After a visit with his sons, Schillinger realizes he needs to get paroled. He convinces McManus to let him return to Em City with the condition that he leaves Beecher alone. Beecher comes out of the ...
With things wild in Em City, O'Reily begins a surprising affair. Zabitz asks Schillinger for protection from Keller--who tries to get into the rehab program to make amends with Sister Pete. Beecher ...
Oz chronicles life inside an experimental cell block in the Oswald Maximum Security Correctional Facility: Level Four called Emerald City. Under unit manager Tim McManus and Warden Leo Glynn, the inmates in Em City all struggle to fulfill their own needs. Some fight for power; either power over the drug trade or power over the other inmate factions. Others want money, either through slinging 'tits' (drugs), gambling or other scams. Others, Corrections officers and inmates alike, simply want to survive long enough to make parole or even to see tomorrow. The show gives a no-holds-barred account of prison life with all the plots, subplots and conflicts given context and explanation by the show's wheelchair-bound narrator, Augustus Hill. Written by
Donald Groves, the prisoner that kills his mother and father and eats their flesh, is played by the late Sean Whitesell. In addition to appearing in the first season, he also wrote two episodes for the fifth season. Those episodes were "Laws of Gravity" and "Dream and Little Dream For Me". He sadly passed away from cancer in 2015. See more »
Miguel Alvarez - The large black-and-white rose tattoo on the back of the character's hand, throughout the course of the series, alternates between being on his right hand and on his left. See more »
Not only the best show on TV currently, but one of the best shows of all-time.
Consistently well-written and acted, Oz is without a doubt the best thing on TV. Quality wise, it's up there with the first 4 seasons of Homicide: Life on the Street as the most compelling hour of television drama. Presenting a harsh and realistic view of prison life, Oz is a wonderful mixture of superb acting and character development; all of which rides on a nuanced and erudite core (Foucault's Panopticon is the inspiration for Em City's design...and ultimate failure). It is the only show on TV, that I can think of, that has presented characters who were intensely dislikable one moment and oddly empathetic the next. That I am repulsed by, sympathetic with, intrigued about, and involved with every character that has lived, died or survived on the show, is no small feat. Good TV exists. And, for my money, Oz is not only good TV, it is better than most films released throughout the year.
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