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Confidences trop intimes
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Confidences trop intimes (2004) Altro ancora su IMDbPro »

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Confidences trop intimes (2004) -- A Frenchwoman tells her marital troubles to a man she mistakes for a psychiatrist, and soon they form an unusual relationship.

Info generali

Voti degli utenti:
7.0/10   2,290 voti
MOVIEmeter: ?
Up 3% in popularity this week. See rank & trends on IMDbPro.
Regista:
Patrice Leconte
Scrittori:
Jérôme Tonnerre (scenario and dialogue) and
Jérôme Tonnerre (adaptation) ...
(ancora)
Contact:
View company contact information for Confidences trop intimes on IMDbPro.
Data di uscita:
25 febbraio 2004 (France) ancora
Slogan:
She confused him for a therapist and told him her deepest secrets. Now, two people who never should have met are discovering there's nothing more seductive than the truth.
Plot:
A Frenchwoman tells her marital troubles to a man she mistakes for a psychiatrist, and soon they form an unusual relationship. full summary | add synopsis
Premi:
2 nominations ancora
Recensioni degli utenti:
A minor diversion from a major director ancora

Cast

  (in ordine dei titoli) (Completo, in attesa di verifica)
Sandrine Bonnaire ... Anna
Fabrice Luchini ... William
Michel Duchaussoy ... Dr. Monnier
Anne Brochet ... Jeanne
Gilbert Melki ... Marc
Laurent Gamelon ... Luc
Hélène Surgère ... Mrs. Mulon
Urbain Cancelier ... Chatel
Isabelle Petit-Jacques ... Dr. Monnier's Secretary
Véronique Kapoyan ... Female Guard (as Véronique Kapoian)

Benoît Pétré ... Messenger
Albert Simono ... Mr. Michel (as Alberto Simono)
Claude Derepp ... The Customs Client (as Claude Dereppe)
Aurore Auteuil ... The Student Nabokov

Ludovic Berthillot ... The Mover
Sabrina Brezzo ... The Dance Assistant
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Regia di
Patrice Leconte 
 
Scritto da
Jérôme Tonnerre  scenario and dialogue and
Jérôme Tonnerre  adaptation &
Patrice Leconte  adaptation

Prodotto da
Christine Gozlan .... executive producer
Alain Sarde .... producer
 
Musiche originali di
Pascal Estève 
 
Fotografia di
Eduardo Serra 
 
Montaggio di
Joëlle Hache 
 
Scenografie di
Ivan Maussion 
 
Costumi di
Annie Périer  (as Annie Périer-Bertaux)
 
Trucco
Eric Benazet .... additional hair stylist
Michèle Constantinides .... key makeup artist (as Michelle Constantinides)
Isabelle de Araujo .... key makeup artist
Patrick Girault .... key hair stylist
Claire Vivet .... makeup artist
 
Direttore di produzione
Yvon Crenn .... production manager
Helene Glabeke .... post-production supervisor
François Menny .... unit manager
David Poirot-Gozlan .... assistant unit manager
 
Aiuto regista
Hubert Engammare .... assistant director
Elizabeth Marre .... second assistant director
 
Dipartimento artistico
Alain Bergé .... painter
Maurice Borghese .... additional carpenter (as Maurice Borghesi)
Xavier Buffin .... painter
Tranquillo Cimenti .... carpenter
Jacques Dalla-Mura .... painter
Charles de Dainville .... construction grip
Virginie Denis Roy .... first assistant decorator (as Virginie Denis)
Christophe De Vos .... construction grip
Yvan Dupont .... painter
Philippe Durand .... carpenter
Jacky Frankiel .... additional painter
Madjid Hamzaoui .... carpenter
Jacky Hardouin .... carpenter
Jacques Kazandian .... plasterer (as Jacques Kazandjian)
Jean Labille .... metal worker
Jérôme Larivière .... carpenter
Pierre Mery .... construction grip
Victor Piazza .... head painter
Enrico Pittiglio .... additional painter
Nicolas Raffy .... property master
Didier Royer .... carpenter
Patrick Tombette .... construction grip
Annie Vandevandele .... painter
Patrick Veron .... construction manager
Gerard Wehrle .... additional carpenter
 
Sonoro
Annabel Acquaviva .... sound assistant
Hervé Bénard .... sound recordist
Frédéric Cattoni .... sound consultant: DTS
Pascal Chauvin .... foley artist
Isabelle Filippi .... assistant post-synchronization
Michel Filippi .... adr supervisor
Jean Goudier .... sound
Eric Grattepain .... foley artist
Dominique Hennequin .... sound
Paul Lainé .... sound
Jean-Louis Lebras .... boom operator (as Jean-Louis Le Bras)
Alexis Leverve .... sound recordist
Didier Lizé .... sound engineer
Gilles Missir .... foley engineer
Michel Monnier .... stereo sound consultant: Dolby (as Michel Monier)
Christophe Vingtrinier .... sound mixer
 
Effetti speciali
Gary Pieri .... special effects
Michel Vialla .... special effects
 
Visual Effects
Benjamin Ageorges .... digital compositor
Stephane Bidault .... digital effects supervisor
Christophe Chanvin .... artistic director
Jean-Antoine Lacolle .... digital compositor
Christophe Lucotte .... assistant color timer
Mitch Paulson .... digital preview colorist
Matthias Weber .... visual effects producer
 
Riprese e attrezzature elettriche
Claude Atanassian .... gaffer
Jean Atanassian .... electrician
Michel Atanassian .... electrician
Rene Basso .... additional grip (as René Basso)
Florent Bazin .... first assistant camera
Bruno Boban .... additional grip
Catherine Cabrol .... still photographer
Stéphane Cry .... additional electrician
Guillaume Dreujou .... assistant camera
Patrice Leconte .... camera operator
Margot Lestage .... second assistant camera
Axel-Charles Messange .... video operator
Martial Negre .... additional electrician
Marc Nove .... additional electrician
Didier Petit .... additional electrician
Denis Scozzesi .... key grip
Jean-Pierre Supe .... assistant camera
Paul Triboulet .... grip
 
Casting
Catherine Deserbais .... extras casting
 
Costume e guardaroba
Sandrine Bernard .... costume supervisor
Hélène Cassard .... additional costumer
Anne-Marie Castaño-Padovan .... wardrober
Sandrine Kerner .... wardrobe
 
Dipartimento editoriale
Fanchon Brûlé .... trailer editor
Richard Deusy .... digital color grader: Scan Lab
Christian Dutac .... color timer
Anne-Marie Etcheverry .... negative cutter
Emilie Monod .... assistant editor
Nicole Souchal .... post-production assistant
Sylvie Van der Vorm .... assistant editor
 
Reparto musiche
Edouard Dubois .... music consultant
Pascal Estève .... orchestrator
Valérie Lindon .... music supervisor
Guillaume Tell .... score recordist
Bernard Wystraete .... conductor
 
Altro personale
Tony Arnoux .... press attache
Tahar Boualam .... groupman
Jean-René Coulon .... location manager
Laure Darie .... production secretary
Yves Derhi .... groupman
Sarah Fouquet .... still graphics
Patrick Lemaire .... groupman
Maggie Perlado .... script supervisor
Annick Reipert .... script supervisor trainee
André-Paul Ricci .... press attache
Gisèle Vuillaume .... production administrator
 

Società di produzioneDistributoriEffetti specialiAltre società
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Dettagli aggiuntivi

Alias:
Intimate Strangers (International: English title)
Confidenze troppo intime (Italy) [it]
ancora
MPAA:
Rated R for sexual dialogue.
Durata:
France:104 min | USA:104 min | Argentina:105 min
Nazionalità:
France
Lingua:
Francese
Colore:
Colore
Aspect Ratio:
2.35 : 1 ancora
Luoghi riprese:
Paris, France

Info divertenti

Collegamenti:
Fa riferimento a Le mari de la coiffeuse (1990) ancora
Colonna sonora:
Sur le Moment ancora

FAQ

This FAQ is empty. Add the first question.
13 out of 22 people found the following comment useful:-
A minor diversion from a major director, 16 September 2004
5/10
Author: TrevorAclea da London, England

Patrice Leconte is one of my favorite directors, but I found Confidences Trop Intimes little more than a pleasant but disposable diversion. Reunited with his Monsieur Hire star Sandrine Bonnaire, it's more a conceit than a movie, a character piece that never goes anywhere much but holds the interest. Bonnaire, not a favorite actress of mine, is increasingly impressive in a superb performance that really does evolve throughout the course of the film, easily outclassing Fabrice Lucini. Always a rather one-note actor, Lucini is at his best here, but the fact that his character is incapable of growth – even the final move is more a change of surroundings than of character and can actually be viewed as a retrograde step – makes him more of a sounding board for Bonnaire than a real focus for the film. Coming across as a somber Eric Idle cross-pollinated with a hesitant Jean-Louis Trintignant, we know everything about him very early in the film, and he is never quite drawn out of his shell enough to ever become genuinely interesting in his own right.

Despite the claustrophobic settings, Leconte never fails to make the film cinematic. In many ways he's like Sidney Lumet in his prime in his ability to find a way of making two characters sitting down and talking to each other more cinematic than most directors can make a street scene. Unfortunately, it doesn't amount to much by the time the end credits are rolling. A minor film from a major director.

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