8.8/10
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3,118 user 323 critic

Fight Club (1999)

R | | Drama | 15 October 1999 (USA)
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An insomniac office worker, looking for a way to change his life, crosses paths with a devil-may-care soap maker, forming an underground fight club that evolves into something much, much more.

Director:

Writers:

(novel), (screenplay)
Popularity
255 ( 10)
Top Rated Movies #10 | Nominated for 1 Oscar. Another 10 wins & 32 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Robert 'Bob' Paulsen (as Meat Loaf Aday)
...
...
Intern
...
...
Group Leader
...
Weeping Woman
...
...
...
Speaker
...
Christie Cronenweth ...
Airline Attendant
...
Inspector Bird (as Tim de Zarn)
...
Inspector Dent
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Storyline

A nameless first person narrator (Edward Norton) attends support groups in attempt to subdue his emotional state and relieve his insomniac state. When he meets Marla (Helena Bonham Carter), another fake attendee of support groups, his life seems to become a little more bearable. However when he associates himself with Tyler (Brad Pitt) he is dragged into an underground fight club and soap making scheme. Together the two men spiral out of control and engage in competitive rivalry for love and power. When the narrator is exposed to the hidden agenda of Tyler's fight club, he must accept the awful truth that Tyler may not be who he says he is. Written by Rhiannon

Plot Summary | Plot Synopsis

Taglines:

Übermut. Chaos. Seife. (Mischief. Mayhem. Soap.) (German release) See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for disturbing and graphic depiction of violent anti-social behavior, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

15 October 1999 (USA)  »

Also Known As:

El club de la pelea  »

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Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend USA:

$11,035,485, 17 October 1999, Wide Release

Gross USA:

$37,030,102

Cumulative Worldwide Gross:

$100,853,753
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Near the beginning of the film, a poster for the band 311 can be seen behind The Narrator's head, in the pawn shop scene with Marla. See more »

Goofs

When the narrator calls Tyler, the last 3 digits he presses are 135. But at the back of the card he's holding, the number reads 555-0178. See more »

Quotes

Angel Face: Bury him in the garden. Come on people, let's go!
Narrator: Get away from him! Get the fuck away!
Angel Face: He was killed serving Project Mayhem, sir.
Narrator: This is Bob. He was a decent man, and we're not gonna bury him in the fucking garden!
See more »

Crazy Credits

Just as the closing credits are about to start, a flash-frame-shot of a penis appears on the screen. See more »

Connections

Referenced in Story of My Life See more »

Soundtracks

Cafeteria
Written by Christian Poulet
Performed by Cezame Argile
Courtesy of Koka Media/Killer Tracks
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A rare film that challenges the viewer to come up with his own interpretations
18 October 1999 | by See all my reviews

Faithfully following Chuck Palahniuk's acerbic satire, Fight Club presents the vast emptiness of modern existence- ridden as it is with shallow values, rampant consumerism, empty of meaning, feeling and life itself- in a slick and ironically consumer oriented fashion. In a different vein from American Beauty, Fight Club explores the solutions to the veritable sleepwalking existence that plagues modern life. The film is violent, but it is not gratuitous violence, and any reviewer who claims that the film is promoting violence has missed the entire point of the film. A very black comedy, it is sure to provoke much conversation- it is definitely a film to see with friends. The film is fast-paced, densely packed and merits a second viewing, just to take it all in, especially if you haven't read the book. In typical Fincher style, you the viewer are left to draw your own conclusions. He feels no impetus to tell you how to interpret what you've seen, appropriate since the film condemns falling victim to the strictures of what society tells us to think and to value. My only criticism is that the editing is not as tight as it could be in the middle section of the film, it drags just a bit then picks up again. Other than that, it should definitely be an Oscar contender.


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