Malmö, Sweden during the Second World War. Stig is a 15 year old pupil on the verge of adulthood. Viola is 37 years old and his teacher. He is attracted by her beauty and maturity. She is ... See full summary »
Tomas von Brömssen
Beautiful, sophisticated women are all over Oscar Grubman. He is sensitive and compassionate, speaks French fluently, is passionate about Voltaire, and thinks the feature that tells the most about a woman is her hands. On the train home from Chauncey Academy for the Thanksgiving weekend, Oscar confides in his best friend that he has plans for this vacation--he will win the heart of his true love. But there is one major problem--Oscar's true love is his stepmother Eve. Oscar is certain that he could be a better mate to Eve than his work-obsessed father. He fails to win Eve's heart and is consequently dejected. Oscar's path to his true love is further crossed by Diane, Eve's best friend who, one night while wearing Eve's borrowed perfumed scarf, offers him temporary comfort in an unconventional tryst. For Diane, Oscar fills a void in her life. For Oscar, Diane is somewhat of a distraction, as his continued pursuit of Eve leads to an unexpected resolution. Written by
Sujit R. Varma
The café where the three ladies meet and Diane introduces Oscar to her friends was also the location where director Gary Winick arranged a meeting with Sigourney Weaver before production, to play the part of Eve. After Weaver spoke to the restaurant owner, they agreed to let them use it in the film. See more »
When Oscar and Charlie are riding in the car, the scenery outside Charlie's window moves twice as fast as the scenery outside Oscar's window. See more »
So, you're going to dinner with both of them? The girl you like and the girl you slept with?
Yeah, my dad's coming too.
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Renaud Pion thanks Selmer and Vandoren. See more »
The Only Living Boy In New York
Written by Paul Simon
Performed by Everything But The Girl
Courtesy of Warner Music U.K. Ltd. and Blanco y Negro
By Arrangement with Warner Special Products See more »
Wonderful acting, great script...what's not to like?
I've read some other comments about the poor film quality/picture quality of this low-budget, quickly done fairly short (77 minutes) film. Frankly, I'd rather watch Tadpole ten times than sit through the horribly boring technically beautiful special effects of either StarWars I or II. Tadpole captures the essence of interesting film making by focusing on the characters, the story, the situations; and it does so in a way that's doesn't parrot yet another low-brow TV situation comedy. Between the inspired writing, the well nuanced acting on all counts (with nary a weak performance anywhere), and the decent editing, I fail to see how one can complain about this movie from the perspective of it being an enjoyable mini-novella/romp through New York. Comments I've read on the weak acting I find unsupportable by any normative standard.
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