When an old enemy, the Cylons, resurface and obliterate the 12 colonies, the crew of the aged Galactica protect a small civilian fleet - the last of humanity - as they journey toward the fabled 13th colony, Earth.
Edward James Olmos,
When the initial Cylon attack against the Twelve Colonies fails to achieve complete extermination of human life as planned, twin Number Ones (Cavils) embedded on Galactica and Caprica must improvise to destroy the human survivors.
Edward James Olmos
Edward James Olmos,
Battlestar Galactica: The Resistance is an online series that aims to fill in the gaps between seasons two and three of the Re-imagined Series. The webisodes can be viewed through the ... See full summary »
Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.
Two families, the Graystones and the Adamas, live together on a peaceful planet known as Caprica, where a startling breakthrough in artificial intelligence brings about unforeseen consequences. A spin-off of the Sci Fi Channel series "Battlestar Galactica" set 50 years prior to the events of that show.
The 10 webisodes, entitled "The Face of the Enemy," tell a story that takes place between seasons 4.0 and 4.5 of Battlestar and follow Lt. Gaeta when he is sent off in a Raptor with a ... See full summary »
It's been 40 years since the 12 colonies of mankind have heard from their progeny, the Cylons -- robotic creatures who rose up and declared war on their masters, then disappeared. In a sudden, devastating strike, the Cylons return and lay waste to the colonies, aided by human-looking Cylon variants and an unwitting fifth columnist. The attack forces Commander William Adama to call into action his museum-piece warship, the Battlestar Galactica, and soon its company of hotshot fighter pilots is blasting away at the invaders. But their best efforts can't prevent the colonies' obliteration. Fleeing the Cylon genocide, the Galactica leads a rag-tag fleet of survivors on a lonely quest to find humanity's fabled 13th colony -- a planet known as Earth. Written by
John Colicos #6
Numerous props from the original series appear as items on display in the newly constructed museum in the starboard landing bay of the Galactica. They are all labeled in the typeface style used for the main title of the original series. The props which can be seen include a Cylon Centurion, a Cylon Raider, a Cylon Basestar, a Colonial Shuttle, a Landram and even an original Colonial Viper from the 1978 series. See more »
Originally, the Colonies were to be twelve lands on one planet, but this changed and they became twelve different worlds. When Adama asks Tyrol where they found his Viper Mar II, Tyrol said it was "in Sagittarion" where he should have said "on Sagittarion". See more »
[sensing despair at the funeral service after the battle at Ragnor]
Are they the lucky ones? That's what you're thinking, isn't it? We're a long way from home. We've jumped way beyond the Red Line into uncharted space. Limited supplies. Limited fuel. No allies. And now no hope! Maybe it would have been better for us to have died quickly back on the colonies with our families instead of dying out here slowly in the emptiness of dark space. Where shall we go? What shall we do? "Life here began out...
[...] See more »
The stop-motion/cut-out animation R&D TV logo has Ronald D. Moore and David Eick taking turns to kill each other every week, with one partner making a proposal in gibberish and the other attacking him using items from a gorilla to a lance. See more »
Some of the anti-BSG2003 complaints are just crazy
Besides saying that I really liked the re-imagining of Galactica, I just wanted to point out the madness in one of the recurring complaints I've noticed among fans *and* nay-sayers of BSG2003. I read a lot of people saying "the new one doesn't have the humour of the original" or "it takes itself so seriously, the characters are too serious," or things to that effect.
I'm just wondering... how funny do you expect a nuclear holocaust to be?? I mean, writers of fiction are hoping that you can suspend your disbelief and try for a moment to imagine that what you are seeing is real, or could be real. So imagine for a moment, if you can, that you live in NYC and you just heard on the news that H-bombs have started falling from the sky in LA, and they're coming down in waves, west-to-east, and humanity is being utterly wiped out. Millions of people-- men, women and children, perhaps members of your own family, are dying in terror. Are you *really* going to be cracking jokes? Imagine that the human race is quickly being massacred, only a few hundred are managing to escape-- a tiny fraction of what civilization was, and you aren't sure if you're going to survive into tomorrow. Just how much humour is going to be in the air, mixing with the fallout and all? Even before the bombs start falling, all of the "overly serious" characters seem to me to have pretty good reasons... Adama's ship is being turned into a museum, effectively ending a major chapter in his military career (which is his life), Apollo's having to face his father, whom he blames for his brother's death, Teague is a drunk (they're not often the cheeriest people), Lauren's just been diagnosed with terminal cancer... you expect these people to be making with the ha-ha?
The character I did find funniest was Starbuck. Be it because she was a little 'crazy' or because she had the least on her shoulders (besides her boyfriend dying 2 years ago because of a decision she made... hm, may explain the 'crazy' a little, y'think?) to spoil her mood, and what do people say about Starbuck? "She was too crazy." There really *is* no pleasing some people.
Arguing that the characters in a story that depicts the extermination of said characters' species are "too serious" is... well, it only shows that you either can't do what the writers would like you to do-- and imagine yourself as a part of this world-- or that you can, but you're a suicidal sociopath.
I thought the miniseries was excellent; the re-worked premise made for a more textured story, the characters actually had some depth this time around, and were well-played by actors who obviously tried to 'get' some of the nuances of their characters and could take a serious situation (however imaginary) seriously. And I loved the special effects, too.
So with all due respect, the puritans who prefer the shallow, campy 70's series with its recycled fx footage, its 2-dimensional characters and it's plot that provides little context or background, can stick their complaints in their old pipes and smoke 'em.
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