7.7/10
7,667
61 user 38 critic

Un Coeur en Hiver (1992)

Un coeur en hiver (original title)
Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate.

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Writers:

(scenario and dialogue), (scenario and dialogue) | 2 more credits »
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Nominated for 1 BAFTA Film Award. Another 15 wins & 11 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Stéphane
...
Camille
...
Maxime
...
Hélène
Brigitte Catillon ...
Régine
Myriam Boyer ...
Mme. Amet
Jean-Claude Bouillaud
...
Brice
Dominique De Williencourt ...
Christophe
Jeffrey Grice
Luben Yordanoff
Nanou Garcia
François Domange
Jacques Villa
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Storyline

Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins. But his heart seems to be as cold as her playing is passionate. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

Language:

Release Date:

4 June 1993 (USA)  »

Also Known As:

Un Coeur en Hiver  »

Box Office

Gross:

$1,666,511 (USA)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Emmanuelle Béart actually learned how to play the violin for the part. See more »

Connections

References Malina (1991) See more »

Soundtracks

Musique extraite des Sonates et Trio
de Maurice Ravel
Durand S.A. Editions Musicales et A.R.I.M.A. Ltd
Direction musicale Philippe Sarde
Enregistrée aux Studios Guillaume Tell par Jean-Jacques Kantorow, Howard Shelley,
Keith Harvey
See more »

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User Reviews

The Violinist-Psychologist not quite in Love
22 February 2002 | by (New York, NY) – See all my reviews

The plot revolves around the 'love triangle' of Camille, Stephan, and Maxine. Camille is a young up and coming concert violinist, and Stephan and Maxine are violin craftsmen. Camille is one of their many clients. The main character of this film, Stephan--played by Daniel Auteuil--is brilliant. He is a good looking and quiet man who knows what he wants and is secure in this: solitude--regardless of the amorous advances of Camille, the beautiful and brilliant young violinist who winds up dating his business partner Maxime, and whom he could seduce very easily. Many people analyzing Stephan's character would immediately say that he is sociopathic, deranged, insecure, or whatever. But Stephan is actually fully in control of his life throughout the whole film. He is not aware of fleeting passions like infatuation because he does not exist outside of passion: He is passion incarnate as he is very in tune with what he wants and is skillful at asserting his desires; so much so that those who encounter him become very jarred. His personna functions as a mirror that reflects other people's neuroses and fears back at them instead of absorbing them into itself and thus becoming poisoned. In this way, he's almost like a freelance mobile psychoanalyst passing through different bistros and concert halls in Paris, and disrupting the otherwise 'normal' relationships of those he encounters. The psychological tension throughout the film is thick from the start, and reaches a point of absolute saturation at its apogee. The viewer cannot help but find himself emotionally invested in the plot. The background score of the film is beautiful.


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