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See How They Fall (1994)

Regarde les hommes tomber (original title)
Simon is a sales representative about fifty. When Mickey, his cop friend, is being shot, he leaves everything to find the murderers. Two years before, Marx, an old gambler, met Frederic, a ... See full summary »

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3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Marx
...
Simon
...
Johnny
...
Louise
Christine Pascal ...
Sandrine
...
Mickey
Yves Verhoeven ...
Homosexual
Marc Citti ...
Informer
Roger Mollien ...
Marlon
Pierre Guillemin ...
Mr. Vernoux
...
Merlin
Rywka Wajsbrot ...
Mme Rajenski
Blats ...
Donata
Laurence Bienvenu ...
Nurse
François Toumarkine ...
Hired man #1
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Storyline

Simon is a sales representative about fifty. When Mickey, his cop friend, is being shot, he leaves everything to find the murderers. Two years before, Marx, an old gambler, met Frederic, a young man that does not look very smart and started to follow him everywhere (as a puppy) and changed his name to Johnny to please Marx. Of course, Simon's story is related with Marx and Johnny's one. But the thriller is only a pretext for a psychological description of the three main characters. Written by Yepok

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Genres:

Crime | Drama

Certificate:

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Release Date:

31 August 1994 (France)  »

Also Known As:

See How They Fall  »

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Aspect Ratio:

1.66 : 1
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User Reviews

 
great actors, brilliant dialog and excellent story
11 August 2005 | by See all my reviews

This film is full of interesting ideas. Some scenes are truly hilarious. The dialogs are witty and colloquial. The tension in the film comes not so much from the 'murder mystery' plot as from the relationship between the characters. The film tells two stories in parallel.

The first story involves the characters played by Trintignant and Kassovitz. Trintignant is an ageing drifter, with a somewhat ridiculous macho toughness, who is followed by a naive young man played by Kassovitz with plenty of good-natured smiles. Many good moments in the film come from the contrast between the two characters, for example when Trintignant tries to teach Kassovitz how to be intimidating.

The second story tells how a salesman,played by Jean Yanne, gives up his job and his wife to find the murderer of a young friend. Yanne plays the part with a kind of aggressive irony. I wish I could describe this better.

After a while the viewer understands how both stories are connected and they meet indeed in the end, in a surprising but also logical ending.

The film is a successful mixture of the witty but superficial gangster films the director's father (the celebrated Michel Audiard) used to write, and the "typical french film" with lots of psychological depth and lots of care in the display of emotions.


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