This film details the ascension to the throne and the early reign of Queen Elizabeth the First, as played by Cate Blanchett. The main focus is the endless attempts by her council to marry her off, the Catholic hatred of her and her romance with Lord Robert Dudley. Written by
As Walsingham is speaking with Mary of Guise, she is holding a table knife up to her lips, and is playing with it by rotating the handle. The camera then switches to a shot from behind her head and the knife is oriented the other direction. Then, as they continue speaking, the camera shot returns to the original angle and the knife handle is reoriented back to the original hand. See more »
And Elizabeth did whisper Robert Dudley's name on her deathbed The movie is an imaginative interpretation of the way that things could have been
Shekhar Kapur's film explores the instabilities of her reign, and the absolute horror and terror that surrounded the early part of her royal office without neglecting her relationship with her terminally ill sister So it's a glimpse of her girlhood into statehood, and the shedding that occurs, with the people who expended in her life along the way
The film shows Elizabeth growing up in an incredibly unstable, tumultuous environment But she's an absolute survivor... Someone who has got no solid ground on which she walks So one minute she's a bastard, the next minute she's a princess, then one moment she's an illegitimate daughter, then she's a queen And it's a very relevant period of her life, because she was 25 when she became a female monarch
There are four men in Elizabeth's life and all have quite different influences on what it means for a young woman to run the country so young, given that she comes to the throne under very difficult political circumstances
There's Sir Cecil (Attenborough) who's from an older regime giving her the traditions and the conventions that are the most orthodox; Sir Francis (Geoffrey Rush) Elizabeth's great spy master, very astute, almost puritanical and rather dry bureaucrat; Robert Dudley (Fiennes) with whom the film suggests that she has quite a passionate, private relationship; and Norfolk (Eccleston), a major rival who doesn't regard that she is suitable to rule his England
The motion picture succeeds in developing Elizabeth's change and, basically, locks off parts of herself, and dehumanizes herself in order to wield her power among men
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