General Crook rolls into Deadwood with his troops, known as "Custer's avengers," and the Yankton magistrate, Clagett, prompting a parade and business solicitations from E.B. Farnum and Cy Tolliver. ...
The town of Deadwood, South Dakota in the weeks following the Custer massacre is a lawless sinkhole of crime and corruption. Into this uncivilized outpost ride a disillusioned and bitter ex-lawman, Wild Bill Hickok, and Seth Bullock, a man hoping to find a new start for himself. Both men find themselves quickly on opposite sides of the legal and moral fence from Al Swearengen, saloon owner, hotel operator, and incipient boss of Deadwood. The lives of these three intertwine with many others, the high-minded and the low-lifes who populate Deadwood in 1876. Written by
Jim Beaver <email@example.com>
HBO offered the chance to David Milch to wrap the series in a shorter fourth season, but he declined to do it on those conditions. However, when Chris Albrecht was asked about it, he said that they also told Milch that HBO would give him a full twelve-episode season, if it was what he needed to wrap the show. Milch told them he would think about it over a weekend, but the news about the show possibly being cancelled reached the press to such a speed, that that conversation never happened, and Milch just moved on to develop John from Cincinnati (2007). See more »
Al Swearengen had a twin brother named Lemuel who was his right hand man in Deadwood. For reasons not explained that character was left out of the series. See more »
Reverend H.W. Smith:
Lord, grant that I may seek rather to comfort than to be comforted, to understand, than to be understood, to love, than to be loved... and the rest I forget.
See more »
Absolutely superb. I don't think I've ever given anything a 10/10 before, but for a TV show, Deadwood is excellent - and given the crap we're generally subjected to on the box, absolutely outstanding. The sets, the research, the directing, the characters, the acting - all shine. And without wanting to sound gushy, the script is close to Shakespearian in its prosaic yet pragmatic tone. The juxtaposition of the grit and dirt and blood of the real 'Wild West' with formal Victorian language is genius. Even the opening credits are beautiful. It may not be everyone's cup of tea (the language and content can be a little 'strong' although entirely appropriate and in context) but anyone who's a fan of quality entertainment, shouldn't go past it.
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