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The Return (2006/I)
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Overview
Voti degli utenti:
Data di uscita:
10 novembre 2006 (USA) ancoraSlogan:
This November, fear comes home. ancoraPlot:
Joanna Mills (Gellar), a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place. full summary | full synopsisRecensioni degli utenti:
Atmosphere and character ancoraUS TV Schedule:
| Sun. Oct. 12 | 1:00 PM | MAX | |||
| Tue. Oct. 21 | 11:00 AM | MAX |
Cast
(Complete credited cast)| Sarah Michelle Gellar | ... | Joanna Mills | |
| Peter O'Brien | ... | Terry Stahl | |
| Adam Scott | ... | Kurt | |
| Kate Beahan | ... | Michelle | |
| Sam Shepard | ... | Ed Mills | |
| J.C. MacKenzie | ... | Griff / Young Griff | |
| Erinn Allison | ... | Annie | |
| Darrian McClanahan | ... | Young Joanna Mills | |
| Wally Welch | ... | Snack Stand Vendor | |
| Frank Ertl | ... | Ambrose Miller | |
| Brad Leland | ... | Mr. Marlin | |
| Bonnie Gallup | ... | Bella | |
| Brent Smiga | ... | Higgins | |
| Robert Wilson | ... | Billy | |
| resto del cast in ordine alfabetico: | |||
| Erica Jones | ... | Additional voices (voice) | |
| Angela Rawna | ... | Doctor | |
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Additional Details
Alias:
Revolver (USA) (working title)Untitled Supernatural Thriller (USA) (working title)
Incubo di Joanna Mills, L' (Italy) [it]
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MPAA:
Rated PG-13 for violence, terror and disturbing images.Parents Guide:
View content advisory for parentsDurata:
85 minNazionalità:
USALingua:
IngleseColore:
ColoreAspect Ratio:
2.35 : 1 ancoraDivieti:
USA:PG-13 | UK:15 | Ireland:15A | Hong Kong:IIB | Malaysia:U | Portugal:M/16 | Netherlands:16 | Singapore:PG | Finland:K-15 | Australia:M | France:-12 | Argentina:13MOVIEmeter: 
Info divertenti
Curiosità:
When asked at the beginning of the project who she wanted to play her father, Sarah Michelle Gellar jokingly responded that she wanted Sam Shepard. Months later it was confirmed, to Gellar's disbelief, that Shepard agreed to take the role. ancoraErrori:
Factual errors: When Joanna's truck goes off the road near the end of the film, the engine revs as if the drive wheels have left the road, but her pickup is a rear-wheel drive vehicle and the rear wheels were still on the bank. ancoraColonna sonora:
Sweet Dreams (Of You) ancoraFAQ
I don't understand why the murderer stalked Joanna for no reason in the hotel. Why did he do that?How did Joanna know EXACTLY where to find the knife hidden in the car junk yard? The woman who was murdered wouldn't have known where it was.
The character Kurt seems to have no purpose. Why couldn't he have been the killer?
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There are attractions to this film. One, it proceeds at its own pace specific to the revelations the main character achieves. Some would say it moves too slowly but, I think, this is only in contrast to recent genre films that rush to exploit thrills, sometimes fun, sometimes silly. The pace is more like that of classic mystery movies with a little film noir mixed in.
The atmosphere is somewhat reminiscent of recent Japanese horror films and remakes though the narrative is much more structured. This is emphasized by the "washed out" look of the photography even in direct sunlight. Of course, parts of Texas where much of this was shot appear a little washed out in reality. While this is not especially flattering to the actors, it underscores the uncertainty the characters must endure. (Congratulations to Ms. Gellar for acceding to this when most actresses are looking for every cinematographic advantage they can get!)
The film is more about character and the discovery of destiny than about complex plot or even surprises. As in many Hitchcock movies, the audience is supposed to know more about some things than the characters. Most horror and mystery fans will have a pretty good inkling of the answer the heroine is seeking well before all the loose ends are tied up. (As the "Robot Chicken" version of M. Night Shyamalan might say, "What a twist!")
Ms. Gellar must portray a repressed young woman suffering from more than one trauma from the past. She conveys effectively that her character is confused, haunted, resolute, scared, brave and smart enough to make her way in a good ole boy business world. She cannot accept help even from the few who are closest to her. Her premonitions (memories?) lead her to out of the way places and a man with a past as tormented as her own. There is solid support from the reliable Sam Shepard and from J.C. MacKenzie in a performance that is quite a departure from his usual roles.