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Ghost World
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Info generali

Voti degli utenti:
7.7/10   38,486 voti
MOVIEmeter: ?
Up 7% in popularity this week. See rank & trends on IMDbPro.
Regista:
Terry Zwigoff
Scrittori (WGA):
Daniel Clowes (comic book)
Daniel Clowes (written by) ...
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Contact:
View company contact information for Ghost World on IMDbPro.
Data di uscita:
18 ottobre 2001 (Germania) ancora
Slogan:
Accentuate the negative. ancora
Plot:
Enid and Rebecca are social outsiders who, after graduating from high school, play a mean prank on a middle-aged geek. full summary | full synopsis
Premi:
Nominated for Oscar. Another 24 wins & 27 nominations ancora
Recensioni degli utenti:
Mature, intelligent and haunting (but in a good way) ancora
US TV Schedule:
Thur. July 99:00 PMLIFE   

Cast

  (Cast principale, solo i primi nomi)
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Dettagli aggiuntivi

MPAA:
Rated R for strong language and some sexual content.
Durata:
111 min
Nazionalità:
USA | UK | Germania
Lingua:
Inglese
Colore:
Colore
Aspect Ratio:
1.85 : 1 ancora
Compagnia:
Advanced Medien ancora

Info divertenti

Curiosità:
The drawings in Enid's sketchbook were done by Sophie Crumb, daughter of Robert Crumb, the subject of director Terry Zwigoff's previous film Crumb (1994). ancora
Errori:
Continuità: The broken sculpture gains and loses pieces at random. ancora
Citazioni:
Enid: I'm just joking around with the customers. It's my schtick. ancora
Collegamenti:
include Peter, Paul and Mary: Lifelines (1996) (TV) ancora
Colonna sonora:
You're Just My Type ancora

FAQ

This FAQ is empty. Add the first question.
128 out of 143 people found the following comment useful:-
Mature, intelligent and haunting (but in a good way), 11 June 2002
9/10
Author: (JonathanHollis@hotmail.com) da London, England

Movies that criticise the world can fall into many traps, leaving the viewer to feel jaded by the film's experience. Ghost World's witty appraisal of 'America' successfully avoids being childishly caustic or self-important and thus emerges as one of the best films of 2001. We sympathise with Enid (the luscious Thora Birch) without being expected to completely believe that her cynical world-view is necessarily the right one. Enid's (and her best-friend Rebecca's)negativity is turned on all around them, and their obsessive need to be cool but on their own terms sees them take post-modernism to its absurd conclusion.

Enid's bizarre costume choices mean that she stands out from the rest of her baggy-panted generation, and in one scene is infuriated that no-one, even Rebecca, understands her 'original 1977 punk look' she's testing out.

The fact that we should not fully empathise with Enid is shown by the contrasting character arc of Rebecca. There is a definite sense that she grows up over the course of the movie, but not in a "what have we learned about life" Disney way. Perhaps she has sold out to the conservative ideals that seemed so repulsive to them at the beginning of the movie, but just as Enid ultimately fulfils her desires, so does Becky live out her 'seventh grade fantasy'. The important thing is not the choices people make, but whether they make choices with which they are happy.

The movie's main targets are people who betray themselves in an effort to fit in, and their resulting stupidity by doing so. But the people who have remained true to their values (like Steve Buscemi's Seymour, in a performance that should have been at least nominated for an Academy Award), are portrayed as leading equally vacuous lives. Seymour's infrequent attempts to achieve 'normality' are galling for us to observe, and near soul-destroying for him to experience.

This is an excellent movie. Thora Birch gives her most confident performance to date, and Scarlett Johansson is superbly laconic as Enid's icy side-kick. The supporting cast all shine. Strongly recommended!

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