| Foto (Vedi tutti 13 | slideshow) | Videos |
| Sandrine Bonnaire | ... | Anna | |
| Fabrice Luchini | ... | William | |
| Michel Duchaussoy | ... | Dr. Monnier | |
| Anne Brochet | ... | Jeanne | |
| Gilbert Melki | ... | Marc | |
| Laurent Gamelon | ... | Luc | |
| Hélène Surgère | ... | Mrs. Mulon | |
| Urbain Cancelier | ... | Chatel | |
| Isabelle Petit-Jacques | ... | Dr. Monnier's Secretary | |
| Véronique Kapoyan | ... | Female Guard (as Véronique Kapoian) | |
| Benoît Pétré | ... | Messenger | |
| Albert Simono | ... | Mr. Michel (as Alberto Simono) | |
| Claude Derepp | ... | The Customs Client (as Claude Dereppe) | |
| Aurore Auteuil | ... | The Student Nabokov | |
| Ludovic Berthillot | ... | The Mover | |
| Sabrina Brezzo | ... | The Dance Assistant |
Regia di | |||
| Patrice Leconte | |||
Scritto da | ||
| Jérôme Tonnerre | scenario and dialogue and | |
| Jérôme Tonnerre | adaptation & | |
| Patrice Leconte | adaptation | |
Prodotto da | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | producer | |
Musiche originali di | |||
| Pascal Estève | |||
Fotografia di | |||
| Eduardo Serra | |||
Montaggio di | |||
| Joëlle Hache | |||
Scenografie di | |||
| Ivan Maussion | |||
Costumi di | |||
| Annie Périer | (as Annie Périer-Bertaux) | ||
Trucco | |||
| Eric Benazet | .... | additional hair stylist | |
| Michèle Constantinides | .... | key makeup artist (as Michelle Constantinides) | |
| Isabelle de Araujo | .... | key makeup artist | |
| Patrick Girault | .... | key hair stylist | |
| Claire Vivet | .... | makeup artist | |
Direttore di produzione | |||
| Yvon Crenn | .... | production manager | |
| Helene Glabeke | .... | post-production supervisor | |
| François Menny | .... | unit manager | |
| David Poirot-Gozlan | .... | assistant unit manager | |
Aiuto regista | |||
| Hubert Engammare | .... | assistant director | |
| Elizabeth Marre | .... | second assistant director | |
Dipartimento artistico | |||
| Alain Bergé | .... | painter | |
| Maurice Borghese | .... | additional carpenter (as Maurice Borghesi) | |
| Xavier Buffin | .... | painter | |
| Tranquillo Cimenti | .... | carpenter | |
| Jacques Dalla-Mura | .... | painter | |
| Charles de Dainville | .... | construction grip | |
| Virginie Denis Roy | .... | first assistant decorator (as Virginie Denis) | |
| Christophe De Vos | .... | construction grip | |
| Yvan Dupont | .... | painter | |
| Philippe Durand | .... | carpenter | |
| Jacky Frankiel | .... | additional painter | |
| Madjid Hamzaoui | .... | carpenter | |
| Jacky Hardouin | .... | carpenter | |
| Jacques Kazandian | .... | plasterer (as Jacques Kazandjian) | |
| Jean Labille | .... | metal worker | |
| Jérôme Larivière | .... | carpenter | |
| Pierre Mery | .... | construction grip | |
| Victor Piazza | .... | head painter | |
| Enrico Pittiglio | .... | additional painter | |
| Nicolas Raffy | .... | property master | |
| Didier Royer | .... | carpenter | |
| Patrick Tombette | .... | construction grip | |
| Annie Vandevandele | .... | painter | |
| Patrick Veron | .... | construction manager | |
| Gerard Wehrle | .... | additional carpenter | |
Sonoro | |||
| Annabel Acquaviva | .... | sound assistant | |
| Hervé Bénard | .... | sound recordist | |
| Frédéric Cattoni | .... | sound consultant: DTS | |
| Pascal Chauvin | .... | foley artist | |
| Isabelle Filippi | .... | assistant post-synchronization | |
| Michel Filippi | .... | adr supervisor | |
| Jean Goudier | .... | sound | |
| Eric Grattepain | .... | foley artist | |
| Dominique Hennequin | .... | sound | |
| Paul Lainé | .... | sound | |
| Jean-Louis Lebras | .... | boom operator (as Jean-Louis Le Bras) | |
| Alexis Leverve | .... | sound recordist | |
| Didier Lizé | .... | sound engineer | |
| Gilles Missir | .... | foley engineer | |
| Michel Monnier | .... | stereo sound consultant: Dolby (as Michel Monier) | |
| Christophe Vingtrinier | .... | sound mixer | |
Effetti speciali | |||
| Gary Pieri | .... | special effects | |
| Michel Vialla | .... | special effects | |
Visual Effects | |||
| Benjamin Ageorges | .... | digital compositor | |
| Stephane Bidault | .... | digital effects supervisor | |
| Christophe Chanvin | .... | artistic director | |
| Jean-Antoine Lacolle | .... | digital compositor | |
| Christophe Lucotte | .... | assistant color timer | |
| Mitch Paulson | .... | digital preview colorist | |
| Matthias Weber | .... | visual effects producer | |
Riprese e attrezzature elettriche | |||
| Claude Atanassian | .... | gaffer | |
| Jean Atanassian | .... | electrician | |
| Michel Atanassian | .... | electrician | |
| Rene Basso | .... | additional grip (as René Basso) | |
| Florent Bazin | .... | first assistant camera | |
| Bruno Boban | .... | additional grip | |
| Catherine Cabrol | .... | still photographer | |
| Stéphane Cry | .... | additional electrician | |
| Guillaume Dreujou | .... | assistant camera | |
| Patrice Leconte | .... | camera operator | |
| Margot Lestage | .... | second assistant camera | |
| Axel-Charles Messange | .... | video operator | |
| Martial Negre | .... | additional electrician | |
| Marc Nove | .... | additional electrician | |
| Didier Petit | .... | additional electrician | |
| Denis Scozzesi | .... | key grip | |
| Jean-Pierre Supe | .... | assistant camera | |
| Paul Triboulet | .... | grip | |
Casting | |||
| Catherine Deserbais | .... | extras casting | |
Costume e guardaroba | |||
| Sandrine Bernard | .... | costume supervisor | |
| Hélène Cassard | .... | additional costumer | |
| Anne-Marie Castaño-Padovan | .... | wardrober | |
| Sandrine Kerner | .... | wardrobe | |
Dipartimento editoriale | |||
| Fanchon Brûlé | .... | trailer editor | |
| Richard Deusy | .... | digital color grader: Scan Lab | |
| Christian Dutac | .... | color timer | |
| Anne-Marie Etcheverry | .... | negative cutter | |
| Emilie Monod | .... | assistant editor | |
| Nicole Souchal | .... | post-production assistant | |
| Sylvie Van der Vorm | .... | assistant editor | |
Reparto musiche | |||
| Edouard Dubois | .... | music consultant | |
| Pascal Estève | .... | orchestrator | |
| Valérie Lindon | .... | music supervisor | |
| Guillaume Tell | .... | score recordist | |
| Bernard Wystraete | .... | conductor | |
Altro personale | |||
| Tony Arnoux | .... | press attache | |
| Tahar Boualam | .... | groupman | |
| Jean-René Coulon | .... | location manager | |
| Laure Darie | .... | production secretary | |
| Yves Derhi | .... | groupman | |
| Sarah Fouquet | .... | still graphics | |
| Patrick Lemaire | .... | groupman | |
| Maggie Perlado | .... | script supervisor | |
| Annick Reipert | .... | script supervisor trainee | |
| André-Paul Ricci | .... | press attache | |
| Gisèle Vuillaume | .... | production administrator | |
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Patrice Leconte is one of my favorite directors, but I found Confidences Trop Intimes little more than a pleasant but disposable diversion. Reunited with his Monsieur Hire star Sandrine Bonnaire, it's more a conceit than a movie, a character piece that never goes anywhere much but holds the interest. Bonnaire, not a favorite actress of mine, is increasingly impressive in a superb performance that really does evolve throughout the course of the film, easily outclassing Fabrice Lucini. Always a rather one-note actor, Lucini is at his best here, but the fact that his character is incapable of growth even the final move is more a change of surroundings than of character and can actually be viewed as a retrograde step makes him more of a sounding board for Bonnaire than a real focus for the film. Coming across as a somber Eric Idle cross-pollinated with a hesitant Jean-Louis Trintignant, we know everything about him very early in the film, and he is never quite drawn out of his shell enough to ever become genuinely interesting in his own right.
Despite the claustrophobic settings, Leconte never fails to make the film cinematic. In many ways he's like Sidney Lumet in his prime in his ability to find a way of making two characters sitting down and talking to each other more cinematic than most directors can make a street scene. Unfortunately, it doesn't amount to much by the time the end credits are rolling. A minor film from a major director.