Guts, "The Black Swordsman", is pursued by demons who are attracted to him, due to a demonic brand on his neck. His goal is to free himself, and his lover Casca, of this inescapable curse. ... See full summary »
For three years, Guts believed his mission was to pursue Griffith's dream together with him. But in order to become Griffith's equal and truly be called his friend, Guts realizes he will ... See full summary »
Chris Jai Alex
The Empire of Britannia has invaded Japan using giant robot weapons called Knightmare Frames. Japan is now referred to as Area 11, and its people the 11's. A Britannian who was living in ... See full summary »
Johnny Yong Bosch,
In a world rife with deadly creatures called "youma", a young silver eyed woman, Clare, works on behalf of an organization that trains female youma halfbreeds into warriors with the ability... See full summary »
A Japanese businessman, captured by modern-day pirates, is written off and left for dead by his company. Tired of the corporate life, he opts to stick with the mercenaries that kidnapped him, becoming part of their gang.
Guts was brought up by a mercenary group since birth. After killing his guardian in self-defence, he runs away. Years later, he encounters Griffith and The Band of the Hawk. The Hawks fight for the King of Midland, and after winning the 100-year war against the neighbouring Chuda, they become the King's personal guard. However, once they reach the top, things take a turn for the worse. Written by
Devin Hill-Mann <firstname.lastname@example.org>
To the one who panned this series after watching an hour and a half of it: That's like watching the first 15 minutes of >insert title of any complicated, intelligent movie here< and dismissing it.
As for the music, it's not standard anime j-pop crap. It's not movie-score like music either. It's definitely not for everyone, as far as just listening to it goes (but I must say I've developed a liking for Susumu Hirasawa's work), but most of it fits quite well (although with the rampant re-use it's bound to not work sometimes), and some of it is great regardless what it's presented with. "Behelit," and "Forces" being the real stand-outs, both in terms of being listenable, AND in terms of reuse with varying degrees of appropriateness. The opening theme does suck though. No question. (In stark contrast to the end credits song, which, while also being an abomination of Engrish, sounds perfect.)
I used to be really into anime. I fell out of it a few years ago, and stopped giving a crap about almost all the anime I'd ever seen or heard of. But as all the chaff blew away, this was one of the few grains to remain. It's unforgettable, especially if you watch the whole series in order. It's unspeakably grim when viewed as a whole, but contains a growing optimism throughout most of the series.
There are only a tiny handful of animes which can stand beside Berserk in the quality of their storytelling. Hell, only a small portion of ANY fiction can be compared favorably to it. Berserk is not just good anime, it's good drama. If you like the fantasy genre in any format, you must see this show. If you like stories about people growing through hardship, you must see this show. If you like stories about unrelenting badasses, you must see this show. If you don't care about anything but eye candy, or you're an anime dork looking for wank-fuel, look elsewhere. Berserk may not have something for EVERYONE, but it has something for MOST people.
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