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Pulp Fiction (1994)
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Overview
Slogan:
Girls like me don't make invitations like this to just anyone! ancoraPlot:
The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption. full summary | full synopsisPremi:
Won Oscar. Another 43 wins & 40 nominations ancoraRecensioni degli utenti:
One of the best movies of the century! ancoraUS TV Schedule:
| Sat. Sept. 6 | 11:30 AM | AETV |
Cast
(in ordine dei titoli) (Completo e verificato)
Regia di | |||
| Quentin Tarantino | |||
Scritto da | ||
| Quentin Tarantino | (stories) & | |
| Roger Avary | (stories) | |
| Quentin Tarantino | (written by) | |
Prodotto da | |||
| Lawrence Bender | .... | producer | |
| Danny DeVito | .... | executive producer | |
| Richard N. Gladstein | .... | co-executive producer | |
| Michael Shamberg | .... | executive producer | |
| Stacey Sher | .... | executive producer | |
| Bob Weinstein | .... | co-executive producer | |
| Harvey Weinstein | .... | co-executive producer | |
Fotografia di | |||
| Andrzej Sekula | |||
Montaggio di | |||
| Sally Menke | |||
Responsabile casting | |||
| Ronnie Yeskel | |||
| Gary M. Zuckerbrod | |||
Scenografie di | |||
| David Wasco | |||
Architetto-scenografo | |||
| Charles Collum | |||
Arredatore | |||
| Sandy Reynolds-Wasco | |||
Costumi di | |||
| Betsy Heimann | |||
Trucco | |||
| Linda Arnold | .... | assistant hair designer | |
| Christina Bartolucci | .... | assistant hair stylist | |
| Christina Bartolucci | .... | assistant makeup artist | |
| Thomas L. Bellissimo | .... | special makeup effects artist (as Tom Bellissimo) | |
| Michelle Bühler | .... | key makeup artist (as Michelle Buhler) | |
| Bill Fletcher | .... | wig maker | |
| Audree Futterman | .... | key hair supervisor | |
| Erin Haggerty | .... | special makeup effects artist | |
| Theodore Haines | .... | special makeup effects artist (as Ted Haines) | |
| Iain Jones | .... | hair designer | |
| Douglas Noe | .... | special makeup effects artist | |
| David E. Smith | .... | special makeup effects artist (as David Smith) | |
| Wayne Toth | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup supervisor (uncredited) | |
| Robert Kurtzman | .... | special makeup supervisor (uncredited) | |
| Michael Mosher | .... | prosthetics: Ed Sullivan (uncredited) | |
| Gregory Nicotero | .... | special makeup supervisor (uncredited) | |
Direttore di produzione | |||
| Paul Hellerman | .... | production manager | |
| Heidi Vogel | .... | post-production supervisor | |
Aiuto regista | |||
| William Paul Clark | .... | additional second second assistant director | |
| John W. Hyde Jr. | .... | second second assistant director (as John 'Crash' Hyde Jr.) | |
| Kelly Kiernan | .... | second assistant director | |
| Francis R. Mahoney III | .... | first assistant director (as Francis R. 'Sam' Mahony III) | |
Effetti speciali | |||
| Stephen DeLollis | .... | special effects | |
| Pat Domenico | .... | special effects | |
| Larry Fioritto | .... | special effects coordinator | |
| Wes Mattox | .... | special effects (as Wesley Mattox) | |
| Evan Campbell | .... | special makeup effects (uncredited) | |
| Bruce Harris | .... | special effects propmaker (uncredited) | |
| Kevin McTurk | .... | special effects assistant (uncredited) | |
Controfigure | |||
| Matthew Avila | .... | stunt safety | |
| Cameron | .... | stunts | |
| Christopher Doyle | .... | stunts (as Chris Doyle) | |
| Marcia Holley | .... | stunts | |
| Terry Jackson | .... | stunt double: Bruce Willis | |
| Terry Jackson | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Linda Kaye | .... | stunts | |
| Hubie Kerns Jr. | .... | stunts | |
| Ken Lesco | .... | stunt coordinator | |
| Dennis Madalone | .... | stunts (as Dennis 'Danger' Madalone) | |
| Scott McElroy | .... | stunts | |
Animation Department | |||
| Russell Vossler | .... | character artist | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Ruth Lambert | .... | casting associate | |
| Jeff Olan | .... | extras casting: Rainbow Casting | |
Editorial Department | |||
| Liam Curtin | .... | post-production intern | |
| Andrew Dickler | .... | apprentice editor | |
| Jere Huggins | .... | assembly editor (as Jere P. Huggins) | |
| Donald Likovich | .... | assistant editor | |
| Katie Mack | .... | second assistant editor | |
| Kara Mazzola | .... | post-production coordinator | |
| Ray Neapolitan | .... | second assistant editor | |
| Ben Parker | .... | post-production assistant | |
| Tatiana S. Riegel | .... | first assistant editor | |
| John Sosnovski | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
Music Department | |||
| Kristen Becht | .... | assistant to music supervisor | |
| Billy Gottlieb | .... | assistant to music supervisor | |
| Rolf Johnson | .... | music editor | |
| Chuck Kelley | .... | music consultant | |
| Laura Lovelace | .... | music consultant | |
| The Marketts | .... | music performers | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| Karyn Rachtman | .... | music supervisor | |
| Mary Ramos | .... | music coordinator: Mind Your Music | |
Transportation Department | |||
| Derek N. Alff 'DNA' | .... | driver production assistant | |
| Alonzo Brown Jr. | .... | driver | |
| Bruce Callahan | .... | driver | |
| Steve Earle | .... | driver | |
| Don Feeney | .... | driver | |
| Scotty Goudreau | .... | driver | |
| David Joseph | .... | driver: production van | |
| John Key | .... | driver | |
| Suzy Mae Martin | .... | driver production assistant | |
| Glenn McCraven | .... | driver | |
| Richard Middleton | .... | driver production assistant (as Richard C. Middleton) | |
| Derek Raser | .... | transportation coordinator | |
| George A. Sack Jr. | .... | driver: water truck (as George Sack) | |
| J.T. Thayer | .... | transportation captain (as J.T. Thayer II) | |
| Earl Thielen | .... | driver (as Earl 'Mr. Blonde' Thielen) | |
| Tracy Thielen | .... | driver (as Tracy 'Ace' Thielen) | |
| Gregg Willis | .... | driver | |
| Paul Burlin | .... | driver (uncredited) | |
Altro personale | |||
| Toni Baffo | .... | assistant to producer | |
| Jay Beattie | .... | office production assistant | |
| Cheryl Cain | .... | assistant production coordinator | |
| Cameron | .... | stand-in | |
| Cullen G. Chambers | .... | stand-in: Samuel L. Jackson (as Cullen Chambers) | |
| Vicki Cherkas | .... | legal advisor: Miramax | |
| Ruben Cortez | .... | set security supervisor | |
| Angelique A. Costanza | .... | post-production accountant | |
| Angelique A. Costanza | .... | production auditor | |
| Robert Earl Craft | .... | location manager | |
| Rory Dauson | .... | stand-in (as Rory K. Dauson) | |
| Steve Earle | .... | mechanic | |
| Nathan Easterling | .... | office production assistant | |
| Robert Fraade | .... | immigration legal service | |
| Carlos K. Goodman | .... | production legal services (as Carlos Goodman) | |
| Michael Haddad | .... | assistant craft service | |
| Cynthia Harding | .... | accounting intern | |
| Derek Hurd | .... | craft service | |
| Gloria Hylton | .... | stand-in | |
| John A. Johnston | .... | assistant location manager | |
| Scott Johnston | .... | stand-in | |
| Iain Jones | .... | set production assistant | |
| Sarah Kelly | .... | set production assistant | |
| Martin Kitrosser | .... | script supervisor | |
| Richard W. Kopenhefer | .... | labor legal service | |
| Victoria Lucai | .... | assistant to director | |
| Alicia Magnant | .... | office production assistant | |
| Thomas Magno | .... | set production assistant | |
| Stevie Maislen | .... | set production assistant | |
| Gerald Martinez | .... | chief graphic designer | |
| Francesca McCaffery | .... | office production assistant | |
| Courtney McDonnell | .... | assistant to producer post-production | |
| Bradley Morris | .... | production secretary | |
| Anna-Lisa Nilsson | .... | production coordinator | |
| Cathy Ragona | .... | coordinator: Miramax (as Cathy Agcayab Ragona) | |
| Tonya Richardson | .... | set production assistant (as Tanya Richardson) | |
| Tristan Sharp | .... | office production assistant | |
| Abigail Sheiner | .... | accounting assistant | |
| Jeffrey Stephan | .... | stand-in | |
| Haley Sweet | .... | location assistant (as Haley B. Sweet) | |
| James 'Chip' Weis | .... | key office production assistant (as Jim Weis) | |
| Kurt Woolner | .... | completion guarantee | |
| Deborah Wuliger | .... | unit publicist | |
| Zane | .... | assistant accountant | |
| Julia Zane | .... | production accountant | |
| Don Asher | .... | clearance supervisor (uncredited) | |
| Stephen J. Eads | .... | assistant: Bruce Willis (uncredited) | |
| Craig Hamann | .... | consultant (uncredited) | |
| Malle Jensen | .... | assistant: Mr. Keitel (uncredited) | |
| Tony Kerum | .... | caterer (uncredited) | |
Thanks | |||
| Lou Arkoff | .... | special thanks | |
| Emporio Armani | .... | special thanks | |
| Agnès B. | .... | special thanks (as Agnes B.) | |
| Jennifer Beals | .... | special thanks | |
| Linda R. Chen | .... | special thanks (as Linda Chen) | |
| Jim Hannafan | .... | special thanks | |
| Cathryn James | .... | special thanks (as Cathryn Jaymes) | |
| Cindy Lou Johnson | .... | special thanks | |
| John Logigian | .... | special thanks | |
| Stephen Martines | .... | special thanks (as Coltin Scott) | |
| Ricardo Mestres | .... | special thanks | |
| Rozann Newman | .... | special thanks | |
| Mike Simpson | .... | special thanks | |
| Scott Spiegel | .... | special thanks | |
| Cindy Jo Stanberry | .... | special thanks | |
| Emanuel Steward | .... | special thanks | |
| Lee Stollman | .... | special thanks | |
| Jamie Toscas | .... | special thanks | |
| Bill Unger | .... | special thanks | |
- Alliance Atlantis Home Video (2002) (Canada) (DVD)
- Alliance Atlantis Motion Picture Distribution
- Amuse Video (1995) (Japan) (VHS)
- Bac Films (1994) (France) (theatrical)
- Buena Vista Home Entertainment (2002) (UK) (DVD) (collector's edition)
- Buena Vista International (1994) (UK) (theatrical)
- Cecchi Gori Group
- Criterion Collection, The (????) (laserdisc)
- Delta Vidéo Diffusion (1995) (France) (video)
- Finnkino (1995) (Finland) (theatrical)
- Gativideo (Argentina) (video)
- Gemini Film (1994) (Czech Republic) (theatrical)
- Impuls Home Entertainment (2000) (Switzerland) (DVD)
- Laurenfilm (1995) (Spain) (theatrical)
- Miramax Films (1994) (USA) (theatrical)
- Miramax Home Entertainment (USA) (DVD)
- Miramax Home Entertainment (USA) (VHS)
- Miramax Home Entertainment (USA) (laserdisc)
- Praesens-Film (1994) (Switzerland) (theatrical)
- Scotia International Filmverleih (1994) (Germany) (theatrical)
- Spentzos Film Home Video (1995) (Greece) (VHS)
- Spentzos Films (1994) (Greece) (theatrical)
- Starz! Network (1995) (USA) (TV)
- Svensk Filmindustri (SF) (1994) (Sweden) (theatrical)
- Toshiba Digital Frontiers (TDF) (1999) (Japan) (DVD)
- Toshiba Digital Frontiers (TDF) (2003) (Japan) (DVD)
- Toshiba Entertainment (2006) (Japan) (DVD)
- Universum Film (UFA) (2000) (Germany) (DVD)
- Village Roadshow Entertainment (1999) (Australia) (DVD)
- Background Engineers Inc. process projection
- Buena Vista Sound re-recording
- Film Finance completion guarantee
- Great Northern Brokerage Services insurance
- Hama Design special thanks
- I.C.E. Negative Cutting negative cutting
- Judy Garland & Associates travel arrangements and services
- Lighthouse Studio Rentals Inc. grip and electrical equipment
- Loeb and Loeb labor legal services
- Mario's Catering catering
- Pacific Title titles and opticals
- Rainbow Casting Service extras casting
- Shark Production Services grip equipment
- Sound Services production sound
- Varitel Video lightworks editing system
- Weddington Productions post-production sound
Additional Details
MPAA:
Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality.Parents Guide:
View content advisory for parentsDurata:
154 min | USA:168 min (special edition)Nazionalità:
USAColore:
ColoreAspect Ratio:
2.35 : 1 ancoraSonoro:
Dolby SRDivieti:
Singapore:R21 (re-rating) (uncut) | Brazil:18 | Canada:18 (Nova Scotia) | Finland:K-16 (video rating) (1995) (cut) | Italy:VM14 (re-rating after appeal) (1997) | Finland:K-18 (original rating) (1995) (uncut) | Italy:VM18 (original rating) | Hungary:18 | Australia:M (TV rating) (cut) | Canada:R (Manitoba/Ontario) | Philippines:R-18 | Mexico:C | Australia:R | USA:R | Argentina:18 | Australia:MA (cable rating) | Canada:16+ (Quebec) | Chile:18 | Denmark:15 | France:-12 | Germany:16 | Hong Kong:III | Iceland:16 | Ireland:18 | Israel:18 | Japan:R-15 | Netherlands:16 | New Zealand:R18 | Norway:18 | Poland:15 | Portugal:M/16 | Portugal:M/18 (Qualidade) | Singapore:R(A) (original rating) (cut) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 | UK:18 (original rating) | UK:18 (video rating) (1995) (cut)Luoghi delle riprese:
Hawthorne Grill - 13763 S. Hawthorne Boulevard, Hawthorne, California, USA ancoraMOVIEmeter: 
1% since last week
why?
Info divertenti
Errori:
Personale o equipaggiamento visibile: Crew is reflected in the open front door when Lance goes outside to yell at Vincent for crashing into his house. ancoraCitazioni:
[first lines]Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
ancora
Colonna sonora:
Girl, You'll Be A Woman Soon ancoraFAQ
What is the Connection Between Pulp Fiction and Jackie Brown?A NOTE REGARDING SPOILERS
Are Pulp Fiction and Reservoir Dogs connected?
ancora
If you think "Pulp Fiction" is brilliant, you're wrong. It's more than that. It's a milestone in the history of film making. It's already a classic. But why? Because of the many "f" words, or maybe because of the brain and skull pieces on the rear window of a car? No, that's surely not the point (unfortunately some other users - fortunately the minority - don't get it). Tarantino has made a movie that's someway different from many other action, gangster or crime movies. What's so different? He knows the subject of the movie is "cool", he knows it's a product of mass culture, and he even likes it by himself. But he smiles at it and tells three great stories with a lot of irony. And this irony is the first point. The second point is that he gave souls to extremely schematic characters. They surely aren't another action heroes who you forget as fast as you can twinkle. They are human beings like we are, talking about Burger King and McDonalds, about TV series and a foot massage. They just earn their money with killing others or selling drugs. What else is so great about "Pulp Fiction"? It's the acting, the directing, the cinematography, the soundtrack, the sense of humour and the whole rest. In my opinion it's all