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Hotel Rwanda (2004)

Paul Rusesabagina was a hotel manager who housed over a thousand Tutsi refugees during their struggle against the Hutu militia in Rwanda.

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Top Rated Movies #190 | Nominated for 3 Oscars. Another 16 wins & 45 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Xolani Mali ...
Policeman
Desmond Dube ...
...
Tony Kgoroge ...
Gregoire
Rosie Motene ...
Receptionist
Neil McCarthy ...
Jean Jacques
Mabutho 'Kid' Sithole ...
Head Chef (as Kid Sithole)
...
...
Jeremiah Ndlovu ...
Old Guard
...
Lebo Mashile ...
Odette
...
Thomas Mirama
...
Fedens
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Storyline

1994. In Rwanda, the classification of the native population into Hutus and Tutsis, arbitrarily done by the colonial Belgians, is now ingrained within Rwandan mentality despite the Rwandan independence. Despite the Belgians having placed the Tutsis in a higher position during the Belgian rule, they have placed the majority Hutus in power after independence. Paul Rusesabagina, a Hutu married to a Tutsi, Tatiana Rusesabagina, is the House Manager of the Hotel Des Milles Collines in Kigali. The Milles Collines, owned by Sabena (the national airline of Belgium), is a four-star hotel catering primarily to wealthy white westerners. Paul, who knows how to work the system to run the hotel effectively for its guests and for Sabena, is proud that most of the Caucasians who he meets in this professional capacity treat him with respect. After a specific incident, the relative calm between the Tutsi guerrillas and government-backed Hutu militia takes a turn. Paul's thought that the native ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

When the world closed its eyes, he opened his arms. See more »


Motion Picture Rating (MPAA)

Rated PG-13 on appeal for violence, disturbing images and brief strong language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

4 February 2005 (USA)  »

Also Known As:

Hotel Ruanda  »

Filming Locations:

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Box Office

Budget:

$17,500,000 (estimated)

Opening Weekend:

£381,601 (United Kingdom), 4 March 2005, Limited Release

Opening Weekend USA:

$100,091, 26 December 2004, Limited Release

Gross USA:

$23,472,900, 17 April 2005

Cumulative Worldwide Gross:

$33,882,243, 15 June 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The screenwriter spent one year writing the first draft of the script. During the process, he called the Rwandan embassy in DC. The woman who picked up the phone was a survivor who stayed at the Milles Collines Hotel. See more »

Goofs

When Paul Rusesabagina goes to the Hotel Diplomat to get the scotch for the Rwandan general the bottles of Glenfiddich are rounded off. The rounded off style of bottles are a newer design, the ones in 1994 would have come to a point. See more »

Quotes

[first lines]
George Rutaganda: [voiceover] When people ask me, good listeners, why do I hate all the Tutsi, I say, "Read our history." The Tutsi were collaborators for the Belgian colonists, they stole our Hutu land, they whipped us. Now they have come back, these Tutsi rebels. They are cockroaches. They are murderers. Rwanda is our Hutu land. We are the majority. They are a minority of traitors and invaders. We will squash the infestation. We will wipe out the RPF rebels. This is RTLM, Hutu power radio. Stay ...
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Crazy Credits

The producers wish to thank the people of Alexandra and Thembisa, Johannesburg, S.A. See more »

Connections

Referenced in Kevin Hart: What Now? (2016) See more »

Soundtracks

Sorrow
Written by Afro Celt Sound System (Simon Emmerson (as Emmerson) / James McNally (as McNally) / Iarla O'Lionaird (as O'Lionaird) / Martin Russell (as Russell))
Published by Real World Music Ltd.
Arranged, produced, engineered & mixed by Martin Russell at Sonic Innovation 2/UK
(p) 2004 Afro Celt Sound System appear courtesy of Real World Records Ltd.
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Frequently Asked Questions

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User Reviews

 
A brilliant movie that deserved a Best Picture Oscar-nomination
16 February 2005 | by See all my reviews

At one point in "Hotel Rwanda," our hero Paul Rusesabagina (Don Cheadle) asks an American TV reporter (Joaquin Phoenix) how the western world could not intervene after seeing scenes of women and children being hacked by machete-wielding Hutu militia.

How could they not, indeed! As we all know, the west didn't intervene. Not surprising, really. After all, this was Africa and Rwanda had no oil reserves. The people being killed were innocent men, women and children, but they were poor and black.

A few years ago, former President Bill Clinton apologized to Rwandans for not intervening during the 100-day massacre that saw about one million Tutsis and moderate Hutus slaughtered in the most barbaric manner. It was gracious of Clinton, but a fat lot of good his apology did to the people who were killed and their families.

The Rwandan genocide - that's what it was, though western leaders split hairs over the meaning of genocide – also was a black mark on western nations, which simply got their citizens out of Rwanda and then remained indifferent to the senseless killings.

Terry George's film gives us one story about the Rwandan genocide, of one hero, Paul, a savvy, clever and cunning manager of a swank, four-star Belgian hotel in the capital, Kigali. When the massacres began, Paul, a Hutu, sheltered more than 1,200 Tutsis and moderate Hutus in the hotel and saved them from the wrath of the bloodthirsty mobs.

Working from a smart script by Keir Pearson and George, "Hotel Rwanda" contains gutwrenching and emotionally trying moments not seen on the big screen since "Schindler's List" (1993). But whereas Spielberg's masterpiece was more arty and artistic - and I don't mean that pejoratively - George's film seems more immediate. Maybe it's because we now see a similar slaughter of poor, downtrodden people in the Darfur region of Sudan and, again, western nations aren't doing much other than threatening to rap the knuckles of the bad guys like angry teachers. This crisis gives "Hotel Rwanda" a sense of urgency.

As visceral as this film is at times, George handles everything in muted fashion. We never see the horrors firsthand. There's brief news footage of people being killed and one particularly searing scene when Paul and his bellhop Gregoire (Tony Kgoroge) find themselves on a bumpy road. The moment's made more horrifying because George unveils it quite matter-of-factly.

Making a PG-13 film about genocide requires numerous compromises. Putting most, if not all, of the violence off-camera is one such bargain George made. True, a closer look at the massacre would have rightly tortured us. But the film, nevertheless, works without gruesome moments. Pearson and George set out to make a story of heroism, survival, love and compassion amid the madness. And they succeeded.

Cheadle carries the entire film. There isn't a false note in his performance. For years, he's turned in one superb performance after another. He's one of those actors who never hits it wrong and whose performances always stand out even if the films themselves aren't all that memorable. Here, he's in equal measure the smooth manager, man with a conscience and frightened husband and father. You can sense Paul's frustration, though Cheadle rarely displays any vulnerability.

He gets great support from Sophie Okonedo as Paul's Tutsi wife, Tatiana, and Nick Nolte doing his best work in years as a Canadian United Nations officer, Colonel Oliver. Okonedo and Cheadle are utterly believable as a couple. They have one traumatic scene on the hotel roof, a quietly powerful moment that tugs at our heartstrings as we watch two people who love each other try to deal with what could happen. Okonedo conveys anger, fear and pain without ever turning the moment sentimental or needlessly overwrought. That's why the moment's shattering.

"Hotel Rwanda" isn't flawless. George doesn't harshly indict the west for its indifference. Also, some scenes, especially one near the film's end, seem staged for obvious dramatic effect, to play with our sense of sympathy and dread. But minor faults can easily be forgiven because the rest of the film works so well, never sensationalizing any moment. The film's straightforward approach gives it more power, makes it more trenchant and meaningful.

I would like to believe that we learn from history and the more powerful western nations will always come to the aid of oppressed people everywhere. But we're doing little in Darfur and although President George W. Bush openly touts his vision to spread liberty and democracy to oppressed peoples everywhere, I doubt he actually means it. After all, this freedom doctrine was something he created only after his initial justification for waging an unjust war - Iraq's supposed stockpiles of WMD - proved to be wholly without merit or fact. I doubt he actually considers bringing liberty to places like Zimbabwe or Burma. He speaks of the need for people to be free, conveniently ignoring some dictatorial nations - Pakistan and Turkmenistan, for instance - because they happen to be our allies. And so the dumb foreign policy continues.

I can only hope the success of "Hotel Rwanda" will prompt other gutsy screenwriters and filmmakers to tell us more stories about the horrors that took place and the complacency of industrialized nations that could have helped and chose not to.


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