcom; Content Rating: TV-PG (for language and adult content); Perspective: Classic (star range: 1 - 4);
Seasons Reviewed: 1 season
To be honest, when I watch a TV show, I certainly don't sit there critiquing the acting, story logic and visual symbolism. What fun would that be? I get a feeling about what I'm watching, and from that feeling comes an effort to describe it and break the show down in ways that others may understand it. I say that because a show like "Love, In." is a train-wreck of such horror it cannot be described in listing of technical failings, but in the general feeling that it injects in you. A great show gives me an inspired, excited, mildly euphoric feeling. "Love, Inc." is a virtually unwatchable mess that sounds like nails on a chalkboard and the feeling: it's more like Morgellon's Disease.
Loosely plotted, played as loudly and broadly as possible and not the slightest bit funny, the characters of "Love" all work at a dating service where they help the romantically impaired find someone who will have them. Naturally, they can't heal their own hearts In other words, it is just about the most worthless job on the planet. They must have a day job. This can't pay the bills.
There is no relationship insight here. None of their advice or techniques seems particularly innovative and all of their clients are pathetic misfits with enough of a good heart so we will root for them in the end. "Love" blatantly carries out the TV mandate to put forth the idea that everybody should get together and those that don't are "lonely and miserable". I can't fault "Love" too much for its single-minded almost propaganda-like attitude toward bashing single people, most of TV does it and because single people aren't a politically protected minority group, nobody ever says a word.
But there is an attempt at audience manipulation going on here that is more insulting than the average sitcom. Holly Robinson Peete stars is the head of the business (down to Earth with her co-workers, but often succumbing to romantic flights of fancy on her own time) and the heart is Busey Phillips as the love-faithful believer. I'm going to give Phillips a pass here because she looks good as a brunette and all "Freaks and Geeks" alumni get a kind of diplomatic immunity for any future TV mis-step. It seems that Peete has staffed the business up with one eye on the quotas and another trying to make her co-workers as obnoxious as possible. From the greasy, goofy white guy (Vince Vieluf) to the loud, feisty Latina (Ion Overman, "The L Word"), nobody shuts up and all have been transparently designed to drag in the largest, multi-cultural demographic as possible. "Love" spreads itself so thin trying to appeal to everybody that the final produce is a completely diluted mess.
One good idea is the episode titles, which reference other TV shows: from "Arrested Development" to "Bossom Buddies". Since "Love, inc." isn't about TV at all, I'm making a leap to say that this too is a bit of audience manipulation to lure the TV fans into a show that isn't a fraction as clever as the use of the titles. "Love, Inc." isn't worth the time it takes to tell you that it isn't worth your time.
½ / 4
5 out of 12 people found the following comment useful :-
Not good, 14 ottobre 2005
Author: (pglen111) da Virginia Beach, VA
This show is awful and the jokes are flat and I really don't see any potential for it progressing. I don't know what's going on with these networks-maybe they need better writers or something, but most of the so called sitcoms on UPN or boring and lack humor. I like Holly Robinson-Pete, but I am just so surprised to see her in something like this. Of course, I hope the show will improve but for now it appears like their is no room for hope. The characters all appear like they don't have " life" they are all just so flat and lack energy. Everybody hates Chris is pretty funny which is a lead for love, inc, however, without it, I don't think it would have survived as long as it did.
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