The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
Lula's psychopathic mother goes crazy at the thought of Lula being with Sailor, who just got free from jail. Ignoring Sailor's probation, they set out for California. However their mother hires a killer to hunt down Sailor. Unaware of this, the two enjoy their journey and themselves being together... until they witness a young woman dying after a car accident - a bad omen. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Laura Dern, who preferred to play intellectual characters, had difficulty playing someone as sex-obsessed as Lula. She found that chewing bubble gum while saying her lines gave them the right pace. See more »
When the policeman approaches Perdita who's waiting in the car, a shadow from either crew or equipment can be seen briefly on his hat. See more »
Baby Please Don't Go
Written by Big Joe Williams (as Joe Williams)
Performed by Them
Published by MCA Music Publishing, a Division of MCA Inc. (ASCAP)
Courtesy of PolyGram Special Products
a Division of PolyGram, Inc.
Capitol Recordings See more »
This whole world is Wild at Heart and crazy on top
Wild at Heart begins with an arresting scene of bloody violence by one of the two lead characters, Sailor Ripley, and this immediately grabs our attention. After this he hooks up with his lover, Lula, who he fiercely protects, and goes on a bizarre road trip into the deep south of the states, while avoiding Lula's mother, played with passion by a deservedly Oscar-nominated Diane Ladd, who has an obsessive hatred for Sailor. They meet an assortment of weird people, especially Bobby Peru, and also Perdita Durango, who has appeared recently in a film with her name as the title, also written by Barry Gifford. It is classic David Lynch, with a homage type theme to the Wizard of Oz. It has the sensuality and eroticism later seen in Lost Highway, the violence and gore, the head sequence after the bank robbery being graphic, and a general uneasiness throughout. But it is a darkly humorous and transfixing piece.
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