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Shattered Glass (2003)

PG-13 | | Drama, History | 26 November 2003 (USA)
The true story of a young journalist who fell from grace when it was found he had fabricated over half of his articles.

Director:

Writers:

(article) (as H.G. Bissinger),

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ON DISC
Nominated for 1 Golden Globe. Another 11 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Lewis Estridge
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Catarina Bannier
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David Bach
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Aaron Bluth
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Rob Gruen
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Linda Smith ...
Gloria (as Linda E. Smith)
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Marty Peretz
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Storyline

This film tells the true story of fraudulent Washington, D.C. journalist Stephen Glass (Christensen), who rose to meteoric heights as a young writer in his 20s, becoming a staff writer at "The New Republic" for three years (1995-1998), where 27 of his 41 published stories were either partially or completely made up. Looking for a short cut to fame, Glass concocted sources, quotes and even entire stories, but his deception did not go unnoticed forever, and eventually, his world came crumbling down... Written by Kaliya Warner

Plot Summary | Plot Synopsis

Taglines:

He'd do anything to get a great story. See more »

Genres:

Drama | History

Motion Picture Rating (MPAA)

Rated PG-13 for language, sexual references and brief drug use | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

26 November 2003 (USA)  »

Also Known As:

A hazugsággyáros  »

Filming Locations:

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Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$77,540 (USA) (31 October 2003)

Gross:

$2,207,975 (USA) (23 January 2004)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Peter Sarsgaard and Chloë Sevigny previously appeared in Boys Don't Cry (1999), another film based on real events. See more »

Goofs

The restaurant called the Original House of Pancakes is clearly not a high class restaurant that would require it's male patrons to wear a suit jacket as Stephen claims Ian did wear to dinner. See more »

Quotes

Chuck Lane: [in Stephen's office after business hours] You had your brother pose as George Sims.
Stephen Glass: What?
Chuck Lane: The phony recording from Jukt Micronics? It's a Palo Alto number. And your brother is a student at Stanford. You had him pose as Sims.
Stephen Glass: No, Sims is a real guy...
Chuck Lane: Steve, Steve...
Stephen Glass: I've talked to him a million times, Chuck. My brother and I aren't even speaking right now.
Chuck Lane: Stop it. You faked Sims, you faked a website, you faked all those voicemails...
Stephen Glass: [speaking at the same time] You don't know. You don't know, ...
[...]
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Soundtracks

New Sensation
Written by Andrew Farriss and Michael Hutchence
Performed by INXS
Published by WB Music Corp. (ASCAP) obo Chardonnay Investments and XL Publishing Pty, Ltd. (APRA)
Courtesy of Atlantic Recording Group
By Arrangement with Warner Strategic Marketing
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Frequently Asked Questions

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User Reviews

 
Quite believable, says this former investigative journalist
31 May 2005 | by (Corrales, New Mexico) – See all my reviews

As the subject line above says, I have to admit to an insider's point of view. I was an award-winning investigative reporter and editor working in newspapers, magazines, wire services, radio, and network-affiliate TV. I quit journalism in 1980 in large part because of the ever-increasing number of talent-challenged first-year "journalists" who wanted to be the next Woodward/Bernstein, and worse, the willingness of management (especially in local television news) to hire and even promote them. To be honest, however, I would have to add that the low pay, true even at places like The New Republic, was a major factor to an expectant father.

So I am sad to say that I completely buy the characterizations presented in this docudrama on Stephen Glass' time at that august magazine. The only thing that didn't ring true was that I never met anyone who had the time or inclination to be as considerate of his fellow journalists as Steve Glass apparently was. My wife pointed out that she never met one journalistic co-worker she would spend time with if she had the choice. I would admit that the nicest I knew were, at best, benign. I should add that I was NOT the nicest I knew. Even I didn't like me those days.

Getting back to the film, I can't speak to what actually motivated this particular person to fabricate 27 of 41 stories at a very major national magazine. The film suggests that he was too eager to please, and perhaps that is true. But that probably wasn't what motivated Jayson Blair (at the New York Times) or others who have recently been exposed as serial fabricators. Ambition unrestrained by ethics, unreasonable pressure to succeed due to premature promotions, other unknown and perhaps unknowable motivations... they probably figure into these sorts of disasters. But what is certainly true, and given very short shrift by the film, is the role journalistic management plays. To put a rather fine point to it, too many editors do not know how to, or perhaps just don't like to, do their jobs.

Too many times I see on national news programs statements treated as fact that somehow I can't believe were ever fact-checked. Just today I saw an episode of HBO's RealSports where an amazing statistic was mentioned: that a certain percentage (I believe about 4% but wasn't taking notes) of people who start playing poker as young kids go on to have gambling problems. I instantly asked myself: where did those statistics come from? Poker playing among the very young (pre-college-age) was probably a fairly rare thing before the past couple of years. How would they know today that 15 years ago such-and-such a percent would later have problems? If you understand statistics you would know that you can't find gambling addicts now, ask how many played poker as young kids, and extrapolate any useful estimate of future danger (100% of alcoholics once drank socially, but that doesn't mean 100% of social drinkers go on to become alcoholics). So did some editor at RealSports check this out? Why don't I believe someone did?

In writing this six-paragraph movie review, perhaps to be seen by no one, I checked things over time and again for accuracy. Oops: I misspelled Jayson Blair; fix it. Spelling errors no one cares about in this Internet-only story: check the entire piece in an external spell checker. In all I made almost two dozen changes. No one reading this will notice, or if they do, care. But that is what I do because I once was an editor.

It is this instinct for distrust of EVERYTHING anyone says or writes, including oneself and one's own work, that I believe is missing in far too many editors today. It is this shortcoming that allowed Stephen Glass, Jayson Blair et al to last so long before being exposed. It is a major weakness in journalism, and the lack of acknowledgement of this weakness is the only fault I found in this otherwise excellent film.


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