A married couple is terrorized by a series of surveillance videotapes left on their front porch.

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Cast

Cast overview, first billed only:
...
...
...
...
Georges's Mom
Bernard Le Coq ...
Georges's Editor-In-Chief
Walid Afkir ...
Majid's Son
Lester Makedonsky ...
Pierrot Laurent
...
Pierre
...
Mathilde
...
Yvon
...
Chantal
Caroline Baehr ...
Nurse
Christian Benedetti ...
Georges's Father
Philippe Besson ...
TV Guest
Loic Brabant ...
Police Officer No. 2 (as Loïc Brabant)
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Storyline

Set in France, Georges is a TV Literary Reviewer and lives in a small yet modern town house with his wife Ann, a publisher and his young son Pierrot. They begin to receive video tapes through the post of their house and family, along side obscure child-like drawings. They visit the police with hope of aid to find the stalker, but as there is no direct threat, they refuse to help. As the tapes become more personal, Georges takes it upon himself to figure out who is putting through his family through such horror. A true Michael Haneke Classic. Written by Jodie Norton

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for brief strong violence | See all certifications »

Parents Guide:

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Details

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Release Date:

17 February 2006 (USA)  »

Also Known As:

Caché  »

Box Office

Budget:

€8,000,000 (estimated)

Opening Weekend:

$925,023 (France) (7 October 2005)

Gross:

$3,634,407 (USA) (30 April 2006)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

There is no music, save for the theme on George's show, and background music at Anne's publishing party. See more »

Goofs

During the tape where Georges pulls up in his car and parks at night the headlights clearly cast a huge distinct shadow of the camera on the wall. See more »

Quotes

Georges Laurent: Isn't it lonely, if you can't go out?
Georges's Mom: Why? Are you less lonely because you can sit in the garden? Do you feel less lonely in the metro than at home? Well then! Anyway, I have my family friend... with remote control. Whenever they annoy me, I just shut them up.
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Crazy Credits

The opening credits appear over a shot of the husband and wife's house, but they appear one by one and in rows. By the time the credits are over they are all shown together, much like they would on a poster or in the credits section of a movie trailer. See more »

Connections

Referenced in Split (2016) See more »

Frequently Asked Questions

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User Reviews

 
Who's really looking?
31 August 2009 | by (Italy) – See all my reviews

We are, yes, we're the ones who look without really seeing and Michael Heneke, the veteran young director knows it. Paranoia and responsibility in a film that is as irritating as it is brilliant. Even the opening credits, small writing while a camera, still, very still, stares at an upper, middle class abode. An intellectual Hitchcockian exercise by a genial director who seems, at times, is playing with himself. He probably is doing it knowing that we're looking and tests our endurance without caring, really, whether we're with him or against him. What he, I believe, wouldn't tolerate is our indifference but, there is no danger of that. Love and hate. Admiration and ridicule. He will inspire all of that, at the same time by some of us, all of us, one way or another. The performances are all wonderful and there is a marvelous moment with the great Annie Girardot.


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