After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow ... See full summary »
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation. He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor. Written by
The recurring painting on the wall of Oh Dae-Su's confinement complex is "The Man of Sorrow" by Belgian painter James Ensor. See more »
All throughout the hallway fight scene, it is obvious that the goons don't actually kick Dae-Su. Many times they kick him and his body doesn't react, while other times their kicks are even too far from his body that it appears they are kicking air, despite the fact he is motionless on the floor. See more »
Erasing my memory and telling me to find the truth was cowardly. I won. So die like you promised.
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Oldboy takes a hammer and "batters" its American equivalents, leaving them as pulped as a chewed up squid. Park Chan Wook displays what America misses with his ultra-stylish, ultra-violent thriller. Why watch Ben Affleck fail spectacularly to summon any displayable talent, when Min sik Choi serves up a memorable role as the disturbed, vengeful Dae Su Oh, in the second of the Vengeance trilogy. Park skillfully creates a compelling plot that will have you guessing through the entire film, up until the final shocking revelation. The Cinematography expertly done by Jeong-hun Jeong, who also worked on the follow up to this film, Chinjeolhan geumjassi. Everything about this film is done in style and panache and creates a memorable experience, and has many memorable scenes.
Many people accuse this film of being "unrealistic". These people forget that this a film, not a documentary. No one complains About Star Wars being unrealistic, and rightly so. Films have a right to stretch out reality, don't forget the reason it does this is to be entertaining.
Although the film has strong violence of a graphic nature, I advise you to watch it, if only to broaden your perspectives of world and Asian cinema.
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