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Pulp Fiction (1994)

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The lives of two mob hitmen, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

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Writers:

(stories), (stories) | 1 more credit »
Popularity
217 ( 30)
Top Rated Movies #7 | Won 1 Oscar. Another 60 wins & 68 nominations. See more awards »
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Cast

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Storyline

Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents. Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

I don't smile for pictures. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and drug use, pervasive strong language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

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Release Date:

14 October 1994 (USA)  »

Also Known As:

Black Mask  »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$9,311,882, 14 October 1994

Gross USA:

$107,928,762

Cumulative Worldwide Gross:

$213,928,762
See more on IMDbPro »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

| (original cut)

Sound Mix:

(Dolby Stereo Spectral Recording Digital)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997. See more »

Goofs

(at around 1h 15 mins) In the "gold Watch" scene, Butch gets out of the cab, then it cuts to Butch paying Esmarelda Villalobos. When the view returns to the whole cab again, you can tell the cab is moved back from when they first arrived. See more »

Quotes

[first lines]
Pumpkin: Forget it. Too risky. I'm through doing that shit.
Yolanda: You always say that. That same thing every time, "I'm through, never again, too dangerous".
Pumpkin: I know that's what I always say. I'm always right, too.
Yolanda: But you forget about it in a day or two.
Pumpkin: Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
See more »

Crazy Credits

The coffee shop manager in the robbery scene at the end is credited as "Coffee Shop" because he is cut off as he speaks: "I am not a hero, I'm just a coffee shop--" See more »

Connections

Referenced in Blood Slaves of the Vampire Wolf (1996) See more »

Soundtracks

Jungle Boogie
Written by Ronald Bell, Claydes Smith, George Funky Brown (as George Brown), Robert Spike Mickens (as Robert Mickens), Donald Boyce, Richard Westfield, Dennis D.T. Thomas (as Dennis Thomas), and Robert Kool Bell (as Robert Bell)
Performed by Kool & The Gang
Courtesy of Polygram Special Markets
See more »

Frequently Asked Questions

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User Reviews

 
One of the Best Film's I've Seen In A LONG Time... and still is
20 January 2000 | by See all my reviews

Quentin Tarantino's Pulp Fiction is a terrific film. It also gets better with each viewing, especially if one of those happens to be on a big theatrical screen where all of the BIG compositions get bigger and more detailed. How much else is there to talk about it after all these years? It's filled with dynamite, sudden and always interesting action, great and naturally clever dialogue, and memorable characters. Also, the acting is always something to behold as by turns straightforward, over the top, subtle, and just downright menacing and spot-on. The directing is one of the strongest that we've seen from Tarantino, as he makes his choices in pacing with shots in unconventional ways but never in a way that would be distracting. And writing, already noted, has been copied by many, and only equaled by a select few.

The dance sequence. Samuel L. Jackson's superlative monologuing. It has loyalty among low lifes, and many other odd characters that are all bad and not one is a villain or hero. And somehow even after years of parody and terrible rip-offs, it holds its own and- as one can say after seeing it at a midnight screening- holds its audience as much as it had the countless times before they saw it (or if they are, the first time). The first time you're surprised, the second time you look for the clues or other ambiguity, and then the third time you laugh you head off. The fourth time... I'll leave to you.


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