Ten-year-old Arthur, in a bid to save his grandfather's house from being demolished, goes looking for some much-fabled hidden treasure in the land of the Minimoys, a tiny people living in harmony with nature.
Boog, a domesticated 900lb. Grizzly bear, finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.
The tale of three unlikely heroes - a misfit mouse who prefers reading books to eating them, an unhappy rat who schemes to leave the darkness of the dungeon, and a bumbling servant girl with cauliflower ears - whose fates are intertwined with that of the castle's princess. Written by
Universal's last theatrical film to be rated G by the MPAA. See more »
When Despereaux is about to be dropped into the rat dungeon, he has red string wrapped around his waist. The camera cuts away to show the dungeon, and when it comes back to see Despereaux, the red string is missing for one shot. When the camera shows him again before being dropped, the string reappears properly. See more »
Still wondering about the reviews above that insult this film's animation. I thought it looked terrific. (For the record, nearly every professional critic I could find singled out the film's strong visuals.) The character differentiation is very strong in the mice & rats -- and all that tender-loving detail in Ratworld and Mouseworld! You'd have to watch the movie 6 times to pick out all the tiny man-made objects the rodents have used for furniture, clothing, etc.
I see also several reviewers' concerns about the film's "darkness." Ummm . . . don't we find Hans Christian Andersen a bit dark too? Isn't there something about kids being baked in an oven? And doesn't someone's father die in "Lion King"? And a certain famous mother in that deer movie . . . ? For the matter of that, fans of DiCamillo's Newbery-winning book can tell that her version is a lot darker -- heart-breaking at times. At least one critic has scolded the film version for toning down the darkness, which concomitantly weakens DiCamillo's message of forgiveness and redemption.
AND: I don't think I've ever heard vocal work this good in an animated film. They're not big box-office names that will draw tons of kids to the picture, but real pros -- Hoffman, Ullman, Hinds, Watson, and that narration by Sigourney!! -- who bring an amazing richness and authenticity to the characterizations.
Plus, any movie that so convincingly counsels little kids to say "I'm sorry" -- well, even if it had no other merits, it's hard to argue with a message like that!
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