Using the Dragonfly's practice weekend, Lorelai gets her parents to admit they've separated. Meanwhile Luke, doing everything by the book, feels like an idiot when it looks like Jason and Lorelai are...
Rory gets a job following the presidential campaign of one of the candidates running for president. While she prepares to leave in a mere three days, Lorelai adjusts to the idea that she may not see ...
Forensic anthropologist, Dr. Temperance "Bones" Brennan, and cocky FBI special agent Seeley Booth build a team to investigate murders - and quite often, there isn't more to examine than rotten flesh or mere bones.
Lane's father lives with Lane and her mother, but never appears in the show. See more »
Sets which should be somewhat permanent change, especially in early seasons. The foyer of Lorelai and Rory's house in S1 does not open to the living room, but it does for subsequent seasons. Luke's apartment changes frequently, with the bathroom moving from one side of the apartment in S1 to the other in S2. The cash register in the diner switches from one end of the counter to the other regularly in the first couple of seasons. The elder Gilmore's house changes as well. These are in addition to very large changes from pilot to series. See more »
I'm different, I'm a loner.
Oh no. No no. I don't want to hear about the romance of being a loner.
Some guys are just naturally loners.
Yes, lonely guys.
Lee Harvey Oswald.
[...] See more »
"Gilmore Girls" (like Leonard Maltin, I usually like to use the title as it appears on screen, but we'll forego the nomenclature "Gilmore girls") is one of those shows that positive word of mouth and the "You know, this does seem like a good show" vibe from hearing about it made me want to get a look at; the series has finally started UK airings on Nickelodeon, a strange choice for the channel - it's certainly comedic, but it's more of a comedy-drama than the usual stuff that's on Nick. (Plus, unlike all its regular shows it's an hour series.)
My rule of thumb is that if a series doesn't encourage me to keep watching by its third episode, it won't do so after its thirtieth; Amy Sherman-Palladino's series passed by the end of the first one. A number of viewers have commented that the dialogue isn't too realistic, and Lorelei Gilmore is certainly so quick with the witty repartee you wonder why she's not a stand-up comic instead of managing an inn (possibly a clue as to why one of the companies involved is called Dorothy Parker Drank Here Productions?), but it does have the saving grace of actually being funny... something that can't be said for a lot of official comedies.
What helps the series work so far, apart from the dialogue, is the characters - just as "M*A*S*H"'s laugh track was kept out of the operating room even in the American broadcasts (it was initially broadcast in the UK sans track), the relationships between Lorelei and Lorelei (that's Rory - in the pilot we learned that she was named after her mother) aren't actually played for gags endlessly, and her mother's certainly strong but not a bitch, the way the makers could have easily done. No one in the show so far is truly bad or good, which bodes well, and the bond between mother and daughter is a rare thing for TV - they're both relatives and true friends without making you want to vomit, not a common thing in family dramas.
We're about three years behind the WB, and I'm looking forward to catching up with the Gilmores and their friends (it's impossible not to symapthise with Rory's best friend in particular, what with her health-food-obsessed/antique-selling mother). And on a purely shallow note, Lauren Graham and Alexis Bledel must be the most attractive mother-daughter pairing in recent television history. Beautiful and funny? Who needs Madonna kissing Britney?
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