| Stefano Accorsi | ... | Matteo | |
| Barbora Bobulova | ... | Emma | |
| Violante Placido | ... | Elena | |
| Stefano Dionisi | ... | Leonardo | |
| resto del cast in ordine alfabetico: | |||
| Emiliano Coltorti | (as Jesus Emiliano Coltorti) | ||
| Massimo De Francovich | ... | Carlo | |
| Giulia De Leonardi | ... | Ada | |
| Giuseppe De Marco | ... | Tommaso | |
| Valentina Lodovini | |||
| Donato Placido | ... | Vincenzo | |
| Giuditta Saltarini | ... | Rita | |
| Giorgio Sgobbi | ... | Notaio | |
Regia di | |||
| Michele Placido | |||
Scritto da(in ordine alfabetico) | ||
| Umberto Contarello | story & screenplay | |
| Francesco Piccolo | story & screenplay | |
| Michele Placido | story & screenplay | |
| Domenico Starnone | story & screenplay | |
Prodotto da | |||
| Marco Chimenz | .... | producer | |
| Bruno Ridolfi | .... | line producer | |
| Giovanni Stabilini | .... | producer | |
| Riccardo Tozzi | .... | producer | |
Fotografia di | |||
| Luca Bigazzi | |||
Montaggio di | |||
| Esmeralda Calabria | |||
Responsabile casting | |||
| Federico Giorgio Ridolfi | |||
Scenografie di | |||
| Cosimo Gomez | |||
Costumi di | |||
| Nicoletta Taranta | |||
Direttore di produzione | |||
| Paolo Venditti | .... | unit production manager | |
Aiuto regista | |||
| Federico Giorgio Ridolfi | .... | first assistant director | |
| Samanta Sollima | .... | second assistant director | |
Sonoro | |||
| Silvia Moraes | .... | sound editor | |
Visual Effects | |||
| Massimo Cipollina | .... | CG artist | |
| Simone Fontana | .... | digital mastering editor | |
| Fabio Leporelli | .... | lighting and shading technical director | |
| Claudio Napoli | .... | visual effects coordinator | |
| Fabrizio Pistone | .... | film scanner operator | |
| Corrado Rizzo | .... | visual effects supervisor | |
| Gian Luca Rizzo | .... | visual effects producer | |
| Salvo Severino | .... | CGI supervisor | |
| Nicola Sganga | .... | visual effects | |
| Paolo Verrucci | .... | telecine operator master HD | |
| Fabio Zaveti | .... | digital compositor: Proxima | |
| Paolo Zeccara | .... | visual effects supervisor | |
Riprese e attrezzature elettriche | |||
| Eraldo Barbona | .... | key grip | |
| Salvatore Bognanni | .... | assistant camera | |
| Paolo Cafiero | .... | second assistant camera | |
Dipartimento animazione | |||
| Francesco Canonico | .... | animator | |
Altro personale | |||
| Paola Chicarella | .... | production accountant | |
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| Del perduto amore | Romanzo criminale | Il grande sogno | Le amiche del cuore | Il posto dell'anima |
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IMDb Voti degli utenti:
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IMDb Voti degli utenti:
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| Cast e credit completi | Crediti compagnia | Recensioni esterne |
| IMDb Drammatico section | IMDb Italy section | Add this title to MyMovies |
I really don't understand the harsh reasons to bash day by day this Placido's film. The way it's narrated it's articulated and elegant, far light years from the amateurishness of which is often charged the Italian cinema after the death of the "masters" Fellini, De Sica. Michele Placido, who directed the recent acclaimed "Romanzo Criminale", in "Ovunque Sei" re-writes the City of Angels script with a brave key of supernatural meanings. Thought it seems a little bit hard to follow in the early scenes (the way it's been edited requests an effort from the audience) but it's impossible not to be dragged by the emotions and the effusions spread between the two lovers, the mourning drama lived inside (it's a movie not the reality!!) and the concept of an angel standing-by.
Rather, it needs so much participation, share, by the public that people who doesn't know the real sorrow because, lucky them, they never had to manage it, didn't involved at all inside this movie.
All the four actors Accorsi-Bobulova-Placido-Dionisi are skilled and they prove to represent at its best the new Italian recitative class.