| Photos (see all 65 | slideshow) | Videos (see all 2) |
Regia di | |||
| Paul W.S. Anderson | (as Paul Anderson) | ||
Scritto da(WGA) | ||
| Ed Boon | (video games) & | |
| John Tobias | (video games) | |
| Kevin Droney | (written by) | |
Prodotto da | |||
| Lauri Apelian | .... | producer | |
| Robert Engelman | .... | executive producer | |
| Lawrence Kasanoff | .... | producer | |
| Alison Savitch | .... | associate producer | |
| Danny Simon | .... | executive producer | |
Musiche originali di | |||
| George S. Clinton | |||
Fotografia di | |||
| John R. Leonetti | |||
Montaggio di | |||
| Martin Hunter | |||
Responsabile casting | |||
| Fern Champion | |||
| Kate Kennedy | |||
| Mark Paladini | |||
Scenografie di | |||
| Jonathan A. Carlson | |||
Architetto-scenografo | |||
| Jeremy Cassells | (as Jeremy A. Cassells) | ||
Arredatore | |||
| Susan Degas | |||
Costumi di | |||
| Ha Nguyen | |||
Trucco | |||
| Thomas Floutz | .... | sculptor | |
| Eileen Kastner-Delago | .... | makeup artist | |
| Moni Mansano | .... | makeup artist | |
| Michael Pachal | .... | hair stylist (as Michael Ross) | |
| Katherine Rees | .... | hair stylist: Thailand | |
| Alicia M. Tripi | .... | hair stylist | |
Direttore di produzione | |||
| Robert Engelman | .... | unit production manager | |
| Steven Kaminsky | .... | post-production supervisor | |
| Kevin Reidy | .... | production manager: Thailand | |
Art Department | |||
| George Capetanos | .... | set dresser | |
| Bryn Court | .... | sculptor | |
| Tammy DeRuiter | .... | painter | |
| Doug Hart | .... | sculptor | |
| David Hogan | .... | storyboard artist | |
| Brian Jewell | .... | set designer | |
| Jonathan Josell | .... | construction accountant | |
| David Kann | .... | second property master | |
| Christian Klump | .... | scenic artist | |
| Fireball Tim Lawrence | .... | storyboard artist (as Tim Lawrence) | |
| Spanky Lofland | .... | carpenter | |
| Eugene McCarthy | .... | property master | |
| Galia Nitzan | .... | set designer | |
| Merry-Beth Noble | .... | set dresser | |
| Rodney Petreikis | .... | set dresser | |
| David W. Roden | .... | lead prop builder | |
| Chris Santini | .... | construction foreman | |
| Keith Short | .... | head sculptor | |
| Gregory T. Smith | .... | art department coordinator | |
| Andrew Wert | .... | assistant property master | |
| Brannon Wright | .... | storyboard artist | |
| Wil Rees | .... | conceptual designer (uncredited) | |
Sonoro | |||
| Bobbi Banks | .... | adr editor | |
| Gregg Barbanell | .... | foley artist | |
| Ricardo Broadus | .... | sound effects editor | |
| Harry Cohen | .... | sound effects editor | |
| Zachary DiPego | .... | sound cable wrangler | |
| William Dotson | .... | supervising sound editor | |
| David Farmer | .... | sound designer | |
| Marc Fishman | .... | supervising sound editor | |
| William Freesh | .... | sound re-recording mixer | |
| Eric J. Goldstein | .... | boom operator | |
| Tom Hartig | .... | boom operator | |
| Pamela Kahn | .... | foley artist | |
| Jason King | .... | adr editor | |
| Gerry Lentz | .... | sound re-recording mixer | |
| Paul Menichini | .... | sound editor | |
| Paul Menichini | .... | sound effects editor | |
| Steve Nelson | .... | sound mixer | |
| Vince Nicastro | .... | foley artist | |
| Ann Scibelli | .... | sound editor | |
| Michael Simpson | .... | sound re-recording assistant | |
| Cathie Speakman | .... | supervising adr editor | |
| Liz Sroka | .... | adr recordist | |
| Ken Teaney | .... | sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
| Brandon Walker | .... | adr recordist | |
| Harry Woolway | .... | sound effects editor | |
Effetti speciali | |||
| Evan Brainard | .... | puppeteer: ADI | |
| Evan Brainard | .... | special effects makeup | |
| Duncan Capp | .... | special effects | |
| Joe Colwell | .... | foam supervisor | |
| Michael Dawson | .... | special effects administrator | |
| Michel Gagné | .... | special effects animator | |
| Patrick M. Gerrety | .... | creature effects crew | |
| Alec Gillis | .... | goro special effects | |
| Ian Hubbard | .... | creature effects crew | |
| Karl Larsen | .... | technical assistant: RGA/LA | |
| Chris Nelson | .... | special effects technician | |
| Alison Savitch | .... | special effects supervisor | |
| Andy Schoneberg | .... | art department supervisor: Amalgamated Dynamics | |
| Brandon Trost | .... | special effects assistant | |
| Ron Trost | .... | special effects coordinator | |
| Tom Woodruff Jr. | .... | goro special effects | |
| Josselin Mahot | .... | creature effects crew (uncredited) | |
Visual Effects | |||
| Isa Alsup | .... | computer graphics supervisor | |
| William L. Arance | .... | digital effects artist | |
| Tricia Henry Ashford | .... | visual effects producer | |
| Jim Berney | .... | technical director: Metrolight | |
| Craig Clark | .... | digital animator | |
| Bill Coffin | .... | digital compositor | |
| Carole Cowley | .... | digital painter | |
| Denise Davis | .... | visual effects production supervisor: BVVE | |
| Valerie Delahaye | .... | digital artist | |
| Stevan Del George | .... | CGI animator: Kleiser-Walczak | |
| Patrick Denver | .... | model maker | |
| Vince De Quattro | .... | technical director | |
| David Emerson | .... | optical lineup | |
| John Follmer | .... | special effects supervising producer: main title sequence | |
| Mark Franco | .... | visual effects executive producer: The Post Group | |
| Allen Gonzales | .... | digital artist | |
| Scott Harper | .... | digital artist | |
| Jongwoo Heo | .... | visual effects | |
| Ralph Horan | .... | executive producer: visual effects | |
| Cynthia Hyland | .... | effects compositor | |
| Brian Jennings | .... | visual effects supervisor: Todd-AO | |
| Arthur Jeppe | .... | digital artist: RGA/LA | |
| David Jones | .... | CG supervisor: Buena Vista | |
| Bill Kent | .... | visual effects supervisor: main titles, MetroLight Studios | |
| Laurel Klick | .... | digital supervisor | |
| Malina Koani | .... | production assistant | |
| James W. Kristoff | .... | executive in charge of production: MetroLight Studios | |
| Lee Lanier | .... | digital artist | |
| Paul Lasaine | .... | matte painting supervisor | |
| Kim Lavery | .... | visual effects coordinator | |
| Annie Mahlik | .... | editorial assistant | |
| Seth Maury | .... | digital compositor | |
| Daniel Miller | .... | digital compositor | |
| Bret Mixon | .... | rotoscoping | |
| Peter Montgomery | .... | visual effects supervisor | |
| Steve R. Moore | .... | visual effects editor | |
| Craig A. Mumma | .... | digital effects producer: Robert Greenberg & Associates | |
| Winston Quitasol | .... | digital compositor | |
| Rebecca Ramsey | .... | visual effects producer: RGA/LA | |
| Linda Renaud | .... | I/O manager | |
| Stuart Robertson | .... | visual effects supervisor: RGA/LA | |
| Greg Rostami | .... | digital artist | |
| Wally Schaab | .... | special projects supervisor | |
| Jennifer Lee Scheer | .... | digital effects coordinator | |
| Dobbie Schiff | .... | visual effects executive producer: MetroLight Studios | |
| Craig Seitz | .... | digital effects compositor: Todd-AO | |
| Samrod Shenassa | .... | digital camera | |
| Lewis Siegel | .... | technical director (as Lewis N. Siegel) | |
| Suzanne Smith | .... | visual effects | |
| Smokey Stover | .... | model maker forman: Grant McCune Design | |
| Joseph Thomas | .... | matchmove photography | |
| Vincent E. Toto | .... | visual effects director of photography | |
| Tara Handy Turner | .... | executive in charge of production | |
| John T. Van Vliet | .... | visual effects supervisor (as John Van Vliet) | |
| Christopher Walsh | .... | character animator | |
| Kelly Walsh | .... | visual effects intern | |
| Tamara Watts Kent | .... | digital effects producer | |
| Eric Withee | .... | digital film technician: RGA/LA | |
Camera and Electrical Department | |||
| Richard Aaron | .... | still photographer | |
| Hugo Cortina | .... | camera operator: "b" camera | |
| Hugo Cortina | .... | gaffer | |
| Allen D. Easton | .... | camera operator | |
| Allen D. Easton | .... | director of photography: second unit | |
| Christopher Faloona | .... | director of photography: second unit | |
| Bruce Alan Greene | .... | Steadicam operator | |
| Jimmy Harritos | .... | rigging electrician | |
| Renee Kayon | .... | electrician | |
| Evan A. Nesbitt | .... | first assistant camera: VistaVision camera | |
| Greg Patterson | .... | set lighting | |
| Mark Santoni | .... | second assistant camera | |
| Stephen J. Ullman | .... | assistant camera | |
| Mark R. Leins | .... | additional assistant camera (uncredited) | |
Animation Department | |||
| Chow Emrich | .... | animator | |
Costume and Wardrobe Department | |||
| Cheryl Cravedi | .... | set costumer | |
| Lisa A. Doyle | .... | set costumer | |
| Christopher J. Kristoff | .... | assistant costume designer | |
| David Le Vey | .... | costume illustrator | |
Editorial Department | |||
| Logan Breit | .... | assistant editor | |
| Scott Conrad | .... | additional editor: action sequences | |
| Harrison Gibbs | .... | assistant editor | |
| Heather Hughes | .... | assistant editor | |
| Mato | .... | color timer | |
Music Department | |||
| Sharon Boyle | .... | music supervisor | |
| Buckethead | .... | composer: guitar score | |
| Joanie Diener | .... | music editor | |
| Joseph R. Thygesen | .... | assistant music editor | |
| Walter Werzowa | .... | composer: additional music, end fight scene | |
| John Whynot | .... | score mixer | |
Transportation Department | |||
| George Andrews | .... | unit driver | |
| Billy Kane | .... | driver | |
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Nine viewings of Mortal Kombat (MK) may not be enough to convince the movie fan of its brilliance, but undoubtedly the tenth will provide an epiphany of Outerworld proportions. MK will no longer be seen as a cheesy "Rock-em, Sock-em, action flick," but as a revolutionary film that is as astute as it is subtle. Students of the martial arts will be mesmerized by the display of skill and talent that is only found in the greatest of actor-warriors. Students of cinema will be humbled by the simplicity and utter genius of the cinematography. Students of philosophy will be enthralled by this film's interpretation of Heidegger's Dasein and will find their understanding of it born anew. This film has something for everyone and is without doubt the greatest film of the twentieth century.
MK3 or bust!