56 out of 66 people found the following comment useful :- And the Oscar for this year's strangest film goes to..., 20 ottobre 2004
Author:
Freedomisanillusion da Tasmania, Australia
'It's All About Love' is a true oddity. It feels almost like someone
recorded all the strange ideas that came into their head for a week,
and chose a common topic, i.e. 'Love', and wrote a screenplay from
their notes.
But that's not to say it's a bad movie.
In truth, I quite enjoyed it, although I came out of it feeling like
I'd woken up from a dream, or possibly a nightmare.
It's quite unsettling.
The plot is both incredibly simple and incredibly complex:
John (Joaquin Phoenix) goes to New York to get a divorce from his
famous figure skating wife, Elena (Claire Danes). While he's there, he
notices that Elena seems to be in the middle of a vast conspiracy, and
together they try to escape it, rediscovering their love at the same
time.
The film is set in the near future, although it doesn't really need to
be. I like the future in this film, because it's not radically
different (except for flying Africans...go figure) but feels like
twenty odd years from now. In the near future, people who are lonely or
suffer a great loss will often drop dead. And the people of the near
future merely walk over their bodies.
John and Elena are Polish, although they don't need to be. It adds
certain poignancy, two foreigners not quite in place in a world that
keeps putting them out of place.
Joaquin Phoenix and Claire Danes, while both very good (I think...it's
hard to tell in a film as strange as this) could possibly have used
some accent work. At times they speak with no accent at all, and it
seems to distract.
On that note, I would like to point out how brilliant Claire Danes is.
Ever since I saw Brokedown Palace, I have been astounded by her acting
ability (although, that said, she doesn't do heart-wrenching crying
very well). I won't spoil it, but under the circumstances of what
happens to her character(s), she's incredible.
Also thrown into the mix is Sean Penn playing John's brother. I
honestly couldn't see why he was in the movie, except maybe to oversee
all the weather changes (think a far more subtle, low budget Day After
Tomorrow with more meaning. For instance, it snows in New York in July,
and there are days when all the fresh water freezes) I'm not saying
it's a bad point, but another end that wasn't loose, but still needed
tightening.
As I mentioned, the plot is incredibly complex. It twists a fair bit,
until it seems to cut all things loose and start a new movie some
twenty minutes before the ending. Still another way this movie
unsettles me.
Visually, the film is stunning. It looks like a far more mainstream
film than it obviously is. And while the film is beautiful, it still
feels hard to watch, like there's something dreaded under the gloss.
If this reads as an ambiguous review, that's probably a good thing. I
like this movie, quite a lot. But I also dislike it. It's easy to see
why the DVD cost me $10.
I also like the fact that I own this movie before America even get an
official release date. As an Australian, always open to release dates
getting pushed back by three months, or movies being on DVD in America
for about a year before we even get a theatrical release, this gives me
a strange sense of superiority.
An incredibly strange movie and most certainly not everyone's cup of
tea, I'll have to be careful of who I recommend this movie to. But see
it yourself, as it's a movie that deserves an audience, just a very
select one.
7/10
37 out of 44 people found the following comment useful :- A film that really is 'about love' than just a cheesy portrayal, 25 febbraio 2004
Author:
Chris Docker (eyeforfilm) da Scotland, United Kingdom
If Dogville shows the new directions taken by Director Lars von Trier since
Dogme, It's All About Love shows the very different creativity of Dogme
co-founder Thomas Vinterberg.
John (Joaquin Phoenix) is planning to meet his wife Elena between flights in
order to have divorce papers signed. Their marriage has broken down some
years ago. It is as if their 'calendars are written in different languages.'
Things are not what they seem. And things don't go as planned.
It's All About Love is set in the near future but defies the sci-fi or any
other genre tag. Attention is focussed on the title, what love is really
about. What happens when a relationship ends? When you still love' someone
but no longer want to be part of each other's world? When the other person
seems like almost another person to the one you knew? It's All about Love
looks at parallel emotional dislocation and its extension into the physical
world, a world near the brink of cosmic collapse. It contains images of
stunning beauty and is also jarring and artistically innovative. It's
probably also the quirkiest movie since David Lynch's Mulholland
Drive.
43 out of 70 people found the following comment useful :- It's all about nonsense, 19 marzo 2003
Author:
Iossif Serafimidis (iossifs@gmail.com) da Athens,Greece
Reading the plot of the movie and watching some wonderful scenes in
addition
to knowing that Preisner is making the score and Sean Penn is in it , i
was
so much intrigued to watch this film ; what a pity and what a waste of so
much potential by the director . It all begins quite interesting , but
soon
enough you realize that the director tries so hard to prove nothing,
Hitchcock, Lynch, Trier, all mixed up . It's not lyrical but tries to
be
, it's not poetic but tries to be , it's not a thriller but tries to be ,
it's not a love story but tries to be ; in vain .
27 out of 39 people found the following comment useful :- a reversed meteoropathy?, 20 ottobre 2003
Author:
dejanjovicic (deka@beotel.yu) da Belgrade, Serbia
This remains a strange notion, although it has inspired several features
by
now (there's one of those burlesque X Files episodes with a similar
motif),
but Vinterberg fetches it far, far out.
OK, inhale... Could it be that we're doing more damage to the environment,
not just by keeping our heavy industries and disposing of toxic waste but,
actually, through coldness, indifference and alienation from each other?
Is
the coldness of heart somehow projected on to the earth's gravitation
field
and climate, causing bizarre atmospheric anomalies, eventually bringing
the
next ice age upon humanity? If that is the case, there must be a critical
number of couples in love, who are somehow radiating there emotions, and
thus, keeping the global climate in balance. Should it fall below the
critical value, the nature will retaliate, turning us all into
icicles!?
Could this be the reason, the Marchevsky's (Danes, Phoenix) become so
important for the plot? Maybe, they're this critical couple, whose
emotions
happen to determine the course of possible cataclysmic events, also making
them a target of some vague conspiracy. If Elena fails to get back with
John, her clonettes are trained to fill in for her, whether as a loving
wife
or an ice skating champion. Basically, the script has so many loose ends
that you could go on speculating forever, which is ok, if the director's
actual intention was to provoke speculation.
Also, while I was watching it, the monotonous pace and a chilling
atmosphere
made me half asleep, except for a few unexpected lines in my native
language
uttered by one of the clonettes.
To sum up - intriguing idea, beautiful art direction/photography, decent
acting, disastrous script. So, if you happen to be a speculator,
environmentalist, climatologist, or particularly keen on the idea of
'reversed meteoropathy' (there's probably a more suitable term for this),
It's All About Love should be interesting for you. Otherwise, be patient
and
wait for the next attempt by this undoubtedly talented director.
16 out of 20 people found the following comment useful :- Simply Beautiful, 10 aprile 2006
Author:
haroldo-fajardo da Mexico
Some movies are well done, come are excellently directed, but there's
another kind of movies, the beautiful movies. the second Vinterberg's
are one of this kind of movies that don't make you think, just make you
feel. i think this is a beautiful movie and you have to see it without
any thought in your mind, just enjoy the great cinematography, the
great scenes and a very blue movie. Just check it out and be prepared
to feel and feel very nice! maybe it's a misunderstood film, because of
the entire plot are "absurd" in some moments, but, i say again, that
you don't need to think about the pictures on screen, you need to feel
the cold of the movie, the cold in the hearths, the cold in the room, i
mean its a film to enjoy no to think.
17 out of 22 people found the following comment useful :- What about those flying Ugandans?, 1 agosto 2005
Author:
(redtulips1106@yahoo.com) da Boston, United States
I don't think I really spoil the film, considering the flying Ugandans
are my only direct reference. But just in case...
My comments are more general and hopefully helpful if you're thinking
about seeing the film. If you're looking for fast-paced action, this is
too leisurely and curious a pace. If you're not in the mood to be
intrigued without explanation, then save this one for when you are! I
don't know you, so I don't know if you'll like it! I can't even say
(for myself) but to have you read my thoughts... I think I liked it.
What got me here, writing to you, is those darned flying Ugandans!
Being just a tad OCD, I couldn't not read all the comments in hopes of
finding some kind of insight on this film and it's peculiar end
image....
I do recommend you read the director's explanation of this film at
www.cinema.com (Also quoted in one of the comments.) This is a helpful
view to keep in mind! I can't say I'm a film buff nor am I as well-read
as some of the others who've commented. Just as well, here's my 2¢...
THE ACCENT: As far as I understand, the characters portrayed by Phoenix
and Danes are supposed to be Polish. The accent thing is mildly
annoying. Only that it caused some struggle in me to understand if the
characters were Polish, Russian or Americanized Polish, etc.
THE ACTING: Moderate. Difficult to accuse the actors, script, director,
etc. It seems to vary with how it's received. And given the bizarre
nature of the film, no one character struck me as having been BADLY
acted.
VISUAL ART: Definitely! Beautiful and well crafted. Tone, rhythm,
perspective, harmony... Very detailed and constructive.
DIALOGUE: I tend to agree that the dialogue was weak. Mostly because I
felt I had to focus so much and barely comprehend! What intrigued me
most was how much attention I'd compelled in hopes of discovering...
something!
FIGURE SKATING: I'm a fan. But the entourage is exaggerated. It is an
international sport. And it doesn't seem to really be of consequence
whether or not it's ever going to be that big of a sport! It's just the
way the movie goes. So go with it! Otherwise, the lack of athleticism
displayed or "who'd ever care about figure skating" will really get you
going!
GENRE: Certainly, I found myself trying to fit the film, as it
unfolded, into a genre I already understood. And I was thwarted at
every turn! It seemed a journey that was purely in my mind as well as
an emotional exploratory. And I think the idea of printing a dream fits
best.
MY THOUGHTS: This film really gets under your skin, yea or nay! Whether
you hate it or love it or somewhere in between, that fact that you've
gone so far as to read this comment already invokes some kind of
meaning. (Providing you've also seen it!) I saw this last night on the
Sundance channel. I'd like to see it again to find my opinion. But for
now, it seems the most settling explanation is that I've just viewed
someone else's dream.
Dreams often don't make sense to the dreamer, but do have some kind of
plot as you are dreaming it! No character is immutable. So the weakness
of character may be just that... an ever-changing character to suit the
moment? And dreams are often of the subconscious and/or unconscious.
Things we have a opinion, concern or feelings about but not yet
thought-out. So the anachronistic view feels like fragments of ideas
trying to become something effable.
I like that it is provoking... thoughts, emotions, etc. Definitely an
interesting topic of conversation on many levels. What you think, feel
and say are personally revealing, if you explore it like a dream. And
fun to share, especially about those silly scenes and the ideas that
just can't be helped.... The best part is how heartily I can laugh at
the silly scenes and the collective "WHAT?" that we all share. I feel
the need to know! So, those discontinuous points and lapse in
plausibility or plain nonsense did bug me. WHY? WHY? WHY? But again, as
a dream, I guess we should be asking ourselves why we have these
questions, eh?
All in all, I can't say I'm coming up with much I didn't like. It was
darned weird! But I didn't feel like it was a waste of time. I could
have switched the channel or turned it off, but didn't. The weirdness
level was entertaining in itself! Like enjoying your own dream then
finding disappointment that you've awaken, ...just because! And reading
about it was even more fun! The best part is all the intrigue about
those flying Ugandans!!! I'll buy it as a dream. If anyone has insights
about the flying Ugandans, please feel free to share!
But based in reality, I can't help but wonder why the laws of gravity
only affect the people of Uganda and not the objects and animals. Why
the Ugandans? Where were the Chinese folks in the world of 2021? What
happens when the never-landing plane flies over this selective zero-g
area? Every other nonsensical is quite viable in dream-state. But those
(tethered) flying Ugandans...what does that mean?@!#@# Freud? Jung?
Anyone?
How about: Inability to see the global impact via prevention of
floating or flying in dream-state? ...Or those wanting to see truth but
are somehow tied to a fictitious or contrived alternate reality? Or
perhaps, it's the "exit button" in the dream-state? Any takers? =o)
I give it 7 out of 10 because I liked it more than I disliked it. A
curious nature will tend to like it. If you want an explanation or
simple summary you'll likely NOT like it!
11 out of 14 people found the following comment useful :- Another great film from a great dane, 28 gennaio 2003
Author:
Johnny Vinther Jensen (prometheus-dk) da Copenhagen, Denmark
Before I went to see this film, I had read a lot of reviews that said that
it wasn't good; it lacked a properly fleshed-out story, it was too
superficial. After I saw it, I could understand why the reviewers felt like
this, but I wholeheartedly disagree with them. This film isn't supposed to
be a credible social drama with a probable storyline and believable
characters. The nature of this film is light, almost ethereal. From start to
finish this is a fairytale, an intangible voyage through events and
interactions with one overshadowing theme: It's all about love. I was
reminded, when I saw this film, of the stories of Oscar Wilde, they too
possess an immaterial, poignant view of the fleeting nature of love (or
happiness for that matter).
The air of the film is amplified immensely by the beautiful images and the
hauntingly sweet music by Zbiegniew Preisner (who has composed the music for
many of Kieslowskis films). Especially the huge panoramas in connections
with the planes are some of the most beautiful images I have ever seen on
film. The film's use of close-ups takes a little getting used to, but is
very effective at communicating the characters' emotions.
Among the actors, I was especially impressed by Sean Penn, who provides a
sort of philosophical voice-over to the entire film. Also Joaquin Phoenix
was a positive surprise, he was much more toned down than I have seen him
before. The cast that make up the tiny community around the main character
Elena is eminently selected, with a wide range of memorable characters. The
actors are some of the best supporting actors around.
Thomas Vinterberg has made a film that is decidedly different from "Festen",
but in my opinion almost as good. I can't wait to see what his next project
will be.
18 out of 29 people found the following comment useful :- A vapid meditation on simplistic love., 20 gennaio 2003
Author:
barryagilbert da Los Angeles
I loved "The Celebration" and was very disappointed when I saw this at
Sundance. In brief, this suffers from the same delusion as "Eyes Wide
Shut": namely that implication = meaning. There is implied tension,
implied
sexuality and an implied conspiracy, none of which are delved into, and a
barrage of imagery that is neither satisfactorily abstract nor clearly
explicated. Joaquin Phoenix is too passive to be much of a lead and
Claire
Danes, while beautiful, lacks depth. The picture IS gorgeous, and kudos
to
the DP and design team.
20 out of 33 people found the following comment useful :- A beautiful poem, 14 gennaio 2003
Author:
Thorbone da Copenhagen, Denmark.
Not as good as Vinterberg's last movie "Festen", but still worth
catching.
Slow-moving story, but it gets under your skin. Joaquin Phoenix and
Claire
Danes are perfectly cast.
Be warned though, this movie is not for everyone. Some will call it weird
and it can be hard to understand what is going on.
I found myself enjoying it :o)
**** out of *****
-Thorbone
7 out of 8 people found the following comment useful :- A beautifully shot movie, haunting in an original way., 11 settembre 2005
Author:
BernieBear
I absolutely loved "It's All About Love". Not for the story line, which
as others have commented on is problematic and less then obvious, but
for it's haunting beauty. It's a movie that feels as though you are
watching it through a drug infused haze, a very dreamy "floating in
water" sort of haze; pleasant and pleasing except for the barest hint
of anxiety that laps at the periphery of your consciousness.
Clare Danes is visually stunning in the movie. Joaquin Phoenix is
excellent although the transition his character makes mid-way through
the movie seems too abrupt - I didn't see internal struggle within him
that would make me understand his willingness to stay, rather than
continue with his plans.
I don't have a clear view as to what the movie was to "mean". Mr.
Morrison is our individual date with death? Why are the Ugandans all
floating away? What was the brothers betrayal really about? Sean Penn
had such a small roll, I suppose he was illustrating that closeness of
the heart has nothing to do with physical proximity? Why was he flying
constantly when that was his greatest fear? I'm not sure all these
things are supposed to "make sense". For me the allure of the movie was
it's oddly disjointed and juxtaposed images, ideas and themes. Often
senseless, oddly captivating, something we all cling to - just like
life. - BernieBear
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It's All About Love (2003)
56 out of 66 people found the following comment useful :-
And the Oscar for this year's strangest film goes to..., 20 ottobre 2004
Author: Freedomisanillusion da Tasmania, Australia
'It's All About Love' is a true oddity. It feels almost like someone recorded all the strange ideas that came into their head for a week, and chose a common topic, i.e. 'Love', and wrote a screenplay from their notes.
But that's not to say it's a bad movie.
In truth, I quite enjoyed it, although I came out of it feeling like I'd woken up from a dream, or possibly a nightmare.
It's quite unsettling.
The plot is both incredibly simple and incredibly complex:
John (Joaquin Phoenix) goes to New York to get a divorce from his famous figure skating wife, Elena (Claire Danes). While he's there, he notices that Elena seems to be in the middle of a vast conspiracy, and together they try to escape it, rediscovering their love at the same time.
The film is set in the near future, although it doesn't really need to be. I like the future in this film, because it's not radically different (except for flying Africans...go figure) but feels like twenty odd years from now. In the near future, people who are lonely or suffer a great loss will often drop dead. And the people of the near future merely walk over their bodies.
John and Elena are Polish, although they don't need to be. It adds certain poignancy, two foreigners not quite in place in a world that keeps putting them out of place.
Joaquin Phoenix and Claire Danes, while both very good (I think...it's hard to tell in a film as strange as this) could possibly have used some accent work. At times they speak with no accent at all, and it seems to distract.
On that note, I would like to point out how brilliant Claire Danes is. Ever since I saw Brokedown Palace, I have been astounded by her acting ability (although, that said, she doesn't do heart-wrenching crying very well). I won't spoil it, but under the circumstances of what happens to her character(s), she's incredible.
Also thrown into the mix is Sean Penn playing John's brother. I honestly couldn't see why he was in the movie, except maybe to oversee all the weather changes (think a far more subtle, low budget Day After Tomorrow with more meaning. For instance, it snows in New York in July, and there are days when all the fresh water freezes) I'm not saying it's a bad point, but another end that wasn't loose, but still needed tightening.
As I mentioned, the plot is incredibly complex. It twists a fair bit, until it seems to cut all things loose and start a new movie some twenty minutes before the ending. Still another way this movie unsettles me.
Visually, the film is stunning. It looks like a far more mainstream film than it obviously is. And while the film is beautiful, it still feels hard to watch, like there's something dreaded under the gloss.
If this reads as an ambiguous review, that's probably a good thing. I like this movie, quite a lot. But I also dislike it. It's easy to see why the DVD cost me $10.
I also like the fact that I own this movie before America even get an official release date. As an Australian, always open to release dates getting pushed back by three months, or movies being on DVD in America for about a year before we even get a theatrical release, this gives me a strange sense of superiority.
An incredibly strange movie and most certainly not everyone's cup of tea, I'll have to be careful of who I recommend this movie to. But see it yourself, as it's a movie that deserves an audience, just a very select one.
7/10
37 out of 44 people found the following comment useful :-

A film that really is 'about love' than just a cheesy portrayal, 25 febbraio 2004
Author: Chris Docker (eyeforfilm) da Scotland, United Kingdom
If Dogville shows the new directions taken by Director Lars von Trier since Dogme, It's All About Love shows the very different creativity of Dogme co-founder Thomas Vinterberg.
John (Joaquin Phoenix) is planning to meet his wife Elena between flights in order to have divorce papers signed. Their marriage has broken down some years ago. It is as if their 'calendars are written in different languages.' Things are not what they seem. And things don't go as planned.
It's All About Love is set in the near future but defies the sci-fi or any other genre tag. Attention is focussed on the title, what love is really about. What happens when a relationship ends? When you still love' someone but no longer want to be part of each other's world? When the other person seems like almost another person to the one you knew? It's All about Love looks at parallel emotional dislocation and its extension into the physical world, a world near the brink of cosmic collapse. It contains images of stunning beauty and is also jarring and artistically innovative. It's probably also the quirkiest movie since David Lynch's Mulholland Drive.
43 out of 70 people found the following comment useful :-

It's all about nonsense, 19 marzo 2003
Author: Iossif Serafimidis (iossifs@gmail.com) da Athens,Greece
Reading the plot of the movie and watching some wonderful scenes in addition to knowing that Preisner is making the score and Sean Penn is in it , i was so much intrigued to watch this film ; what a pity and what a waste of so much potential by the director . It all begins quite interesting , but soon enough you realize that the director tries so hard to prove nothing, Hitchcock, Lynch, Trier, all mixed up . It's not lyrical but tries to be , it's not poetic but tries to be , it's not a thriller but tries to be , it's not a love story but tries to be ; in vain .
27 out of 39 people found the following comment useful :-
a reversed meteoropathy?, 20 ottobre 2003
Author: dejanjovicic (deka@beotel.yu) da Belgrade, Serbia
This remains a strange notion, although it has inspired several features by now (there's one of those burlesque X Files episodes with a similar motif), but Vinterberg fetches it far, far out.
OK, inhale... Could it be that we're doing more damage to the environment, not just by keeping our heavy industries and disposing of toxic waste but, actually, through coldness, indifference and alienation from each other? Is the coldness of heart somehow projected on to the earth's gravitation field and climate, causing bizarre atmospheric anomalies, eventually bringing the next ice age upon humanity? If that is the case, there must be a critical number of couples in love, who are somehow radiating there emotions, and thus, keeping the global climate in balance. Should it fall below the critical value, the nature will retaliate, turning us all into icicles!?
Could this be the reason, the Marchevsky's (Danes, Phoenix) become so important for the plot? Maybe, they're this critical couple, whose emotions happen to determine the course of possible cataclysmic events, also making them a target of some vague conspiracy. If Elena fails to get back with John, her clonettes are trained to fill in for her, whether as a loving wife or an ice skating champion. Basically, the script has so many loose ends that you could go on speculating forever, which is ok, if the director's actual intention was to provoke speculation.
Also, while I was watching it, the monotonous pace and a chilling atmosphere made me half asleep, except for a few unexpected lines in my native language uttered by one of the clonettes.
To sum up - intriguing idea, beautiful art direction/photography, decent acting, disastrous script. So, if you happen to be a speculator, environmentalist, climatologist, or particularly keen on the idea of 'reversed meteoropathy' (there's probably a more suitable term for this), It's All About Love should be interesting for you. Otherwise, be patient and wait for the next attempt by this undoubtedly talented director.
16 out of 20 people found the following comment useful :-

Simply Beautiful, 10 aprile 2006
Author: haroldo-fajardo da Mexico
Some movies are well done, come are excellently directed, but there's another kind of movies, the beautiful movies. the second Vinterberg's are one of this kind of movies that don't make you think, just make you feel. i think this is a beautiful movie and you have to see it without any thought in your mind, just enjoy the great cinematography, the great scenes and a very blue movie. Just check it out and be prepared to feel and feel very nice! maybe it's a misunderstood film, because of the entire plot are "absurd" in some moments, but, i say again, that you don't need to think about the pictures on screen, you need to feel the cold of the movie, the cold in the hearths, the cold in the room, i mean its a film to enjoy no to think.
17 out of 22 people found the following comment useful :-

What about those flying Ugandans?, 1 agosto 2005
Author: (redtulips1106@yahoo.com) da Boston, United States
I don't think I really spoil the film, considering the flying Ugandans are my only direct reference. But just in case...
My comments are more general and hopefully helpful if you're thinking about seeing the film. If you're looking for fast-paced action, this is too leisurely and curious a pace. If you're not in the mood to be intrigued without explanation, then save this one for when you are! I don't know you, so I don't know if you'll like it! I can't even say (for myself) but to have you read my thoughts... I think I liked it.
What got me here, writing to you, is those darned flying Ugandans! Being just a tad OCD, I couldn't not read all the comments in hopes of finding some kind of insight on this film and it's peculiar end image....
I do recommend you read the director's explanation of this film at www.cinema.com (Also quoted in one of the comments.) This is a helpful view to keep in mind! I can't say I'm a film buff nor am I as well-read as some of the others who've commented. Just as well, here's my 2¢...
THE ACCENT: As far as I understand, the characters portrayed by Phoenix and Danes are supposed to be Polish. The accent thing is mildly annoying. Only that it caused some struggle in me to understand if the characters were Polish, Russian or Americanized Polish, etc.
THE ACTING: Moderate. Difficult to accuse the actors, script, director, etc. It seems to vary with how it's received. And given the bizarre nature of the film, no one character struck me as having been BADLY acted.
VISUAL ART: Definitely! Beautiful and well crafted. Tone, rhythm, perspective, harmony... Very detailed and constructive.
DIALOGUE: I tend to agree that the dialogue was weak. Mostly because I felt I had to focus so much and barely comprehend! What intrigued me most was how much attention I'd compelled in hopes of discovering... something!
FIGURE SKATING: I'm a fan. But the entourage is exaggerated. It is an international sport. And it doesn't seem to really be of consequence whether or not it's ever going to be that big of a sport! It's just the way the movie goes. So go with it! Otherwise, the lack of athleticism displayed or "who'd ever care about figure skating" will really get you going!
GENRE: Certainly, I found myself trying to fit the film, as it unfolded, into a genre I already understood. And I was thwarted at every turn! It seemed a journey that was purely in my mind as well as an emotional exploratory. And I think the idea of printing a dream fits best.
MY THOUGHTS: This film really gets under your skin, yea or nay! Whether you hate it or love it or somewhere in between, that fact that you've gone so far as to read this comment already invokes some kind of meaning. (Providing you've also seen it!) I saw this last night on the Sundance channel. I'd like to see it again to find my opinion. But for now, it seems the most settling explanation is that I've just viewed someone else's dream.
Dreams often don't make sense to the dreamer, but do have some kind of plot as you are dreaming it! No character is immutable. So the weakness of character may be just that... an ever-changing character to suit the moment? And dreams are often of the subconscious and/or unconscious. Things we have a opinion, concern or feelings about but not yet thought-out. So the anachronistic view feels like fragments of ideas trying to become something effable.
I like that it is provoking... thoughts, emotions, etc. Definitely an interesting topic of conversation on many levels. What you think, feel and say are personally revealing, if you explore it like a dream. And fun to share, especially about those silly scenes and the ideas that just can't be helped.... The best part is how heartily I can laugh at the silly scenes and the collective "WHAT?" that we all share. I feel the need to know! So, those discontinuous points and lapse in plausibility or plain nonsense did bug me. WHY? WHY? WHY? But again, as a dream, I guess we should be asking ourselves why we have these questions, eh?
All in all, I can't say I'm coming up with much I didn't like. It was darned weird! But I didn't feel like it was a waste of time. I could have switched the channel or turned it off, but didn't. The weirdness level was entertaining in itself! Like enjoying your own dream then finding disappointment that you've awaken, ...just because! And reading about it was even more fun! The best part is all the intrigue about those flying Ugandans!!! I'll buy it as a dream. If anyone has insights about the flying Ugandans, please feel free to share!
But based in reality, I can't help but wonder why the laws of gravity only affect the people of Uganda and not the objects and animals. Why the Ugandans? Where were the Chinese folks in the world of 2021? What happens when the never-landing plane flies over this selective zero-g area? Every other nonsensical is quite viable in dream-state. But those (tethered) flying Ugandans...what does that mean?@!#@# Freud? Jung? Anyone?
How about: Inability to see the global impact via prevention of floating or flying in dream-state? ...Or those wanting to see truth but are somehow tied to a fictitious or contrived alternate reality? Or perhaps, it's the "exit button" in the dream-state? Any takers? =o)
I give it 7 out of 10 because I liked it more than I disliked it. A curious nature will tend to like it. If you want an explanation or simple summary you'll likely NOT like it!
11 out of 14 people found the following comment useful :-

Another great film from a great dane, 28 gennaio 2003
Author: Johnny Vinther Jensen (prometheus-dk) da Copenhagen, Denmark
Before I went to see this film, I had read a lot of reviews that said that it wasn't good; it lacked a properly fleshed-out story, it was too superficial. After I saw it, I could understand why the reviewers felt like this, but I wholeheartedly disagree with them. This film isn't supposed to be a credible social drama with a probable storyline and believable characters. The nature of this film is light, almost ethereal. From start to finish this is a fairytale, an intangible voyage through events and interactions with one overshadowing theme: It's all about love. I was reminded, when I saw this film, of the stories of Oscar Wilde, they too possess an immaterial, poignant view of the fleeting nature of love (or happiness for that matter). The air of the film is amplified immensely by the beautiful images and the hauntingly sweet music by Zbiegniew Preisner (who has composed the music for many of Kieslowskis films). Especially the huge panoramas in connections with the planes are some of the most beautiful images I have ever seen on film. The film's use of close-ups takes a little getting used to, but is very effective at communicating the characters' emotions. Among the actors, I was especially impressed by Sean Penn, who provides a sort of philosophical voice-over to the entire film. Also Joaquin Phoenix was a positive surprise, he was much more toned down than I have seen him before. The cast that make up the tiny community around the main character Elena is eminently selected, with a wide range of memorable characters. The actors are some of the best supporting actors around. Thomas Vinterberg has made a film that is decidedly different from "Festen", but in my opinion almost as good. I can't wait to see what his next project will be.
18 out of 29 people found the following comment useful :-

A vapid meditation on simplistic love., 20 gennaio 2003
Author: barryagilbert da Los Angeles
I loved "The Celebration" and was very disappointed when I saw this at Sundance. In brief, this suffers from the same delusion as "Eyes Wide Shut": namely that implication = meaning. There is implied tension, implied sexuality and an implied conspiracy, none of which are delved into, and a barrage of imagery that is neither satisfactorily abstract nor clearly explicated. Joaquin Phoenix is too passive to be much of a lead and Claire Danes, while beautiful, lacks depth. The picture IS gorgeous, and kudos to the DP and design team.
20 out of 33 people found the following comment useful :-

A beautiful poem, 14 gennaio 2003
Author: Thorbone da Copenhagen, Denmark.
Not as good as Vinterberg's last movie "Festen", but still worth catching.
Slow-moving story, but it gets under your skin. Joaquin Phoenix and Claire Danes are perfectly cast.
Be warned though, this movie is not for everyone. Some will call it weird and it can be hard to understand what is going on.
I found myself enjoying it :o)
**** out of *****
-Thorbone
7 out of 8 people found the following comment useful :-

A beautifully shot movie, haunting in an original way., 11 settembre 2005
Author: BernieBear
I absolutely loved "It's All About Love". Not for the story line, which as others have commented on is problematic and less then obvious, but for it's haunting beauty. It's a movie that feels as though you are watching it through a drug infused haze, a very dreamy "floating in water" sort of haze; pleasant and pleasing except for the barest hint of anxiety that laps at the periphery of your consciousness.
Clare Danes is visually stunning in the movie. Joaquin Phoenix is excellent although the transition his character makes mid-way through the movie seems too abrupt - I didn't see internal struggle within him that would make me understand his willingness to stay, rather than continue with his plans.
I don't have a clear view as to what the movie was to "mean". Mr. Morrison is our individual date with death? Why are the Ugandans all floating away? What was the brothers betrayal really about? Sean Penn had such a small roll, I suppose he was illustrating that closeness of the heart has nothing to do with physical proximity? Why was he flying constantly when that was his greatest fear? I'm not sure all these things are supposed to "make sense". For me the allure of the movie was it's oddly disjointed and juxtaposed images, ideas and themes. Often senseless, oddly captivating, something we all cling to - just like life. - BernieBear
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