A young American woman (Sydne Rome) traveling through Italy finds herself in a strange Mediterranean villa where nothing seems right. Her visit becomes an absurd, decadent, oversexed ... See full summary »
Paulina Escobar is a political activist whose husband is a prominent lawyer in an unnamed South American country just out of a dictatorship. One day a storm forces her husband to ride home with a neighbor. That chance encounter brings up demons from her past, as she is convinced that the neighbor (Dr. Miranda) was part of the old fascist regime that tortured and raped her, while blindfolded. Paulina takes him captive to determine the truth. Paulina is torn between her psychological repressions and somber memory, Gerardo is torn between his wife and the law, and Dr. Miranda is forced to endure captivity while husband and wife seek out the uncertain truth about the clouded past. Written by
Henry G. Herron <firstname.lastname@example.org>
The film's source published play written by Ariel Dorfman states as its setting in the introduction as: "A beach house in a country that is probably Chile, but could be any country that has given itself a democratic government just after a long period of dictatorship. The Present." See more »
Dr. Miranda's moustache changes inconsistently throughout the movie. See more »
Three characters, one suffocating place. The bizarre world of Roman Polanski transported to a true, painful and little known historical context. The film is an X ray into secret, open wounds. We're never sure what happens in Sigourney's mind, but we're aware that her pain and her anger are real. We are unable to take sides, we're too afraid. We want for the ordeal to end and yet, we're glued to the discomfort and uncertainty. Recommended for masochists and film lovers.
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