Katee Sackhoff talks about what it's like to be a part of "Star Wars: Rebels" and reveals the inspiration for her character on "The Flash." Plus, we get our Jedi on and learn how to wield a lightsaber.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
A European family who plan on escaping to Australia, seem caught up in their daily routine, only troubled by minor incidents. However, behind their apparent calm and repetitive existence, they are actually planning something sinister.
Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic. Written by
This film was the official submission of Austria for the Academy Awards in the 'Best Foreign-Language Film' category, but was disqualified then because it was not "predominantly shot in the official language of the submitting country," but rather in French. The controversy that ensued over that - as well as the virtually simultaneous disqualification of Italy's submission of the Arabic- and Hebrew-language film Private (2004) - prompted the foreign language committee to enact a rule change the following year that made any language acceptable in a foreign language submission - hence Canada's submission of a Hindi-language film in 2007 (Water (2005)) and Australia's of a German-language film in 2012 (Lore (2012)). Any language, that is, except English. See more »
In the opening scene we see the Laurent residence from a stationary camera. Three roses are visible in a window box on the left. In the same setting late in the film after much passage of time, the roses are unchanged and in the same positions. See more »
Isn't it lonely, if you can't go out?
Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.
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The opening credits appear over a shot of the husband and wife's house, but they appear one by one and in rows. By the time the credits are over they are all shown together, much like they would on a poster or in the credits section of a movie trailer. See more »
Out of France comes one of the most satisfying films in a while. "Cache" is a film that will, if nothing else, make the viewer think about what he is watching on the screen. Is it real, or is it Georges' conscience coming to grips with the injustice he played on Majid, the poor Algerian orphan whose parents were killed tragically a few years before?
Michael Haneke's direction has a way to make us accomplices in watching what is happening to Georges and his family. Mr. Haneke shows us images that are disturbing, but in the context of the film work well with the mystery he has created. After all, we are being shown videos taken of Anne and Georges' house by a hidden camera that is nowhere in sight? How are these tapes are being filmed? They all point out to the guilt that is consuming this successful Georges, whose actions have caused a lot of pain to an innocent boy that needed compassion. There are also political implications in the film as it points out to the conflict with Algeria of the sixties. The French are not exempt from the racism and injustice they caused in the past.
The key to understanding this movie is to pay attention carefully to all the clues one is given in the film. The ending scenes reveal a lot of what one keeps suspecting throughout the movie. It also points out how Georges, after many years of living with a terrible burden, comes to be reminded of the harm he caused.
Daniel Auteuil makes the film more enjoyable. This actor goes from being a television celebrity into a man whose confidence begins to betray him. Mr. Auteuil is probably the main reason for seeing the film because he is registering everything that is going on and reacting in the way Georges would without conveying to us he is that man in turmoil on the screen. This is one of his best achievements in the cinema.
Juliette Binoche, on the other hand, doesn't have as much to do in the movie. Yes, her Anne is compassionate and loyal, but is she all we think she is, or is she having an affair with another man? Let the viewer arrive at his own conclusion, which by the way, Mr. Haneke seems to be doing the same to us, the viewers.
Maurice Benichou and Walid Afkir play Majid and his son. Lester Makedonsky is seen as Pierrot, the young boy who seems to play a larger role in the mystery that is happening at home. The great Annie Girardot appears briefly as Georges' mother, who is confined to her home. Ms. Girardot is equally evasive when her son tells her about his dreams about Majid, the boy she would have adopted, had not Georges' tricks entered the picture.
All in all, "Cache", will stay in our imagination for some time to come. The brilliant cinematography of Christian Berger contributes to our enjoyment. Michael Haneke directed with tremendous panache this thoroughly compelling movie.
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