Dancer in the Dark (2000)

Regista:

Lars von Trier

Sceneggiatore:

Lars von Trier (written by)

Data di uscita:

6 ottobre 2000 (USA)

Genere:

Musical | Drama

Slogan:

You don't need eyes to see.

Plot:

An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

Plot Keywords:

Tragedy | Dream Like | Murder | Surreal | Prison

Premi:

Nominated for Oscar. Another 21 wins & 33 nominations

Recensioni degli utenti:

An extraordinary, quietly exploding film - a fantasy and musical, it emanates with human spirits

Cast

Björk	...	Selma Jezkova
Catherine Deneuve	...	Kathy
David Morse	...	Bill Houston
Peter Stormare	...	Jeff
Joel Grey	...	Oldrich Novy
Cara Seymour	...	Linda Houston
Vladica Kostic	...	Gene Jezkova
Jean-Marc Barr	...	Norman
Vincent Paterson	...	Samuel
Siobhan Fallon	...	Brenda
Zeljko Ivanek	...	District Attorney
Udo Kier	...	Dr. Porkorny
Jens Albinus	...	Morty
Reathel Bean	...	Judge
Mette Berggreen	...	Receptionist

Alias:

Dancer in the Dark (Denmark) (France)
Myrkradansarinn (Iceland)
Taps (Denmark) (working title)

MPAA:

Rated R for some violence.

Durata:

140 min

Nazionalità:

Denmark | Germany | Netherlands | Italy | USA | UK | France | Sweden | Finland | Iceland | Norway

Lingua:

Inglese

Colore:

Colore

Aspect Ratio:

2.35 : 1

Sonoro:

DTS | Dolby Digital

Divieti:

Iceland:16 (video rating) | New Zealand:R13 | Italy:T | Iceland:14 (original rating) | Argentina:16 | Australia:MA | Canada:14A | Chile:14 | Denmark:15 | Finland:K-14 | France:U | Germany:12 (bw) | Hong Kong:IIB | Netherlands:16 | Peru:14 | Philippines:PG-13 | Portugal:M/12 | Singapore:PG | South Korea:12 | Spain:13 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R

Luoghi delle riprese:

Arlington, Washington, USA

Company:

Zentropa Entertainments

Curiosità:

Lars von Trier originally cast himself as the angry man who chastises Selma and Cathy in the movie theater. However, due to the contentious on-set relationship between himself and Björk, he feared that he might end up losing control and overacting, so the part went to Michael Flessas instead.

Errori:

Audio/video fuori sincrono: When Kathy shows up to help Selma on the night shift she is speaking but her mouth is clearly not saying the words we hear.

Citazioni:

Selma: You like the movies, don't you?
Bill Houston: I love the movies. I just love the musicals.
Selma: But isn't it annoying when they do the last song in the films?
Bill Houston: Why?
Selma: Because you just know when it goes really big... and the camera goes like out of the roof... and you just know it's going to end. I hate that. I would leave just after the next to last song... and the film would just go on forever.

Movie Connections:

Citato in "High Chaparall: (#2.5)" (2004)

Colonna sonora:

OVERTURE

An extraordinary, quietly exploding film - a fantasy and musical, it emanates with human spirits

This is distinguishably different from the general Hollywood films or independent projects. It's not like anything done before. LARS VON TRIER, and BJORK, simply blow your mind away: such totality in delivery!

It's gut wrenching - an absorbing tearjerker - but not sentimental. It is in strong doses. (NFE: it may not be for everyone.) The theatre audience was very quiet with occasional sniffing heard. The film may be a fantasy, yet there are subtle jabs at certain social norms and contains hints at how we treat life and lead life.

Bjork made it natural, innocent, and naively good. It is all Bjork matter: she is feeling all the joy and pain and daydreaming, saying all those words, singing all those songs, and dancing along to the music she so ingeniously composed. Lars von Trier once again wrote and delivered a 100% powerful film. He packs all kinds of emotions into 2 hrs. and 20 mins.: from the endearing friendship of two working women Kathy and Selma; to the faithful loving pursuit of Jeff for Selma; to the quiet exchanges of seemingly trusting souls of Bill and Selma; to Selma's son, Bill's wife, the crime, the court, the prison's loneliness within; the anguish pain of a determined mother; and the integrated mood changing musical numbers in-between. One scene of Bjork lying motionless with just one finger moving with quiet sobbing heard is powerful imagery.

Catherine Deneuve as Kathy is well at ease in her supporting role. She continues to exude her charm quietly. You can tell she thoroughly enjoys the company she's in at this production. Musical-wise, Deneuve is no stranger: besides "The Umbrellas of Cherbourg" 1964 - every word in the film was sung, I also remember Jacques Demy's "The Young Girls of Rochefort" 1967 - she danced and sang with her sister Francoise Dorleac, along with Gene Kelly, Michel Piccoli and George Chakiris.

David Morse as Bill (the policeman and neighbor) reminds me of what a memorable performance he delivered in Sean Penn's "The Crossing Guard" 1995 opposite Jack Nicholson and Robin Wright. 'tis great to see Joel Grey dancing again (hm, in the most improbable setting!)

For a 5' 4'' singer-songwriter from Iceland, Bjork is a giant impact in this quiet powerhouse of a film, "Dancer In the Dark." Lars von Trier's vision and confidence in Bjork truly paid off!