In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.

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Cast

Cast overview, first billed only:
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Kelci Stephenson ...
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David Wilson Barnes ...
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Williams (as Michael J. Berg)
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Andrew Farago ...
Car Rental Agent
Ken Krotowich ...
Courthouse Guard
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R.D. Reid ...
Rob McLaughlin ...
Harold Nye (as Robert McLaughlin)
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Storyline

Famed writer Truman Capote, southern born and bred but now part of the New York City social circle, is growing weary of his current assignment of writing autobiographical type pieces for the New Yorker. After reading a newspaper article about the just occurred November 14, 1959 cold blooded murders of the Clutter family in their rural Kansas home, Truman feels compelled to write about that event as his next article. So he and his personal assistant Nelle Harper Lee, also a southern born New Yorker and an aspiring writer of her own, head to Kansas to research the story first-hand. Truman hopes to use his celebrity status to gain access to whomever he needs, such as to Laura Kinney, a friend of the Clutter daughter she who discovered the bodies, and to Alvin Dewey, the lead police investigator and also a Clutter family friend. If his celebrity doesn't work, Truman will grease the wheels by whatever means necessary. When the police eventually charge suspects, two young men named Dick ... Written by Huggo

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for some violent images and brief strong language | See all certifications »

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Release Date:

3 February 2006 (USA)  »

Also Known As:

Truman Capote  »

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$324,857 (USA) (30 September 2005)

Gross:

$28,747,570 (USA) (21 April 2006)
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2.35 : 1
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Did You Know?

Trivia

The film gives the impression that Capote and Alvin Dewey had a bitter falling-out about Capote's involvement in the Clutter case: "If those boys get off, I'm coming to Brooklyn to hunt you down!" In fact the two remained very much in touch after the publication of In Cold Blood: Dewey was a high-profile guest at the famous Black and White Ball that Capote threw to celebrate its success in 1966. Evidence that has surfaced after Capote's death about his looseness with facts in In Cold Blood shows him several times reworking events in Dewey's favor. See more »

Goofs

When Capote purchases baby food to nurse Perry Smith back to health, several of the soup can labels on another shelf have UPC bar codes and ring-pull tops. See more »

Quotes

[first lines]
Laura Kinney: Hello? Nancy?
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Connections

Referenced in Countdown: Episode #71.108 (2014) See more »

Soundtracks

Butcher Boy
Traditional
Performed by Lilly Brothers
Courtesy of Prestige Folklore
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User Reviews

 
Mesmerizing Performance in a Complex, Contradictory Film
28 October 2005 | by (Alexandria, VA) – See all my reviews

Like the non-fiction novel and the Richard Brooks film that was made from it, "In Cold Blood," "Capote" focuses on and sympathizes with two killers at the expense of the four murdered members of the Clutter family. Once the viewer gets beyond this sticking point, however, all three works are outstanding, unforgettable experiences. Unlike the book and the original movie, "Capote" does explore the contradictory feelings that author Truman Capote wrestles with as he researches and writes "In Cold Blood." His feelings for Perry Smith, the more "sensitive" of the two killers, are particularly problematic as Capote becomes emotionally close to Smith and helps the men with legal aide that postpones the executions, while at the same time Capote cannot finish his book until Smith and Hickcock are hanged. Praise for Philip Seymour Hoffman's uncanny performance as Truman Capote cannot be overstated and, come awards time, if he does not collect enough accolades to fill his mantel, indictments for film critics and Academy voters would be in order. Hoffman not only captures the mannerisms and voice of Capote, he inhabits the man's soul and expresses his feelings and emotions without histrionics or the type of caricature that mimics often have made of the notoriously fey writer in the past.

Fortunately, Hoffman's performance is only the jewel in a gilded crown of fine writing, excellent direction, and solid supporting performances. "Capote" will send viewers back to their bookshelves to re-read the book and to their video libraries to re-view the 1967 film. Considering the time that Capote spent with the two convicted murderers, questions arise as to why the Richard Brooks film did not have Truman Capote as a character, but rather presented a bland, nameless investigative writer, who wanders through the proceedings without much purpose. The film is so good and so intriguing that questions such as that, and what happened to the writer that Capote lived with? and did Harper Lee write anything beyond "To Kill a Mockingbird?" and did Capote's presence at the execution lead to his alcoholism, his lack of further writing, and eventually his death, and other questions will send viewers to Google as soon as they get home. "Capote" is an outstanding film and possibly the first of the year to be assured of a place on the "10 Best" lists for 2005.


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