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Requiem for a Dream (2000)

R | | Drama | 15 December 2000 (USA)
The drug-induced utopias of four Coney Island people are shattered when their addictions run deep.

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(based on the book by), (screenplay) | 1 more credit »
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Top Rated Movies #79 | Nominated for 1 Oscar. Another 33 wins & 61 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Ada
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Rae
Janet Sarno ...
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Joanne Gordon ...
Charlotte Aronofsky ...
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Michael Kaycheck ...
Donut Cop (as Mike Kaycheck)
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Chas Mastin ...
Lyle Russel
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Storyline

Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

From the director of [Pi]

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for intense depiction of drug addiction, graphic sexuality, strong language and some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

15 December 2000 (USA)  »

Also Known As:

Réquiem por un sueño  »

Box Office

Budget:

$4,500,000 (estimated)

Opening Weekend:

$64,770 (USA) (6 October 2000)

Gross:

$3,609,278 (USA) (2 March 2001)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Darren Aronofsky: appears very briefly as one of the visitors in Big Tim's gathering. See more »

Goofs

When Harry is on Marion's bed, he has his arms in his sweatshirt. In the next shot, his arms are out of his sweatshirt. See more »

Quotes

Tappy Tibbons: Now we come to step three. This... drives... most... people... crazy.
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Crazy Credits

The opening credits each disappear as if being melted like heroin. See more »

Connections

Referenced in Player (2012) See more »

Soundtracks

Summer Overture
by Clint Mansell
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Punishing and Unforgettable
8 April 2002 | by (San Francisco) – See all my reviews

I respect and admire this movie, even though (and perhaps because) it is complex, occasionally irritating and often very hard to take. Frankly, I avoided seeing it for a long time, but now am glad I did. To complain that the film fails as a realistic portrayal of addiction is, I think, to miss the point. Far from being the mere depiction of a collective downward spiral fueled by drugs, the movie is in fact a meditation on loneliness, greed, corruption, desperation, and the pervasiveness/banality of media, among many other things.

The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.

My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).

In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.


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