The Filth and the Fury (2000)

Regista:

Julien Temple

Data di uscita:

12 maggio 2000 (Norway)

Genere:

Documentary | Music

Slogan:

A Sex Pistols film - uncut, unseen, unbelievable.

Plot:

A film about the career of the notorious punk rock band, the Sex Pistols.

Plot Keywords:

Retrospective | Punk Rock Band | Sex Pistols | Manager | Punk

Premi:

3 wins

Recensioni degli utenti:

The Best Rock-Doc of all Time

Cast

Paul Cook	...	Himself
Steve Jones	...	Himself
John Lydon	...	Himself (as Johnny Rotten)
Glen Matlock	...	Himself
Sid Vicious	...	Himself (archive footage)
Malcolm McLaren	...	Himself
resto del cast in ordine alfabetico:
David Bowie	...	Himself (archive footage)
Alice Cooper	...	Himself (archive footage)
Stewart Copeland	...	Himself (archive footage)
Ronnie Corbett	...	Himself (archive footage)
Bryan Ferry	...	Himself (archive footage)
Stephen Fisher	...	Himself (Sex Pistols' lawyer) (archive footage)
Bill Grundy	...	Himself (archive footage)
Eric Hall	...	Himself (as Eric 'Monster' Hall)
Benny Hill	...	Himself (archive footage)
Billy Idol	...	Himself (archive footage)
David Johansen	...	Himself (archive footage)
Jordan	...	Herself (archive footage)
Nick Kent	...	Himself (music journalist) (archive footage)
Shane MacGowan	...	Himself (archive footage)
Freddie Mercury	...	Himself (archive footage)
New York Dolls	...	Themselves (archive footage)
Laurence Olivier	...	Himself (archive footage)
Queen Elizabeth II	...	Herself (archive footage)
Roxy Music	...	Themselves (archive footage)
Steven Severin	...	Himself (as Siouxsie and the Banshees)
Siouxsie Sioux	...	Herself (archive footage)
Nancy Spungen	...	Herself (archive footage)
Rod Stewart	...	Himself (archive footage)
Sting	...	Himself (archive footage)
Andy Summers	...	Himself (archive footage)
Johnny Thunders	...	Himself (archive footage)
Helen Wellington-Lloyd	...	Herself (archive footage)

Alias:

Sex Pistols - oscenità e furore (Italy) [it]

MPAA:

Rated R for pervasive strong language, drugs and sexual content.

Durata:

108 min

Nazionalità:

UK | USA

Lingua:

Inglese

Colore:

Colore

Aspect Ratio:

1.85 : 1

Sonoro:

Dolby SR

Divieti:

Iceland:16 | Australia:MA | France:U | Netherlands:16 | New Zealand:M | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R | Spain:18

Company:

FilmFour

Citazioni:

John Lydon: [remembering Sid Vicious] All's I can tell you is I could take on England, but I couldn't take on one heroin addict.

Movie Connections:

Fa riferimento a A Clockwork Orange (1971)

Colonna sonora:

Chirpy Chirpy Cheap Cheap

The Best Rock-Doc of all Time

Watching the first ten minutes of F & T F, I can honestly say that I experienced the only true religious experience I've ever felt in the matrix of a movie theatre. I had an out-of-body experience, so completely was a swept into the world of Julian Temple's interpretation of what The Sex Pistols were, how they came to be, when they came to be, and the madness of Great Britain that allowed them to come to be. It was probably the only time cheek irony ever really worked, that is, playing majestically classical music during the opening credits. And then that marvelous segue from the lower-income housing courtyard to Johnny's blistering presence. As ferociously brilliant a film as the band itself. But the film is more than just about the band; it's also about the fear of the establishment when its status quo is threatened, the media, and British society. The hypocrisy of the British government is ever evident when we see a public official denouncing the band as a disgusting bunch sub-human runts that are "the antithesis to human-kind" and then later see this and play a benefit concert and host an x-mas party for the children of striking firefighters. THAT WAS THE POINT OF THE PISTOLS in some respects. Their anger was grounded in the mistreatment of working people. Maybe it was a publicity booster, but I've seldom seen any American bands get their ands dirty and link up with Labor issues. The film is also about Language. It seems that using racial epithets are accepted in some British circles, but airing some traditional four letter words on public television, is still taboo. Anti-drug? Certainly. Johhny Rotten comes right out and extols the evils of Heroin and we see what it can do to a human being in Sid and his ultimate demise. SEE THIS MOVIE!