Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Brazil, 1960s, City of God. The Tender Trio robs motels and gas trucks. Younger kids watch and learn well...too well. 1970s: Li'l Zé has prospered very well and owns the city. He causes violence and fear as he wipes out rival gangs without mercy. His best friend Bené is the only one to keep him on the good side of sanity. Rocket has watched these two gain power for years, and he wants no part of it. Yet he keeps getting swept up in the madness. All he wants to do is take pictures. 1980s: Things are out of control between the last two remaining gangs...will it ever end? Welcome to the City of God. Written by
Jeff Mellinger <email@example.com>
The two main actors, Alexandre Rodrigues (Buscapé) and Leandro Firmino (Zé Pequeno), were given the option to to get paid R$10,000 (about US$3,000) upfront or a percentage of the box office. Having no idea how successful the film would be, they chose upfront payment. Even if they were only getting 1% of the box office, it would have been 25 times more than what they got. See more »
In the scene where the tender trio are robbing the gas man and giving out the free gas, when the police arrive and the gang are running off, in the back ground there is a woman in a yellow dress carrying a big gas canister, yet in the next shot she is seen running in the same spot without the gas. See more »
During the end credits there is shown actual real-life footage of the real Mané Galinha, or Knockout-Ned as he is translated into in the American version of the film. This is in fact the same TV interview we see constructed in the film, and we can see that the filmmakers have copied this TV interview down to the smallest detail. See more »
Get Up I Feel Like Being Like (Sex Machine)
Written by James Brown / Bobby Byrd / Ronald R. Lenhoff
Performed by James Brown
Dynatone Publishing Company
(Represented in Brazil by Warner Chappell Edições Musicais Ltda)
Used by permission from Universal Music Ltda See more »
Cidade de Deus seems to have a lot of praise on the IMDb boards, and with good reason too. It simply is, in my opinion, one of the best contemporary films ever made.
Based on true events and characters who live in the overlooked and poverty stricken slums in the shadows of Rio de Janiero, where life expectancy doesn't reach the 30's and drug dealers are kings.
The tale of the City of God, and its myriad of characters is told by Rocket, a young man who struggles to make something of his life, other than to wind up another victim of drugs or gang wars.
Not only are the characters in City of God absolutely fascinating, and also very endearing, but also convincingly acted by groups of young and unknown actors. The stoies are well-told, and at times, funny, and at others, brutally shocking.
The cinematic style of the film gives a nod to Tarantino, with some clever time-jumping, freeze-framing, and texts indicating another chapter of the film. In every sense, a bit of a Brazillian "Pulp Fiction" or "Goodfellas", but with its own unique flavour to it.
The City of God is a marvel, and a highly recommended film to watch, but not recommended for the over-sensitive or easily distressed.
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