Don McKay, a high school janitor who leaves his hometown after a tragedy, returns 25 years later to rekindle a romance with his old flame, who is dying, but this homecoming brings McKay more than he bargained for.
Thomas Haden Church,
How tenuous is man's hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is "by nature" a predatory creature. Matthew's long-time friend, Joe, happens by on the second day and a rivalry between the two friends simmers as Annie cares for her sick baby. When rumors of looting spread through the neighborhood, the two men buy a shotgun for protection but Annie throws it in the pool. Later, that same night, Joe hears a prowler downstairs and awakens Matthew. They chase the stranger from the house and out into the street where a neighbor shoots him to death. No longer safe in their own home, they decide to drive to Annie's parents some 500 miles away. Before they reach their destination, more trouble comes their way when they stop to siphon gas from an abandoned car and discover the driver in the back seat... Is this what is meant by "man's inhumanity to man?" Written by
Mark Fleetwood <firstname.lastname@example.org>
The story is inspired by the classic The Twilight Zone (1959) episode "The Monsters Are Due On Maple Street," which depicts the denizens of the street slowly becoming crazy after a power failure. In fact, in the film's production notes, Matthew and Annie live on the corner of Maple and Willoughby, alluding to another classic The Twilight Zone (1959) episode, "A Stop At Willoughby". See more »
When Matthew walks from the hospital to the pharmacist to steal the prescription for the baby, the trolley camera and the guy pulling it are reflected in the shop window. See more »
[Her husband and Joe are arguing.]
Boys, if you can't play nice, we're not gonna have any more of these little sleepovers.
See more »
This morning, as I perused the IMDB bottom 100, I realized that my own personal worst movie ever wasn't there...The Trigger Effect. Now, in retrospect, this was a harsh assessment to make as a teenager, but I still haven't seen anything else -- and this is after YEARS of MST3K -- that has compared to this. A Rod Serling premise delivered with Ed Wood execution -- this was an absolutely pitiful waste of celluloid and a couple of generally decent actors. The Trigger Effect is boring and lame, feeble and implausible, derivative and lousy. It doesn't even qualify in the "so good, it's bad genre"... it's just bad, which is why I rank it below about a hundred other old sci-fi or spy films that at least aspired to a lower standard. The Trigger Effect aims to be a thought-provoking thriller and isn't anything close. Has anyone else noticed that David Koepp (who wrote and directed this, in addition to penning bad scripts for The Lost World and Snake Eyes, to name just two) is the worst well-paid screenwriter in Hollywood?
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