Seemingly unconnected citizens of Tokyo are targeted for bludgeoning by a boy with a golden baseball bat. As detectives try to link the victims, they discover that following the assaults, the victims' lives have improved in some way.
A Japanese businessman, captured by modern-day pirates, is written off and left for dead by his company. Tired of the corporate life, he opts to stick with the mercenaries that kidnapped him, becoming part of their gang.
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Naota is a normal student living with his abnormal father and grandfather. One day, a seemingly insane girl named Haruko blazes in from out of nowhere on her Vespa, wielding an electric guitar with a buzzsaw! Haruko moves in with Naota under the pretense of being a housekeeper, but Naota knows there's something obviously strange about her. To make matters worse, large shapes are growing out of his head, hatching into large monsters that Haruko makes her mission to kill. Who is Haruko really, and what is she after? You won't find out until the end of this bizarre story. Written by
In the second episode, Naota tells Haruko that the reason his dad acts so strange is because "He wrote an 'EVA' book a while ago". (in the English version, "He wrote a book on the deep mysteries of 'EVA.'"). The show he's talking about is Shin Seiki Evangerion (1995), a hit series made by the same animation studio with some of the same staff, and that line is a tongue-in-cheek reference to the confusion the final two episodes caused when they first aired. The director and writer of this show, Hideaki Anno, is also the uncredited voice of Naota's cat Miyu-Miyu. See more »
The Haruko's bracelet, is attached to her left arm. But in the manga scene, it appears on her right hand. See more »
It's Manhattan style, see? Little Prince Curry goes to New York. Mild, for kids.
Uaaahhh, it's spicy, I don't care if it goes to New York!
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During the end credits of each episode, Haruko is seen pumelling her Vespa and trying to get it to work. She eventually gives up. After the credits end on the first five episodes, there is a brief shot of the Kamon's bakery with Haruko's Vespa parked next to it. See more »
When I was watching FLCL for the first time, I had no idea what was going on. I'd never seen anything like it. So, the movie started switching gears from sweet and tragic to insane and funny, it really took me by surprise. Basically, I was holding on 'till the end because I wanted to know what it was all about. But even without that, it rocked. You may not be entirely sure at some moments why or how, but it rocks. The story starts off in a town that reminds one of one's own home town. The kid's are depressed, bored, and pretty much just drag themselves out of bed in the mourning. The adults are hyper, child-like and very annoying to the children of the town. But then she shows up. Like some kind of pop-metal not quite evil not quite good bubble gum haired goddess shows up and turns reality into chicken soup. This woman and the main character are somehow tied together through a story that involves sex, baseball, aliens, robots, secret government organizations and an underlying message about growing up and finding who you are.
The first time you watch it, you will not get it. I didn't, and most other people don't. When it's over, you only think about the crazy parts that made no sense, and you don't remember the deeper and sometimes creepy moments that kind of puts everything together. And even if you were able to get it the first time (*cough* not gonna happen.) this movie moves you more every time you watch it. It's the kind of thing you want to see again. It's extroadinarilly good. If you have an open mind, a little time, and feel like your out of place with the world (I'm betting you do. Everybody else does) then you will love this movie. Whether or not you understand it
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