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Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter's attractive friend.
C.R.A.Z.Y. Extraordinary lives of ordinary people in search of love and happiness - that's the premise of "C.R.A.Z.Y", a family drama unlike any other.
Director:
Jean-Marc Vallée
Stars:
Michel Côté,
Marc-André Grondin,
Danielle Proulx
Upon admittance to a mental institution, a brash rebel rallies the patients to take on the oppressive head nurse, a woman he views as more dictator than nurse.
Director:
Milos Forman
Stars:
Michael Berryman,
Peter Brocco,
Louise Fletcher
Brian Lackey is determined to discover what happened during an amnesia blackout when he was eight years old, and then later woke with a bloody nose. He believes he was abducted by aliens, and N. McCormick, a fellow player on Brian's childhood baseball team, may be the key as to exactly what happened that night. As Brian searches for the truth and tries to track him down, Neil McCormick takes up hustling and moves to New York, in attempts to forget childhood memories that haunt him. Together, the two of them uncover the terrible truth of the scars they share. Written by
Anonymous
Gregg Araki said in an NPR interview that he shot all of the scenes with the child actors in such a way that they did not know the sexual context of their abuse scenes, and only during editing did he make the movie appear to show children being abused or witnessing abuse. See more »
Goofs
When he arrives in Brighton Beach on a December night in 1991, Neil is seen noting where the closest subway stop is. The Brighton Beach station sign shows a Q in a yellow circle and a Q in a yellow diamond. But the "Q diamond" train was operating on that line for only a few years starting in the early 2000s. Prior to that, the Brighton Beach stop serviced the "Q circle" and the D trains. See more »
Quotes
[first lines]
Brian:
[narration voice-over]
The summer I was 8 years old, five hours disappeared from my life. Five hours. Lost. Gone without a trace.
Brian:
[narration voice-over]
Last thing I remember I was sitting on the bench at my Little League game. It started to rain. What happened after that remains a pitch black void.
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I had high hopes for this film, since I have been a big fan of the novel on which it is based. The film exceeded my expectations in every way. Although quite faithful to the book (with many lines of dialogue and narration moving straight from Scott Heim's poetic prose), the movie has more drive and focus and pulls you so far into the troubled characters. Credit for the movie's strength goes all around -- director Araki put his mark on the story without taking it over. He got uniformily good performances (and somehow managed to direct scenes that any reader of the book would have thought completely unfilmable). Kansas has never looked better, or more sinister. The music is used well throughout.
And the acting is terrific. The two youngest leads, Chase Ellison and George Webster, were entirely convincing in their scenes (and I hope they feel proud of their work, seeing as how there's no way they'll get to see this movie until sometime next decade). Michelle Trachtenberg and Jeff Licon have fairly thankless roles, playing characters who are somewhat less clear and crucial in the film than their characters were in the book. But they don't sweat that, they just play what the screen play has them do, and they excel. Licon, especially, I think, although Trachtenberg is at a disadvantage, as her part is really pretty small.
And for me, at least, I think Mary-Lynn Rajskub, Brady Corbet, and Joseph Gordon-Levitt give about as good performances as one can give. Rajskub is so good that she gives the other actors in the film a space to react that is almost visible. Corbet is quiet and intense; if his performance sometimes lacks motivation, it is probably deliberate, as his character is struggling with identity and memory. And as for Gordon-Levitt, man, that guy can act. I really have a hard time thinking of any acting performance ever that has affected me as much.
It is a difficult story, although I felt it ends hopefully. Hopefully, you will agree. Content is very strong, although perhaps not NC-17 strong. Not for kids. Adults, if you can get past the 2nd scene, you can get through it, but there is a lot of outlawed sexuality and violence. It is painful to watch at times, but to me at least, that's because the actors and the director managed to immerse me in the characters.
223 of 280 people found this review helpful.
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I had high hopes for this film, since I have been a big fan of the novel on which it is based. The film exceeded my expectations in every way. Although quite faithful to the book (with many lines of dialogue and narration moving straight from Scott Heim's poetic prose), the movie has more drive and focus and pulls you so far into the troubled characters. Credit for the movie's strength goes all around -- director Araki put his mark on the story without taking it over. He got uniformily good performances (and somehow managed to direct scenes that any reader of the book would have thought completely unfilmable). Kansas has never looked better, or more sinister. The music is used well throughout.
And the acting is terrific. The two youngest leads, Chase Ellison and George Webster, were entirely convincing in their scenes (and I hope they feel proud of their work, seeing as how there's no way they'll get to see this movie until sometime next decade). Michelle Trachtenberg and Jeff Licon have fairly thankless roles, playing characters who are somewhat less clear and crucial in the film than their characters were in the book. But they don't sweat that, they just play what the screen play has them do, and they excel. Licon, especially, I think, although Trachtenberg is at a disadvantage, as her part is really pretty small.
And for me, at least, I think Mary-Lynn Rajskub, Brady Corbet, and Joseph Gordon-Levitt give about as good performances as one can give. Rajskub is so good that she gives the other actors in the film a space to react that is almost visible. Corbet is quiet and intense; if his performance sometimes lacks motivation, it is probably deliberate, as his character is struggling with identity and memory. And as for Gordon-Levitt, man, that guy can act. I really have a hard time thinking of any acting performance ever that has affected me as much.
It is a difficult story, although I felt it ends hopefully. Hopefully, you will agree. Content is very strong, although perhaps not NC-17 strong. Not for kids. Adults, if you can get past the 2nd scene, you can get through it, but there is a lot of outlawed sexuality and violence. It is painful to watch at times, but to me at least, that's because the actors and the director managed to immerse me in the characters.