After her last encounter, Ripley crash-lands on Fiorina Fury 161, a maximum security prison. When a series of strange and deadly events occur shortly after her arrival, Ripley realizes that she brought along an unwelcome visitor.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious life-form, and they soon realize that its life cycle has merely begun.
During an archaeological expedition on Bouvetøya Island in Antarctica, a team of archaeologists and other scientists find themselves caught up in a battle between the two legends. Soon, the team realize that only one species can win.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
After escaping from the alien moon, the ship carrying Ellen Ripley crashes onto a remote and inhabited ore refinery. While living in the ore refinery until she is rescued by her employers, Ripley discovers the horrifying reason for her crash: An alien stowaway. As the alien matures and begins to kill off the inhabitants, Ripley is unaware that her true enemy is more than just the killer alien. Written by
Kerwin Tsang <firstname.lastname@example.org>
(at around 7 mins) A cross is briefly seen on the planet surface to suggest the religion that some of the inmates have turned to. The model department held a competition to see who could design the best one. Four different models were created, and then David Fincher chose the version he liked best. See more »
The syringe used on Ripley by the doctor (Charles Dance) is the modern-day Rocket brand from London, clearly shown on the close-up with the Rocket logo and OF LONDON mark. See more »
Stasis interrupted. Fire in cryogenic compartment. Repeat, fire in cryogenic compartment. All personnel report to emergency escape vehicle launch pod. Deep-space flight will commence in T-minus twenty seconds.
See more »
The 20th Century Fox fanfare that plays during the opening studio logo segues ominously into the score of the film. See more »
"Alien 3" combines the major elements of the first two entries in the popular series to make a disjointed mess that feels forced and rushed. This time Sigourney Weaver crash-lands her space ship from the last installment on a planet of jailed murderers and rapists. Everyone else on the ship dies and she believes that the alien has hitched a ride with her to this new planet. Of course it has and soon she, and everyone else on the planet, is trying to kill the alien and save themselves. "Alien 3" has the eerie feel of the first film and the in-your-face action of the second. These two elements make the film disjointed. At some points the audience is bored stiff and at other moments they are confused by the outlandish action sequences. The direction is never clear and there is no real screenplay here at all. Weaver tries to carry the film by herself, but she lacks the support that she had for the first two entries. Lance Henriksen only makes a token appearance. Charles Dutton is pretty good, but his character lacks the development to really make him interesting. Everyone else is just present and ultimately the alien proves to be little more than a jack-in-the-box monster that hops out at the most predictable moments. Overall a disappointment that is not very impressive at all. 2 stars out of 5.
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