Shinji, furious at his father for the orders given in the previous battle, resigns from NERV. But as an Angel lays waste to the Geo-Front and the other Evangelions, he begins to reconsider his hasty ...
A bizarre Angel possessing a spherical shadow in the air and a Dirac sea-type body on the ground absorbs Shinji and EVA-01. While NERV searches for a means of destroying the Angel--even if that means...
The activation of EVA-03 goes awry when an Angel takes control of the unit. With EVA-03 itself re-designated as an Angel, Shinji is faced with the moral dilemma of terminating the rogue Evangelion at...
The fate of the world is threatened by seemingly monstrous entities known as Angels. NERV is an organisation set up to counter this threat and it is up to young pilots to protect Earth but exactly what are the real motives behind NERV?
Under constant attack by Angels, NERV introduces two new pilots: the mysterious Makinami Mari Illustrous and the intense Asuka Langley Shikinami. Parallel to the incursion, Gendo Ikari and ... See full summary »
14 years have passed since the near third impact. Most of the world has changed except Shinji Ikari who awakens, unaged in a new and strange environment. Misato has formed a group that has ... See full summary »
The Empire of Britannia has invaded Japan using giant robot weapons called Knightmare Frames. Japan is now referred to as Area 11, and its people the 11's. A Britannian who was living in ... See full summary »
Johnny Yong Bosch,
When the Angels start attacking the planet Earth in the year 2015, only a handful of 14-year-old EVA pilots are able to stop them. Young Shinji Ikari suddenly finds himself forced to pilot EVA-01, a giant organic mecha, designed and constructed by NERV, that is the only thing that can stop the Angels. Written by
The ending theme song is "Fly Me to the Moon". Approximately 56 different versions of the song were produced for the show. Some of these contain vocals, are karaoke versions, or are instrumentals. Others are short-length mixes or "TV-size" versions of previous recordings that were designed to be played at the end of the show, and a few versions of the song are not even called "Fly Me to the Moon" at all. To date, most of these recordings can be found in Original Soundtracks I, II, and III as well as the CDs "Addition," "Birthday of Rei Ayanami," "Refrain of Evangelion," "Death & Rebirth," and the 7-disc "S2 Works" collection. However, several of the TV-size versions that appear during the show's closing credits are not available on any official Evangelion CDs to date. See more »
Several of the appearances of EVAS, the size of the robots in terms of the proportion of the stage, constantly changing. In some cases show a height of about 83 feet, when Evas are in the HQ this size is reduced to 65 feet, then appear as large as a fourteen-store building. See more »
Are you asleep yet, Mr. Kaji?
No, not yet.
What kind of person is my father?
Well, that question is a surprise. I thought you were going to talk about Katsuragi.
It seems you're always with him.
The deputy commander is the one with him all the time. Have you been asking around about your father?
I haven't been with him for a long time...
So, you don't know.
But I have learned many things about my father recently. About his work, my mother...
No, you're wrong. You just think you understood. Well...
[...] See more »
Episode 26 on A.D. Vision's Evangelion Platinum Edition Vol. 7 DVD has a hidden ending featuring Spike Spencer in character as Shinji, which can be heard by going to the credits of that episode and switching to the fourth audio track. See more »
Although Eva begins like almost any mech anime series, it quickly transcends the traditional bounds typical of such anime and becomes a fascinating piece of character study in an apocalyptic setting. While the action is sometimes excessive and often takes away from the psychological aspect, the premise itself is quite fascinating.
Eva heavily borrows from various religious dogma, and that is one of the reason it has a mystical, albeit often nonsensical atmosphere (Lance of Longinus is an example of religious allegory which misfired). Lots of time is spent on various pseudo-technological scenes, the only good thing about that being that it nicely contrasts with the religious thematics. "Fan Service" was also mostly unnecessary.
Overall, Eva is a fascinating anime but does not fulfill all of its potential. The characters, although are fascinating and have great interaction, are static (although the writers try to make them seem dynamic) and their emotional makeup sometimes does not smoothly flow from episodes to episodes.
Nonetheless, despite its flaws, this is a great series. It grabs onto the viewer like few others, and only later can be analyzed without bias. Saying that it is thought-provoking would be an understatement. Everyday life is beautifully juxtaposed with the apocalyptic motifs, creating a nostalgic feel (which is especially worthy of praise because the anime takes place in the future). It is vague yet involving, impressionist in the sense that it affects the viewer like no other. Great musical score raises it above many others. Although a detailed unbiased analysis may show multiple flaws in various areas, as a whole Evangelion is amazing. Recommended to anyone who can appreciate art as a whole without looking too much into specific details, and is involving even after multiple viewings.
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