Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
It is 1942, America has entered World War II, and sickly but determined Steve Rogers is frustrated at being rejected yet again for military service. Everything changes when Dr. Erskine recruits him for the secret Project Rebirth. Proving his extraordinary courage, wits and conscience, Rogers undergoes the experiment and his weak body is suddenly enhanced into the maximum human potential. When Dr. Erskine is then immediately assassinated by an agent of Nazi Germany's secret HYDRA research department (headed by Johann Schmidt, a.k.a. the Red Skull), Rogers is left as a unique man who is initially misused as a propaganda mascot; however, when his comrades need him, Rogers goes on a successful adventure that truly makes him Captain America, and his war against Schmidt begins. Written by
Kenneth Chisholm (email@example.com)
Paul Warren (an experienced film double and actor, mostly known for roles wearing prosthetics) was used in pre-production to help develop the 'Skinny Steve Rogers' effect by CGI supervisor, Christopher Townsend, as well as one of the 'Skinny Steve' on set stand-ins. English Shakespearean trained stage actor, Leander Deeny, was used as the on set as the 'Skinny Steve' double when Chris Evans was sitting or lying down, or when a minimum of physical movement was required. See more »
(at around 1h 50 mins) During the radio broadcast of the Dodgers-Phillies game, the broadcaster mispronounces the name of Brooklyn outfielder Pete Reiser as "riser", but it should be "reeser". The broadcaster is apparently Red Barber, the Dodgers' long-time announcer, who would have known how to pronounce Reiser's name. See more »
A Super-hero Rightly Interpreted for the Big Screen
Like many comic-book fans I was expecting the worst from this movie. This is not because the character has any less depth than other super-heroes, but I knew that it would be extremely difficult to transition Steve Rogers to film in a serviceable way. The guy is called "Captain America" for heaven's sake.
Any comic-book reader would probably appreciate the ironies and idiosyncrasies behind such ostentatiously patriotic code-name, mostly because in print Cap has challenged the assumptions behind his symbolism, becoming a more conflicted and universal figure.
But its hard to translate any of this idiosyncrasy successfully in 2 hours. Fortunately the film, instead of getting to political, is more old-fashioned pulp like Indy or "Sky Captain," which thankfully never takes itself too seriously (which was one of the flaws of "Thor").
I had my doubts that Chris Evans could pull off the modesty and heart needed for the role, but I was wrong. As the Red Skull, Hugo Weaving was wonderfully evil in a nostalgic, serial-villain kind of way. Haley Atwell is a sidekick/love-interest with the rare quality of not being incredibly annoying, and Tommy Lee Jones is perfectly cast as Tommy Lee Jones.
The reason I found this to be a good movie was because I enjoyed it, plain and simple. It's well-photographed and well-acted. Like its titular hero, it modestly embraced its silliness, creating a charming B-movie experience.
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