| Photos (see all 13 | slideshow) | Videos |
| Sandrine Bonnaire | ... | Anna | |
| Fabrice Luchini | ... | William | |
| Michel Duchaussoy | ... | Dr. Monnier | |
| Anne Brochet | ... | Jeanne | |
| Gilbert Melki | ... | Marc | |
| Laurent Gamelon | ... | Luc | |
| Hélène Surgère | ... | Mrs. Mulon | |
| Urbain Cancelier | ... | Chatel | |
| Isabelle Petit-Jacques | ... | Dr. Monnier's Secretary | |
| Véronique Kapoyan | ... | Female Guard (as Véronique Kapoian) | |
| Benoît Pétré | ... | Messenger | |
| Albert Simono | ... | Mr. Michel (as Alberto Simono) | |
| Claude Derepp | ... | The Customs Client (as Claude Dereppe) | |
| Aurore Auteuil | ... | The Student Nabokov | |
| Ludovic Berthillot | ... | The Mover | |
| Sabrina Brezzo | ... | The Dance Assistant |
Regia di | |||
| Patrice Leconte | |||
Scritto da | ||
| Jérôme Tonnerre | scenario and dialogue and | |
| Jérôme Tonnerre | adaptation & | |
| Patrice Leconte | adaptation | |
Prodotto da | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | producer | |
Musiche originali di | |||
| Pascal Estève | |||
Fotografia di | |||
| Eduardo Serra | |||
Montaggio di | |||
| Joëlle Hache | |||
Scenografie di | |||
| Ivan Maussion | |||
Costumi di | |||
| Annie Périer | (as Annie Périer-Bertaux) | ||
Trucco | |||
| Eric Benazet | .... | additional hair stylist | |
| Michèle Constantinides | .... | key makeup artist (as Michelle Constantinides) | |
| Isabelle de Araujo | .... | key makeup artist | |
| Patrick Girault | .... | key hair stylist | |
| Claire Vivet | .... | makeup artist | |
Direttore di produzione | |||
| Yvon Crenn | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| François Menny | .... | unit manager | |
| David Poirot-Gozlan | .... | assistant unit manager | |
Aiuto regista | |||
| Hubert Engammare | .... | assistant director | |
| Elizabeth Marre | .... | second assistant director | |
Art Department | |||
| Alain Bergé | .... | painter | |
| Maurice Borghese | .... | additional carpenter (as Maurice Borghesi) | |
| Xavier Buffin | .... | painter | |
| Tranquillo Cimenti | .... | carpenter | |
| Jacques Dalla-Mura | .... | painter | |
| Charles de Dainville | .... | construction grip | |
| Virginie Denis Roy | .... | first assistant decorator (as Virginie Denis) | |
| Christophe De Vos | .... | construction grip | |
| Yvan Dupont | .... | painter | |
| Philippe Durand | .... | carpenter | |
| Jacky Frankiel | .... | additional painter | |
| Madjid Hamzaoui | .... | carpenter | |
| Jacky Hardouin | .... | carpenter | |
| Jacques Kazandian | .... | plasterer (as Jacques Kazandjian) | |
| Jean Labille | .... | metal worker | |
| Jérôme Larivière | .... | carpenter | |
| Pierre Mery | .... | construction grip | |
| Victor Piazza | .... | head painter | |
| Enrico Pittiglio | .... | additional painter | |
| Nicolas Raffy | .... | property master | |
| Didier Royer | .... | carpenter | |
| Patrick Tombette | .... | construction grip | |
| Annie Vandevandele | .... | painter | |
| Patrick Veron | .... | construction manager | |
| Gerard Wehrle | .... | additional carpenter | |
Sonoro | |||
| Annabel Acquaviva | .... | sound assistant | |
| Hervé Bénard | .... | sound recordist | |
| Frédéric Cattoni | .... | sound consultant: DTS | |
| Pascal Chauvin | .... | foley artist | |
| Isabelle Filippi | .... | assistant post-synchronization | |
| Michel Filippi | .... | adr supervisor | |
| Jean Goudier | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Dominique Hennequin | .... | sound | |
| Paul Lainé | .... | sound | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Alexis Leverve | .... | sound recordist | |
| Didier Lizé | .... | sound engineer | |
| Gilles Missir | .... | foley engineer | |
| Michel Monnier | .... | stereo sound consultant: Dolby (as Michel Monier) | |
| Christophe Vingtrinier | .... | sound mixer | |
Effetti speciali | |||
| Gary Pieri | .... | special effects | |
| Michel Vialla | .... | special effects | |
Visual Effects | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | digital effects supervisor | |
| Christophe Chanvin | .... | artistic director | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Christophe Lucotte | .... | assistant color timer | |
| Mitch Paulson | .... | digital preview colorist | |
| Matthias Weber | .... | visual effects producer | |
Camera and Electrical Department | |||
| Claude Atanassian | .... | gaffer | |
| Jean Atanassian | .... | electrician | |
| Michel Atanassian | .... | electrician | |
| Rene Basso | .... | additional grip (as René Basso) | |
| Florent Bazin | .... | first assistant camera | |
| Bruno Boban | .... | additional grip | |
| Catherine Cabrol | .... | still photographer | |
| Stéphane Cry | .... | additional electrician | |
| Guillaume Dreujou | .... | assistant camera | |
| Patrice Leconte | .... | camera operator | |
| Margot Lestage | .... | second assistant camera | |
| Axel-Charles Messange | .... | video operator | |
| Martial Negre | .... | additional electrician | |
| Marc Nove | .... | additional electrician | |
| Didier Petit | .... | additional electrician | |
| Denis Scozzesi | .... | key grip | |
| Jean-Pierre Supe | .... | assistant camera | |
| Paul Triboulet | .... | grip | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hélène Cassard | .... | additional costumer | |
| Anne-Marie Castaño-Padovan | .... | wardrober | |
| Sandrine Kerner | .... | wardrobe | |
Editorial Department | |||
| Fanchon Brûlé | .... | trailer editor | |
| Richard Deusy | .... | digital color grader: Scan Lab | |
| Christian Dutac | .... | color timer | |
| Anne-Marie Etcheverry | .... | negative cutter | |
| Emilie Monod | .... | assistant editor | |
| Nicole Souchal | .... | post-production assistant | |
| Sylvie Van der Vorm | .... | assistant editor | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
| Pascal Estève | .... | orchestrator | |
| Valérie Lindon | .... | music supervisor | |
| Guillaume Tell | .... | score recordist | |
| Bernard Wystraete | .... | conductor | |
Altro personale | |||
| Tony Arnoux | .... | press attache | |
| Tahar Boualam | .... | groupman | |
| Jean-René Coulon | .... | location manager | |
| Laure Darie | .... | production secretary | |
| Yves Derhi | .... | groupman | |
| Sarah Fouquet | .... | still graphics | |
| Patrick Lemaire | .... | groupman | |
| Maggie Perlado | .... | script supervisor | |
| Annick Reipert | .... | script supervisor trainee | |
| André-Paul Ricci | .... | press attache | |
| Gisèle Vuillaume | .... | production administrator | |
![]() |
![]() |
![]() |
![]() |
![]() |
| Closer | Trust the Man | Match Point | Basic Instinct | Speaking of Sex |
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
IMDb Voti degli utenti:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
"Intimate Relations (Confidences trop intimes)", like Patrice Leconte's previous film "Man on the Train (L'Homme du Train)," is about the impact two opposite people who meet accidentally can have on each other through extensive conversations.
Here it's Eric Rohmer meets Woody Allen, as psychotherapy provides the excuse, if not the actualities, for a relationship between people who really just need to talk with someone to make a connection, whether it's romantic or platonic.
Subtle shifts in context change theirs and our expectations of each encounter, as we learn about the other people who may be in their lives. The sterile blasé commentary by the shrink provides an amusingly ironic counterpart as the two main characters move each other beyond a more stereotypically professional relationship.
While American English is used awkwardly in the subtitles, it probably has the best use of Wilson Pickett's "In the Midnight Hour" in a French film, a la a grown-up "Risky Business."
This is the second movie of the summer (after "Last Life in the Universe (Ruang rak noi nid mahasan)") where change in an off-kilter romance is indicated by the use of an ashtray, though cutesier here. Like "Garden State," an emotional woman influences an uptight guy, but as befits this older twosome, much more subtly.