| Photos (see all 9 | slideshow) | Videos |
| Samantha Morton | ... | Deborah Curtis | |
| Sam Riley | ... | Ian Curtis | |
| Alexandra Maria Lara | ... | Annik Honoré | |
| Joe Anderson | ... | Peter Hook | |
| Toby Kebbell | ... | Rob Gretton | |
| Craig Parkinson | ... | Tony Wilson | |
| James Anthony Pearson | ... | Bernard Sumner | |
| Harry Treadaway | ... | Stephen Morris | |
| Andrew Sheridan | ... | Terry Mason | |
| Robert Shelly | ... | Twinny | |
| Matthew McNulty | ... | Nick Jackson | |
| Ben Naylor | ... | Martin Hannett | |
| resto del cast in ordine alfabetico: | |||
| Herbert Grönemeyer | ... | Public GP | |
| Nigel Harris | ... | Tramp | |
| Nicola Harrison | ... | Corrine Lewis | |
| Tim Plester | ... | Earnest Richards | |
Regia di | |||
| Anton Corbijn | |||
Scritto da(in ordine alfabetico) | ||
| Deborah Curtis | autobiography "Touching from a Distance" | |
| Matt Greenhalgh | writer | |
Prodotto da | |||
| Iain Canning | .... | executive producer | |
| Anton Corbijn | .... | producer | |
| Deborah Curtis | .... | co-producer | |
| Todd Eckert | .... | producer | |
| Lizzie Francke | .... | executive producer | |
| Megumi Fukasawa | .... | co-producer | |
| Peter Heslop | .... | co-producer | |
| Satoru Iseki | .... | co-producer | |
| Akira Ishii | .... | executive producer | |
| Korda Marshall | .... | executive producer | |
| Orian Williams | .... | producer | |
| Tony Wilson | .... | co-producer | |
Musiche originali di | |||
| Joy Division | |||
| New Order | |||
Fotografia di | |||
| Martin Ruhe | |||
Montaggio di | |||
| Andrew Hulme | |||
Responsabile casting | |||
| Shaheen Baig | |||
Scenografie di | |||
| Chris Roope | |||
Architetto-scenografo | |||
| Philip Elton | |||
Costumi di | |||
| Julian Day | |||
Trucco | |||
| Barbara Taylor | .... | hair assistant | |
| Barbara Taylor | .... | makeup assistant | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
Aiuto regista | |||
| Andrew Foster | .... | second assistant director | |
| Toni Staples | .... | first assistant director | |
| Katy Stenson | .... | third assistant director | |
Art Department | |||
| Cassie Leedham | .... | graphic designer | |
| Chris Richmond | .... | stand-by art director | |
| Tim Stevenson | .... | set constructor | |
Sonoro | |||
| Iain Anderson | .... | adr recordist | |
| Nick Baldock | .... | assistant sound editor | |
| Peter Baldock | .... | supervising sound editor: UK | |
| Ben Carr | .... | adr recordist | |
| Daniel Crowley | .... | boom operator | |
| Carl Edström | .... | sound effects editor | |
| Adele Fletcher | .... | adr editor | |
| Thomas Huhn | .... | sound re-recording mixer | |
| Thomas Huhn | .... | supervising sound editor | |
| John Midgley | .... | production sound mixer | |
| Lucas Nilsson | .... | foley artist | |
| Jamie Roden | .... | adr mixer | |
| Jonas Jansson | .... | sound effects editor (uncredited?) | |
Visual Effects | |||
| Mats Holmgren | .... | digital colourist | |
| Fredrik Nord | .... | digital effects artist | |
Controfigure | |||
| Riky Ash | .... | stunt coordinator | |
| Riky Ash | .... | stunts | |
Camera and Electrical Department | |||
| Tim Battersby | .... | first assistant camera: "a" camera | |
| Robert Binnall | .... | camera operator | |
| Andy Clarke | .... | best boy rigging gaffer | |
| Rachel Clark | .... | camera trainee | |
| Warwick Drucker | .... | key grip | |
| Brian Fawcett | .... | electrician | |
| Christopher Ross | .... | camera operator | |
| Barry Squires | .... | camera trainee | |
| Owen Tooth | .... | video tape operator | |
| Julian White | .... | gaffer | |
| Sophie Wilson | .... | second assistant camera: "a" camera | |
Casting Department | |||
| Brendan Donnison | .... | adr voice casting | |
| Benjamin Till | .... | casting assistant | |
Editorial Department | |||
| Maria Dahlin | .... | post-production coordinator | |
| Barry Moen | .... | first assistant editor | |
Music Department | |||
| Peter Clarke | .... | music editor | |
| Ian Neil | .... | music supervisor | |
Transportation Department | |||
| Rod Patterson | .... | transportation captain | |
Altro personale | |||
| Lorraine Bagshaw | .... | stand-in | |
| Vicky Chapman | .... | location assistant | |
| Mel Churcher | .... | dialect coach | |
| Lee Clyne | .... | unit medic | |
| Helen de Winter | .... | delivery coordinator | |
| Zoe Flower | .... | unit publicist | |
| Dan Hodgett | .... | location services | |
| Rob Jones | .... | location manager | |
| Simon Jones | .... | tranport coordinator: London | |
| Hakan Kousetta | .... | production legal advisor | |
| Alastair Mackay | .... | location assistant | |
| Louise Melzack | .... | additional floor runner | |
| Keeley Naylor | .... | unit publicist | |
| Tina Pawlik | .... | assistant production coordinator | |
| Rachel Robey | .... | production coordinator | |
| Val White | .... | script supervisor | |
| Emma Yeomans | .... | assistant location manager | |
Thanks | |||
| Natalie Curtis | .... | thanks | |
| Martin L. Gore | .... | special thanks | |
| Herbert Grönemeyer | .... | thanks | |
| Charles Hannah | .... | special thanks | |
| New Order | .... | special thanks | |
| Iggy Pop | .... | thanks | |
![]() |
![]() |
![]() |
![]() |
![]() |
| 24 Hour Party People | The Fabulous Baker Boys | Walk the Line | Chicago | Love Actually |
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
| Full cast and crew | Company credits | External reviews |
| Articoli news | IMDb Biografia section | IMDb UK section |
| Add this title to MyMovies |
Anton Corbin has created a film that perfectly showcases both the music of Joy Division and the short but fruitful life of Ian Curtis. The choice to film in black and white was the right one. It sets the tone perfectly for Ian Curtis' gray and lifeless hometown of Macclesfield in 1973.
Corbin as a first time director excels utilizing his visual and technical skills from his previous life as a music video director. Thankfully Control is not just a beautiful looking movie but a perfectly pitched study of the rise and tragic fall of the tortured Ian Curtis. The intensity of the live music performances in the film are as visceral as those of the real band. It is a credit to the actors that they played everything live on screen, it serves to create memorable performances.
Sam Riley delivers a towering performance as Curtis. The first time actor is a name to watch. He is surrounded by a great cast but the film is carried on Riley's shoulders.His inner turmoil is conveyed with great humanity and realism. The audience was still and quiet for quite some time after the credits rolled at the screening I attended.
There are some very clever and touching uses of the music in the film. Corbin uses the intensity of Curtis' lyrics to help paint a biographical picture of the man. The use of 'Love will tear us apart' in the movie was particularly inspired giving the context of the scene it was played in. I hope you will go see this powerful and moving film to see what I am talking about.