A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based television cop show, while tracking down the manufacturer and distributor of an illegally made semi-automatic firearm.
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out with Roper and his partner McCall attempting to rescue Roper's kidnapped girlfriend. A major element in the plot is the relationship between Roper and his girlfriend. Written by
Was one of several films that Academy Award nominee James Newton Howard was attached to score in 1996 and early 1997 but had to drop due to scheduling conflicts with other films. The others include Chain Reaction (subsequently scored by Oscar Winner Jerry Goldsmith), Liar, Liar, Dante's Peak and The Rich Man's Wife. He did manage to write the themes for this film (scored by Steve Porcaro), Dante's Peak, Liar, Liar and The Rich Man's Wife which were scored by John Debney and John Frizzell. See more »
When Roper walks to the warehouse, McCall is hanging under the truck. In previous shots, with a clear view, nobody was there. See more »
You know, there's a saying in Naples: When you think you're fuckin' them, they're fuckin' you.
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Although It's Nothing Special, Metro is a Solid Action Movie Regardless
Metro appears to be a low-budget action affair, which whilst it has nothing new to offer, shows us a different side to Eddie Murphy as an actor that we hadn't seen before in his previous films. People have in the past often compared this to Beverly Hills Cop 1, in terms of the fact that they are both your typical, run- of- the- mill cop movies, but the comparisons seem to come to an end when you compare that film to Metro, in terms of plot, character types and the fact that Eddie Murphy doesn't joke about as negotiator/cop Scott Roaper that often. Not like his predecessor, Axel Foley. Here, as Roaper he is much more serious and not as laid back in contrast to his most famous movie character. Metro plays out as a straight out action movie that isn't reliant on laughs, which in itself is no bad thing. One of the main problems that some of the audiences had, in regards to their expectations of Metro, was by assuming that it would be something similar on the lines of Beverly Hills Cop. It has its funny moments, but these are few and far between throughout the film, as the narrative in Metro is very much serious and the standard cop thriller we'd come to expect.
Overall, Metro is not a bad effort and the action sequences are well executed. Murphy gives a surprising turn and performance as Roaper and thus it makes a change to see him in an almost completely non-comedic role, which he does well in.
Not bad indeed.
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