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Jeeves and Wooster 

TV-PG | | Comedy | TV Series (1990–1993)
Bertram Wooster, a well-intentioned, wealthy layabout, has a habit of getting himself into trouble and it's up to his brilliant valet, Jeeves, to get him out.
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4   3   2   1  
1993   1992   1991   1990  
Top Rated TV #218 | 2 wins & 3 nominations. See more awards »

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Cast

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Storyline

This series chronicles the misadventures (romantic and otherwise) of the impeccably dressed Bertie Wooster and his trusty and sagacious valet, Jeeves. Peppered with sporting dialogue and memorable, dim-witted and eccentric characters. Written by Kathleen Mortensen <presto@freespace.net>

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Genres:

Comedy

Certificate:

TV-PG | See all certifications »

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Release Date:

22 April 1990 (UK)  »

Also Known As:

Dživs i Vuster  »

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Technical Specs

Runtime:

(23 episodes)

Sound Mix:

| (season 1-2)

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Aspect Ratio:

4:3 Full Frame
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Did You Know?

Trivia

The New York episodes take place place in the late 20s or early 30s yet a theater marquee shown in the montages advertises Gary Cooper and Ingrid Bergman in Saratoga Trunk (1945). See more »

Quotes

[greeting the Glossops before trying to prove his sanity]
Bertie: What ho, what ho, what ho?
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User Reviews

 
p.g. wodehouse- comic genius
19 December 2006 | by See all my reviews

I watched the show before reading the books, but I absolutely adore both. As others have said, the casting of the two main characters is perfect, though i wish Fry could've had more of a chance to show off.

There are a few notable differences between the two mediums, none of which hamper the viewer/reader's pleasure any. In the show, for instance, Jeeves seemed to be more warm-hearted than in the books, where he seemed to me to be more of an untouchable impressive figure, almost cruel at times to Bertie, though always pulling him out of trouble in the end. Fry's portrayal was preferable to the books' character, for me, because I enjoyed the more casual relationship. In the books, Jeeves was almost a father figure, not nearly so close.

One reason i enjoy the show so much is the way it ignores pressing world issues. The prohibition is in full swing over in America, but that is only referenced in one episode. The depression is about to hit, and the entire world is going to feel it, perhaps even Bertie. I've always found this fact to make my viewing all the more interesting, because Bertie and his friends take their wealth so casually. The books are written from Bertie's perspective, and as it's plausible that he would ignore socialism and other radical reform movements, economic disputes, prohibition, and other strife synonymous with the 20s, then so would the show. It's a wonderful departure from reality, into a world where your only worry is how to weasel out of unwanted engagements to less-than-admirable girls, or how to avoid your overbearing aunt.

It's all of these things that really put the Wodehouse stories and their subsequent television adaptations close to my heart, but it's the lovable characters and the flawless portrayal of them by each respective actor that keeps me drawn to watching this show over and over again.


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