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L.A. Confidential (1997)

As corruption grows in 1950s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

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(novel), (screenplay) | 1 more credit »
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Top Rated Movies #103 | Won 2 Oscars. Another 85 wins & 77 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mickey Cohen's Mambo Partner
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Mickey Cohen's Mambo Partner
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Officer Arresting Mickey Cohen
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Storyline

1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by Greg Bole <bole@life.bio.sunysb.edu>

Plot Summary | Plot Synopsis

Taglines:

It's a crime saga that will shock you. It's a mystery that will keep you guessing. It's a thriller that will keep you riveted. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and language, and for sexuality | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

19 September 1997 (USA)  »

Also Known As:

Los Ángeles al desnudo  »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$5,211,198 (USA) (19 September 1997)

Gross:

$64,604,977 (USA) (29 May 1998)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Guy Pearce did not like Ed Exley when he first read the screenplay as he felt the character was overly self-righteous. See more »

Goofs

(at around 1h 45 mins) During Bud White's office fight with Ed Exley, Exley pulls White's revolver from its holster and hits him across the forehead. As Exley stands up, you can clearly hear him cock the revolver's hammer as he points it at White. However, in the next camera shot, the pistol's hammer is uncocked. See more »

Quotes

[first lines]
Sid Hudgens: [voiceover] Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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Crazy Credits

Characters from the movie were incorporated into period stock footage shown during the credits See more »

Connections

Referenced in Grand Theft Auto: Liberty City Stories (2005) See more »

Soundtracks

Silent Night
(1818)
Music by Franz Gruber
Lyrics by Joseph Mohr
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Frequently Asked Questions

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User Reviews

 
Everything in this film is fantastic.
11 January 2000 | by (Anaheim, CA) – See all my reviews

L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.

As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.

The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.

The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.

I can't find a negative thing to say about this film. It's truly a masterpiece.


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