The Cemetery Club (1993)

Voti degli utenti:

5.8/10   

Regista:

Bill Duke

Writers (WGA):

Ivan Menchell (play)
Ivan Menchell (screenplay)

Data di uscita:

3 febbraio 1993 (USA)

Genere:

Comedy

Plot:

This comedy with much Jewish humor is about the widows Doris, Ester and Lucille, who's husbands died one after another in just a few years...

Plot Keywords:

Bridesmaid | Jewish | Loss Of Friend | Pittsburgh Pennsylvania | Widow

Premi:

1 win

Recensioni degli utenti:

Fake Jewish, fake sentimental, fake funny, fake everything...

Cast

Ellen Burstyn	...	Esther Moskowitz
Olympia Dukakis	...	Doris Silverman
Diane Ladd	...	Lucille Rubin
Danny Aiello	...	Ben Katz
Lainie Kazan	...	Selma
Jeff Howell	...	Paul
Christina Ricci	...	Jessica
Bernie Casey	...	John
Alan Manson	...	Abe Silverman
Sam Schwartz	...	Irving Jacobs
Stephen Pearlman	...	Rabbi
Gene Ray	...	Photographer
Allan Pinsker	...	Mel
Alice Eisner	...	Rene
Hy Anzell	...	Al

Alias:

Looking for a Live One
Club delle vedove, Il (Italy) [it]

MPAA:

Rated PG-13 for sensuality and some language.

Durata:

Netherlands:107 min | UK:102 min | USA:106 min

Nazionalità:

USA

Lingua:

Inglese

Colore:

Colore (Technicolor)

Sonoro:

Dolby

Divieti:

Iceland:L | Sweden:Btl | UK:15 | USA:PG-13 | Australia:M | Singapore:PG

Luoghi delle riprese:

Pittsburgh, Pennsylvania, USA

Company:

Down To Earth Productions

Curiosità:

The music store used for Moskowitz Music is called Spratt Music, and it is outside of Pittsburgh, in Brentwood, PA. The Moskowitz sign created for the movie is still displayed in the window of the store as of 2000.

Citazioni:

Lucille Rubin: Sometimes life's a bummer
Doris Silverman: A bummer?
Lucille Rubin: It's just a word.
Doris Silverman: You don't call losing a husband a bummer.
Lucille Rubin: A bummer, Doris, is what you are right now.

Movie Connections:

Fa riferimento a "Roseanne" (1988)

Colonna sonora:

Kiss Of Fire

Fake Jewish, fake sentimental, fake funny, fake everything...

Ivan Menchell's screenplay for "The Cemetery Club", taken from his play, is a collection of lightly dramatic and comedic episodes which result in a half-hearted sitcom; it's a Jewish "Golden Girls" for under-achievers, and nobody involved with the picture looks as though they had great hopes for it. Three girlfriends in their 60s, all Jewish widows, grieve together, laugh together, attend weddings and funerals together, but when one of the gals thinks she's found a decent man, the other two interfere (out of jealousy or fear or maybe a bit of both). Possibly hoping to target the "Moonstruck" crowd, director Bill Duke plays on our nostalgic feelings for a cast full of familiar faces, warmly sentimental music on the soundtrack, and antiquated comic shtick which may strike some viewers as funny so long as they're into reruns. For a few brief moments, Ellen Burstyn and Danny Aiello create a cheery romantic rapport, but her introduction to him (fighting with a groundskeeper and being bitten in the leg!) is a gag that even Mel Brooks might have passed on. Writer Menchell is very fond of meet-cutes and warmly bitchy put-downs, and Burstyn has to struggle to carve out an interesting character (it doesn't help that she's weighed down with wigs and scarves and jackets). With its teary-eyed laughter and fake Jewish come-on, the movie appears to be a total fraud, yet there was the germ of a good idea here, particularly with Aiello's cab-driver (he's actually more interesting than the women). The capable cast certainly makes it watchable, but Duke's inconsistent rhythm and indecisive narrative puts a wall around these people--we don't even know for sure if these are likable people, so generic is the writing and handling. ** from ****