La pianiste (2001)

Voti degli utenti:

7.2/10   

Regista:

Michael Haneke

Scrittori:

Michael Haneke (writer)
Elfriede Jelinek (novel)

Data di uscita:

31 agosto 2001 (Finland)

Genere:

Drammatico | Musica

Plot:

A young man romantically pursues his masochistic piano teacher. |

Plot Keywords:

Piano | Deception | Teacher Student Relationship | Older Woman Younger Man | Broken Glass

Premi:

Nominated for BAFTA Film Award. Another 12 wins & 15 nominations

Recensioni degli utenti:

If you think the movie is shocking, wait till you read the book!!

Cast

Isabelle Huppert	...	Erika Kohut
Annie Girardot	...	The Mother
Benoît Magimel	...	Walter Klemmer
Susanne Lothar	...	Mrs. Schober
Udo Samel	...	Dr. Blonskij
Anna Sigalevitch	...	Anna Schober
Cornelia Köndgen	...	Mme Blonskij
Thomas Weinhappel	...	Baritone
Georg Friedrich	...	Man in drive-in
Philipp Heiss	...	Naprawnik
William Mang	...	Teacher
Rudolf Melichar	...	Director
Michael Schottenberg	...	Teacher
Gabriele Schuchter	...	Margot
Dieter Berner	...	Singing teacher

Alias:

Die Klavierspielerin (Austria)
The Piano Player (International: English title)
The Piano Teacher (International: English title)
La pianista (Italy) [it]

MPAA:

Rated R for aberrant sexuality including violence, and for language.

Durata:

131 min

Nazionalità:

Germania | Poland | France | Austria

Lingua:

Francese

Colore:

Colore

Aspect Ratio:

1.85 : 1

Sonoro:

Dolby Digital

Divieti:

Portugal:M/18 | Ireland:18 | Australia:MA (TV rating) | Singapore:R21 (cut) | Italy:VM14 | Czech Republic:15 | Philippines:R-18 (MTRCB) | Argentina:18 | Australia:R | Brazil:18 | Canada:R | Finland:K-15 | France:-16 | Germany:16 | Hong Kong:III | Iceland:16 | Japan:R-18 | Netherlands:16 | Norway:15 | Peru:18 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:18 (canton of Geneva) | Switzerland:18 (canton of Vaud) | UK:18 | USA:R (cut) | USA:Unrated

Luoghi riprese:

Konzerthaus, Vienna, Austria

Compagnia:

Arte

Curiosità:

The part of Erika's mother was originally offered to Jeanne Moreau

Collegamenti:

include "Alphateam - Die Lebensretter im OP" (1997)

Colonna sonora:

Piano Trio in E flat, D.929

If you think the movie is shocking, wait till you read the book!!

If you think piano teacher Erika Kohut (Isabelle Huppert) in Michael Haneke's film "LA PIANISTE" is the ultimate degree in the personification of derangement, perversion and darkness, I've got news for you: the piano teacher in Elfriede Jellinek's novel "LA PIANISTE" (on which the film was based) is twice as "repulsive", "disgusting", "deranged" and even more fascinating -- though there can't be words enough to translate the level of artistic proficiency that Isabelle Huppert has reached here, above all other mortal actresses in activity today. And who else could have played this character with such emotional power, complete with the best piano playing/dubbing an actor could deliver?

In the novel as in the film, there are two big antagonists to the "heroine" Kohut: her own mother (wonderful, wreck-voiced Annie Girardot, in a part originally intended for Jeanne Moreau) and Austria itself. The mother personifies Jellinek's perception of her native Austria as a country that deceptively and perversely encourages racist/fascist (or at least authoritarian) behavior, sexual and emotional repression, and, let's say, übermensch ideals which are impossible to keep today without the danger of a mental breakdown.

"La Pianiste" also deals with a very powerful and delicate issue: how dangerous it is to reveal your innermost fantasies to the one (you think) you love. We tend to think our own sexual fantasies must be as exciting to others as they are to ourselves, which may turn out to be a huge, embarrassing and sometimes tragic mistake. Here, Kohut learns (?) the lesson in the most painful and humiliating of ways.

It must be mentioned that Elfriede Jellinek is one of the best-known and praised authors in Austria and Europe (well, now she's got a Nobel Prize!) and that autobiographical passages can be inferred in her novel, as she herself was a pianist and had a reportedly difficult relationship with her mother. The novel also includes long passages about Kohut's childhood and adolescence so you kind of understand how she turned into who she is now. Haneke chose to hide this information in the film, forcing us to wonder how she got to be that way (don't we all know a Erika Kohut out there?). But he very much preserves the fabric of the book in his film: unbearable honesty, to the point where most secretive, "horrendous" feelings painfully emerge -- envy, cruelty, violence, jealousy, hate, misery, sadism, masochism, selfishness, perversion etc. All of them unmistakably human.

I thought "La Pianiste" was a deeply moving film, very disturbing and thought-provoking, with a handful of unforgettable scenes, and that's just all I ask of movies. It also made me buy and be thrilled by the book, discover a fantastic author I hadn't read before, and listen again and again to Schubert - so, my thanks to Haneke, Jellinek and Isabelle!!! On the other hand, if you're looking for light entertainment, please stay away. My vote: 9 out of 10