Series Directed by | |||
| Brian McAloon | (1 episode, 1999) | ||
Series Writing credits | ||
| Mike Gibbons | (476 episodes, 2000-2004) | |
| Ram Ord | (432 episodes, 1999-2004) | |
| Ted Jessup | (9 episodes, 1999) | |
| Opus Moreschi | (unknown episodes, 1999-2002) | |
| Julius Sharpe | (unknown episodes, 2002) | |
| Jordan Rubin | (unknown episodes, 2003) | |
| Chris DeLuca | (unknown episodes, 2004) | |
| Gabe Abelson | (unknown episodes) | |
| Ross Abrash | (unknown episodes) | |
| Neil Alsip | (unknown episodes) | |
| Peter Charkalis | (unknown episodes) | |
| Dan French | (unknown episodes) | |
| Mathew Harawitz | (unknown episodes) | |
| Jon Hotchkiss | (unknown episodes) | |
| Adam Lorenzo | (unknown episodes) | |
| Kip Madsen | (unknown episodes) | |
| Ted Mulkerin | (unknown episodes) | |
| David Nickoll | (unknown episodes) | |
| Alec Sulkin | (unknown episodes) | |
| David Weiss | (unknown episodes) | |
| Wellesley Wild | (unknown episodes) | |
Series Produced by | |||
| Michael Naidus | .... | segment producer (512 episodes, 1999-2004) | |
| Dean Ward | .... | associate producer (59 episodes, 1999-2000) | |
| Ben Stout | .... | video segment producer (unknown episodes, 2000-2004) | |
| Todd Allan | .... | executive producer / producer (unknown episodes, 2003) | |
| Mike Gibbons | .... | producer (unknown episodes, 2003) | |
| Cathy Hoeven | .... | line producer (unknown episodes, 2003) | |
| Billy Frank | .... | producer: opening titles (unknown episodes) | |
| David Harte | .... | segment producer (unknown episodes) | |
| Peter Johansen | .... | producer (unknown episodes) | |
| Chuck LaBella | .... | segment producer (unknown episodes) | |
| David Letterman | .... | executive producer (unknown episodes) | |
| Craig Tomashoff | .... | segment producer (unknown episodes) | |
| Todd Yasui | .... | executive producer (unknown episodes) | |
Series Film Editing by | |||
| Raoul Rosenberg | (unknown episodes) | ||
| Peter D. Sawyer | (unknown episodes) | ||
Series Makeup Department | |||
| Tracey L. Miller | .... | makeup department head (unknown episodes, 1999) | |
Series Production Management | |||
| B. Leigh Hale | .... | production manager (unknown episodes) | |
Series Art Department | |||
| Scott Bergman | .... | graphics (unknown episodes) | |
Series Casting Department | |||
| Chris Bustard | .... | extras casting (unknown episodes) | |
Series Costume and Wardrobe Department | |||
| Christann Chanell | .... | costume design assistant (unknown episodes) | |
Series Other crew | |||
| Jennifer Giandalone | .... | graphics coordinator (279 episodes, 2002-2004) | |
| Lynette D. Nelson | .... | teleprompter operator (29 episodes, 1999) | |
| Mitch Graham | .... | publicist (unknown episodes, 2003) | |
| Fred Birckhead | .... | talent executive (unknown episodes) | |
| Bart Coleman | .... | comic booker (unknown episodes) | |
| Brett Copes | .... | production assistant (unknown episodes) | |
| Kim Giancaterino | .... | infinit operator (unknown episodes) | |
| Jesse Green | .... | production intern (unknown episodes) | |
| Joanna Jordan | .... | talent coordinator (unknown episodes) | |
| William Langworthy | .... | assistant talent coordinator (unknown episodes) | |
| Shayne Lewin | .... | script supervisor (unknown episodes) | |
| Jeff Long | .... | cue cards (unknown episodes) | |
| Roger Lundblade | .... | audience warm-up (unknown episodes) | |
| Faryl M.S. Reingold | .... | script supervisor (unknown episodes) | |
| Lisa Richards | .... | production coordinator (unknown episodes) | |
| Richard Steir | .... | associate director (unknown episodes) | |
| Michelle Stuart | .... | talent executive (unknown episodes) | |
| Brett Webster | .... | talent coordinator (unknown episodes) | |
| Tracy R. West | .... | production assistant (unknown episodes) | |
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| "The Late Late Show with Craig Ferguson" | "Primetime Glick" | "The Tonight Show with Jay Leno" | "Late Show with David Letterman" | "The Chris Wylde Show" |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | Articoli news | IMDb TV section |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
When I was about eight years old, I used to tune in to Letterman or Leno from time to time. While their juvenile antics amused me when I was young, and on rare occasion still do to some extent-- I grew weary of their repetitive, unfunny jokes and stupid skits. In my mid-teens, I started watching Conan. I thought, this guy is succeeding where the others have failed. But I also tired of Conan, and rather quickly, as I found his range as a comedian quite miniscule and his jokes monotonously shallow. I still tuned in occasionally, but not more than a few times a year, because that seemed to be the only way late shows could stay funny and fresh to me.
And then, about a year ago, my friend started nagging me to watch Craig Kilborn. I kept forgetting about it, and so he started taping episodes and making me watch them whenever I was over at his house. At first, though I noted Kilborn to be a skilled comedian with a very diverse portfolio of perfectly executed facial expressions, I didn't understand a lot of his jokes. This is because he has built his show upon a foundation of inside jokes that are sometimes rephrased and repeated a number of times within any given week. As a new viewer, I was unfamiliar with his inside jokes. But now, I feel they are one of the best parts of his show, because for an inside joke to be funny-- the audience has to KNOW what he is talking about. It makes you feel like a part of the show.
I treasure parts of Kilborn's show, such as In The News, Five Questions, and Yambo. Not only are these segments often the highlight of Craig Kilborn, they (more often than not) dwarf the competition in terms of wit, humor, and intelligence.
But the thing that makes The Late Late Show with Craig Kilborn succeed more than anything else is Craig Kilborn. He has a style of comedy that is very self-referential, and he puts on the act of a vain man who thinks he is more important than he really is. He'll act like he thinks he's a big star, while in reality, he's really making fun of himself.
You have to hand it to him. This man with no announcer and no band has single-handedly created the greatest late-night talk show of our time.
If you don't like Craig Kilborn, then try watching it for a couple of weeks straight. If you're not converted by the end of those two weeks, then you're simply not American.