General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <firstname.lastname@example.org>
The show's cancellation was a shock to the cast. During the third season, Timothy Olyphant and Ian McShane successfully renegotiated their contracts for higher pay, and HBO retroactively paid them the increased rate for the nine episodes of the season already shot. The show was cancelled a few weeks later. See more »
Episode 1: A portion of blacktop highway and guard railing is visible behind Hickock's wagon as it descends the hill into Deadwood. See more »
[Mose Manuel demands refund for his spending at the Bella Union]
Including youth, Mr. Manuel? And why not beauty? Not credibly restored, perhaps, but as a new non-negotiable term? Would you not have, too, your brother Charlie resurrected? Would you stipulate your envy of him being purged? Surely, you insist that Charlie retain certain defects - his ineffable self-deceptions, for example, which were your joy in life to rebuke, and purpose, so far as you had one. I suppose you would see removed ...
[...] See more »
This is a stunning achievement. Performance, writing, direction, casting, design, everything about it is of the highest quality. It seems so obvious and in your face at first with little in the way of compelling traditional story (ie each episode has a 'plot') but every layer has another layer beneath and they all build into an amazing portrait of this moment in time. (real or fictional it makes no difference to me) For all the apparent lawlessness and depravity on display it is about love and responsibility being forged against the most brutal of times. Ian McShane is a stunning revelation and Timothy Olyphant is superb as the calm fury at the centre of the storm. Cannot praise it highly enough. Better than Sopranos - and that's saying something.
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