By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
Joe's a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (... See full summary »
Tommy Wilhelm is a good honest man who's fallen on hard times after losing his job, but what really gets to Tommy is seeing both his friends and family turning their backs on him one after the other. He tries to seize the day - in vain.
Richard B. Shull,
On their son Odell's 13the birthday, graphic artist Tom Warszaw finally confesses to his wife why he fled Greenwich Village, NYC at that age to Paris. As a schoolboy, naturally sensitive, considerate Tommy was best buddy with 'adult' half-wit Pappass, father Duncan's Catholic school's assistant janitor. Smothered by his dependent mother, a dumb orderly, Tommy got 'parental advice' from a women's prison inmate. Together with Pappas, he saves up tips from their butchery delivery rounds. One night, Pappas steals the bike they were saving for. Tommy tries to take the blame, but ends up expelled as if the instigator. Even more tragic consequences follow. Written by
Film writing/directing debut of David Duchovny, who claims to have written the screenplay in six days. See more »
As Tom and Pappas are in the cab crossing the bridge, a crewmember can be seen in the car immediately behind them waving to the other drivers to begin passing as the take begins. See more »
My name is Tom Warshaw. I'm an American artist living in Paris. I've lived here for 30 years with a secret nobody knows. My son, Odell, is turning 13 today. And for his birthday, I'm gonna tell him my secret.
I'm gonna tell him, "You know how in old movies when the bad guys want to break into a safe? There's this one guy, the safecracker, who puts his ear up to the lock and listens as he dials the combination, listening for what they call in English, the tumblers. ...
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This story is about acceptance, and the coexistence of strengths and weaknesses that we all struggle to understand. The central character makes the best of an unfair hand he's dealt, and the basic character of this film is inspiring. The cleverness of the humor, the courageous use of the unabashedly implausible, gives us the lyricism of SESAME STREET or Hans Christian Anderson, with grit and passion. Zelda Williams (daughter of Robin), Frank Langella, Tea Leoni, Anton Yelchin, Erykah Badu, (the always great) Orlando Jones, David Duchovny and Robin Williams all bring us bar-raising performances. If you liked TERMS OF ENDEARMENT or A DOOR IN THE FLOOR, you'll love HOUSE OF D. The brilliant truth-bell ringing details are charming and plentiful. And it is a lovely, intimate gesture that the filmmaker shares a story that can only be believed in its meaning because it's in part a true story. It is very logical that someone might need to tell a story if they had spent a childhood and adolescence imagining the events behind the closed walls and tiny windows of a prison filled with women who've lost their way. And he passes this house of detention on the way to the realities behind the closed doors of his home. HOUSE OF D is like sitting down with an acquaintance, being touched and sometimes very amused by his secrets, and coming away loving him, embracing him and really rooting for him.
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