| Foto (Vedi tutti 22 | slideshow) | Videos |
| Ethan Hawke | ... | Jesse | |
| Julie Delpy | ... | Celine | |
| Andrea Eckert | ... | Wife on Train | |
| Hanno Pöschl | ... | Husband on Train | |
| Karl Bruckschwaiger | ... | Guy on Bridge | |
| Tex Rubinowitz | ... | Guy on Bridge | |
| Erni Mangold | ... | Palm Reader | |
| Dominik Castell | ... | Street Poet | |
| Haymon Maria Buttinger | ... | Bartender | |
| Harald Waiglein | ... | Guitarist in Club | |
| Bilge Jeschim | ... | Belly Dancer | |
| Kurti | ... | Percussionist | |
| Hans Weingartner | ... | Cafe Patron | |
| Liese Lyon | ... | Cafe Patron | |
| Peter Ily Huemer | ... | Cafe Patron | |
| Otto Reiter | ... | Cafe Patron | |
| Hubert Fabian Kulterer | ... | Cafe Patron | |
| Branko Andric | ... | Cafe Patron | |
| Constanze Schweiger | ... | Cafe Patron | |
| John Sloss | ... | Cafe Patron | |
| Alexandra Seibel | ... | Cafe Patron | |
| Georg Schöllhammer | ... | Cafe Patron | |
| Christian Ankowitsch | ... | Cafe Patron | |
| Wilbirg Reiter | ... | Cafe Patron | |
| Barbara Klebel | ... | Musician on Boat | |
| Wolfgang Staribacher | ... | Musician on Boat | |
| Wolfgang Glüxam | ... | Harpsichord Player | |
| resto del cast in ordine alfabetico: | |||
| Adam Goldberg | ... | Man Sleeping on Train (uncredited) | |
| Paul Poet | ... | Guy in Bar (uncredited) | |
Regia di | |||
| Richard Linklater | |||
Scritto da(WGA) | ||
| Richard Linklater | (written by) & | |
| Kim Krizan | (written by) | |
Musiche originali di | |||
| Fred Frith | |||
Fotografia di | |||
| Lee Daniel | (director of photography) | ||
Montaggio di | |||
| Sandra Adair | |||
Responsabile casting | |||
| Alycia Aumuller | |||
| Judy Henderson | |||
Scenografie di | |||
| Florian Reichmann | |||
Costumi di | |||
| Florentina Welley | |||
Trucco | |||
| Karen Dunst | .... | hair stylist (as Karin Dunst) | |
| Karen Dunst | .... | makeup artist (as Karin Dunst) | |
Direttore di produzione | |||
| Bernhard Schmatz | .... | production manager | |
Aiuto regista | |||
| John Buche | .... | second assistant director | |
| E. Otto Sperl | .... | first assistant director | |
Dipartimento artistico | |||
| Maria Bluemel | .... | stand-by props (as Maria Blümel) | |
| Max Space | .... | art department assistant (as Maximilian Jezo-Parovsky) | |
| Michael Suchy | .... | property master | |
| Mark Lambert Bristol | .... | storyboard artist (uncredited) | |
Sonoro | |||
| Wayne Bell | .... | sound effects editor | |
| Stan Ginsel | .... | assistant sound editor (as Stanley Ginsel) | |
| Douglas Greenfield | .... | stereo consultant: Dolby | |
| Tom Hammond | .... | supervising sound editor | |
| Steve Jaszkowiak | .... | foley mixer | |
| Ossama Khuluki | .... | foley artist | |
| Paul Koronkiewicz | .... | boom operator (as Paul Koronkiewiecz) | |
| Christopher Moriana | .... | foley artist (as Chris Moriana) | |
| Charles W. Ritter | .... | dialogue editor (as Chip Ritter) | |
| Larry Seyer | .... | sound re-recording mixer | |
| Russ Smith | .... | assistant sound editor | |
| Reilly Steele | .... | adr mixer | |
| Thomas Szabolcs | .... | sound mixer | |
| Todd Toon | .... | foley editor | |
| Patrick Giraudi | .... | foley editor (uncredited) | |
Riprese e attrezzature elettriche | |||
| Paul Alexander | .... | Steadicam operator | |
| Walter Bednarik | .... | dolly grip | |
| Gabriela Brandenstein | .... | still photographer | |
| Phillip Grausam | .... | electrician | |
| Matthias Grunsky | .... | clapper loader (as Mathias Grunsky) | |
| Susanne Habitzel | .... | best girl electric | |
| Roland Heinrich | .... | grip | |
| Thomas Horváth | .... | second electric (as Thomas Horvath) | |
| Gero Lasnig | .... | gaffer | |
| Francesco Lorusso | .... | grip | |
| Heinz Menschik | .... | first assistant camera | |
| Thomas Öhl | .... | electrician | |
| Bernd Pfingstmann | .... | third electric | |
| Clark Walker | .... | second assistant camera | |
Dipartimento editoriale | |||
| Barbara Albert | .... | assistant editor | |
| Peter Fahrngruber | .... | avid consultant | |
| Sheri Galloway | .... | second editor | |
| Mo Henry | .... | negative cutter | |
| Steve Johnson | .... | colorist | |
| Bob Kaiser | .... | color timer | |
| Eric A. Lewy | .... | first assistant editor | |
| Christine Radovanov | .... | assistant editor | |
Reparto musiche | |||
| Arlene Fishbach | .... | music consultant | |
Reparti trasporti | |||
| Michael Hopfgartner | .... | transportation captain | |
| Stegan Stein | .... | driver: trailer (as Stefan Stein) | |
Altro personale | |||
| Catherine Bauer | .... | production assistant | |
| Uli Halbritter | .... | production coordinator | |
| Jeff Hill | .... | publicity: Clein+White | |
| Philipp Kaiser | .... | location assistant | |
| Alexander Kleinszig | .... | key production assistant | |
| Kurt Werner 'Mingo' Krusche | .... | location manager (as Kurt 'Mingo' Krusche) | |
| Avi Levy | .... | production accountant | |
| Karol Martesko | .... | co-production liaison | |
| Morgan Miles | .... | assistant production accountant | |
| Axl Newrkla | .... | set location manager | |
| Andrea Nunner | .... | accountant: Austria | |
| Chris Paton | .... | unit publicist: DDA London | |
| Monika Petrillo | .... | script supervisor (as Monika von Manteuffel) | |
| Hans Weingartner | .... | production assistant | |
| Reini Weissensteiner | .... | set production assistant (as Reinhard Weißensteiner) | |
| Susanne Wouk | .... | set production assistant | |
Ringraziamenti | |||
| Wolfgang Ainberger | .... | we wish to thank | |
| Karen Arikian | .... | we wish to thank (as Karin Arikian) | |
| Manfred Bartunek | .... | we wish to thank | |
| Ivan Bigley | .... | we wish to thank | |
| Arie Bohrer | .... | we wish to thank | |
| Laura Duda | .... | we wish to thank | |
| Courtney Eldridge | .... | we wish to thank | |
| Jürgen Forster | .... | we wish to thank | |
| Walter Galosch | .... | we wish to thank | |
| Leonhard Gmür | .... | we wish to thank | |
| Robyn Gray | .... | we wish to thank | |
| Stefan Grissemann | .... | we wish to thank | |
| Alexander Horwath | .... | we wish to thank | |
| John Hunt | .... | we wish to thank | |
| Heather McGrath Jacobs | .... | we wish to thank | |
| David Jewell | .... | acknowledgment: poem "Delusion Angel" written by | |
| Alan Jones | .... | we wish to thank | |
| Gudrun Kampl | .... | we wish to thank | |
| Constanze Kargl | .... | we wish to thank | |
| Lynn Keller | .... | we wish to thank | |
| Kurt Kren | .... | we wish to thank | |
| Doris Krumpl | .... | we wish to thank | |
| Shirley Linklater | .... | in memory of: my grandparents (as Shirley) | |
| Amy Lowrey | .... | we wish to thank | |
| Peter Muhr | .... | we wish to thank (as Peter) | |
| Vesna Muhr | .... | we wish to thank | |
| Jim Osborne | .... | we wish to thank | |
| Katharina Pirker | .... | we wish to thank | |
| Bernhard Praschl | .... | we wish to thank | |
| Ulla Rapp | .... | we wish to thank | |
| Christa Reeh | .... | we wish to thank | |
| Stefan Ruul | .... | we wish to thank | |
| Maria Schmidt | .... | we wish to thank | |
| Franz Schwartz | .... | we wish to thank | |
| Heinz Skala | .... | we wish to thank | |
| Philipp Teuchtler | .... | we wish to thank | |
| I.D. Lila von Schwarzenberg | .... | we wish to thank | |
| Dagmar Wagner | .... | we wish to thank | |
| Fritz Wagner | .... | we wish to thank (as Fritz) | |
| Peter Wallner | .... | we wish to thank | |
| Heinz Wendl | .... | we wish to thank | |
| Cornelia Zweigert | .... | we wish to thank | |
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| Before Sunset | Gone with the Wind | Titanic | Lost in Translation | Love Actually |
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This has to be one of the most sincere and touching boy-meets-girl movies ever made. While "Rebel Without a Cause" and "Say Anything" deliver nice portrayals, this movies strips down useless subplots and Hollywood divergences. This movie focuses purely on watching the budding of a beautiful romance. You never doubt for a second that the film will lead towards the romantic pairing of these two people. You almost immediately sense the synergy and the chemistry between Jesse and Celine, and it is simply pure joy to watch them find it. This movie is mostly all dialogue -based. But, every conversation between these too is greatly intriguing. What makes this pairing so romantic is how real it is. How in all that conversation, while often having no real bearing on anything critical, you can sense the nuances as these two become more fond and trusting of each other. This is exactly they way you would dream that you meet that special someone. And what makes it so true is that it is not even too fantastic to believe. This could be what would happen if you had been confident enough to strike up a conversation with that person you noticed somewhere random. And what puts the icing on this film is the magnificent backdrop of Vienna in which this film takes place. It just adds to the feeling of romantic nirvana that the film suggests. And no matter how many times I watch this film, I don't think I will ever tire of that.