The Aristocrats (2005)

Regista:

Paul Provenza

Data di uscita:

9 settembre 2005 (UK)

Genere:

Documentary | Comedy

Slogan:

100 Superstar Comedians. One Very Dirty Joke.

Plot:

One hundred superstar comedians tell the same very, VERY dirty, filthy joke--one shared privately by comics since Vaudeville.

Plot Keywords:

Variety Act | Card Trick | Offensive | Vaudeville | Joke About Rape

Premi:

4 nominations

Recensioni degli utenti:

Not a comedy. Not a bad thing.

Cast

Chris Albrecht	...	Himself - HBO Chairman / CEO
Jason Alexander	...	Himself
Hank Azaria	...	Himself
Shelley Berman	...	Himself
Steven Banks	...	Billy The Mime (as Billy The Mime)
Lewis Black	...	Himself
David Brenner	...	Himself
Mario Cantone	...	Himself
Drew Carey	...	Himself
George Carlin	...	Himself
Mark Cohen	...	Himself
Scott 'Carrot Top' Thompson	...	Himself (as Carrot Top)
Billy Connolly	...	Himself
Pat Cooper	...	Himself
Wayne Cotter	...	Himself

Alias:

The @r!$t* (r@t$ (USA) (promotional title)

Durata:

89 min

Nazionalità:

USA

Lingua:

Inglese

Colore:

Colore

Aspect Ratio:

1.85 : 1

Sonoro:

Stereo

Divieti:

Norway:15 | Australia:R | Sweden:Btl | Portugal:M/18 | Netherlands:AL (uncut) | Finland:K-18 | Iceland:12 | New Zealand:R18 | USA:Unrated | USA:Not Rated | UK:18 | Ireland:18 | Canada:18+ (Quebec) | Canada:18A (Alberta/British Columbia/Manitoba/Ontario)

Company:

Mighty Cheese Productions

Curiosità:

According to his biography, "I'm Chevy Chase and You're Not", Chevy Chase filmed a version of the joke as well. However, at the last second he decided not to sign the release form as he was afraid of what his daughters would think of the joke's content.

Citazioni:

Joe Franklin: A man walks into a talent agent's office and says that he has an act...

Movie Connections:

Fa riferimento a Popeye the Sailor (1933)

Not a comedy. Not a bad thing.

The Aristocrats is not a funny joke.

This is a fact admitted at several points through this film. And it's an important thing to bear in mind when considering the film, because the film is not the joke. The film is *about* the joke. It's a documentary. It deals with far more light-hearted matter than the average documentary, but it's a documentary nonetheless. Yes, the joke is told frequently and in various ways throughout the film. But in and of themselves, only about four incarnations of the joke are worthwhile. Billy The Mime's version is inspired, the guy who does it with playing cards is clever, Gilbert Gottfried's is a masterpiece of saying precisely the wrong thing at the right time, and Sarah Silverman's first-person rendition lies perfectly between deadpan hilarity and abject horror.

The value of the film lies in the story of the joke. And in this regard, it stands as one of the funniest films ever made. The joke isn't something to be told at the dinner table. It's a challenge, told by comedians to comedians. And this is where the hundred or so comedians in this film come in, to tell us their own stories and experiences about the inception and reception of it - and of course, to do this it becomes necessary for one or two of them to provide their own interpretations. And so it goes on.

As a comedy, it's not that funny; it is, in a very literal sense, a one-joke movie. As a documentary, it's genius.